| Elizabeth Hartman | ... | Barbara Darling | |
| Geraldine Page | ... | Margery Chanticleer | |
| Peter Kastner | ... | Bernard Chanticleer | |
| Rip Torn | ... | I.H. Chanticleer | |
| Michael Dunn | ... | Richard Mudd | |
| Tony Bill | ... | Raef del Grado | |
| Julie Harris | ... | Miss Nora Thing | |
| Karen Black | ... | Amy Partlett | |
| Dolph Sweet | ... | Patrolman Francis Graf | |
| Michael O'Sullivan | ... | Kurt Dougherty The Albino Hypnotherpist | |
| Ronald Colby | ... | Barbara's Stage Play Crew (as Ron Colby) | |
| Rufus Harley | ... | Barbara's Stage Play Crew | |
| Frank Simpson | ... | Barbara's Stage Play Crew | |
| Nina Varela | ... | Barbara's Stage Play Crew | |
| Len De Carl | ... | Barbara's Stage Play Crew | |
| Emily | ... | Dog | |
| rest of cast listed alphabetically: | |||
| Bill Walters | ... | Commerce Street BG (uncredited) | |
Directed by | |||
| Francis Ford Coppola | |||
Writing credits | ||
| David Benedictus | (novel) | |
| Francis Ford Coppola | (written for the screen by) | |
Produced by | |||
| Phil Feldman | .... | producer | |
Original Music by | |||
| Robert Prince | |||
Cinematography by | |||
| Andrew Laszlo | (director of photography) | ||
Film Editing by | |||
| Aram Avakian | |||
Casting by | |||
| Bernie Styles | (as Bernard B. Styles) | ||
Art Direction by | |||
| Vassilis Photopoulos | (as Vassele Fotopoulos) | ||
Set Decoration by | |||
| Marvin March | |||
Costume Design by | |||
| Theoni V. Aldredge | |||
Makeup Department | |||
| Phil Naso | .... | hair stylist (as Philip Naso) | |
| Robert Phillipe | .... | makeup artist (as Bob Philippe) | |
Production Management | |||
| David Golden | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Larry Sturhahn | .... | assistant director | |
Art Department | |||
| Stanley Cappiello | .... | scenic artist (as Stan Capiello) | |
Sound Department | |||
| Jean Bagley | .... | sound editor | |
| Jack C. Jacobsen | .... | sound mixer (as Jack Jacobsen) | |
| Sanford Rackow | .... | sound editor | |
| Dick Vorisek | .... | sound re-recording mixer | |
Camera and Electrical Department | |||
| Josh Weiner | .... | still photographer | |
Editorial Department | |||
| Marc Laub | .... | assistant editor | |
Music Department | |||
| Jack Lewis | .... | musical supervisor | |
| The Lovin' Spoonful | .... | music performers | |
| Arthur Schroeck | .... | conductor | |
| Arthur Schroeck | .... | musical arranger | |
| John Sebastian | .... | composer: songs (as John B. Sebastian) | |
Other crew | |||
| B.J. Bjorkman | .... | script supervisor | |
| Robert Tucker | .... | choreographer: Miss Hartman | |
Thanks | |||
| John V. Lindsay | .... | grateful appreciation: for the cooperation of | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
I first saw this movie in a British seaside flea-pit - on the strength of just the title - when I was 13. It enchanted me so much, I traveled back there every night for the rest of the week, just to see it again and again.
Despite being very much a "New York Movie", it's themes are universal and as a young lad of 13, I REALLY identified with the 19-year-old hero (Americans are less mature than we Europeans).
At that time, I only knew F.F.C. as the director of "Finian's Rainbow" (a VERY different project) and of course, he had yet to do "American Graffiti" (ANOTHER of my Top Ten).
I have this masterpiece on VHS and the soundtrack album (in mono) on vinyl and they STILL stand up today. I think people who dislike this movie are expecting another broad relationship comedy - but the comedy is very SUBTLE, obviously being lost on those who see it as just another "Young Man's Awakening" movie.
But that aside, this is a charming, VERY Sixties look at teen-angst from the viewpoint of a central character who has JUST LEFT the bonds of home (so many feature ones who are still STUCK there). And as one who would shortly leave an English small town for life in London, at the HEIGHT of the "swinging" era ('67-'72) this movie was LITERALLY a life-changing experience for me.
And few of my Top Ten movies can claim THAT.