Bennie travels to Buenos Aires to find his long-missing older brother, a once-promising writer who is now a remnant of his former self. Bennie's discovery of his brother's near-finished play might hold the answer to understanding their shared past and renewing their bond.
Francis Ford Coppola
A writer with a declining career arrives in a small town as part of his book tour and gets caught up in a murder mystery involving a young girl. That night in a dream, he is approached by a... See full summary »
Bernard Chanticleer's father gives him two simple words of advice: "Grow up." Bernard knows that his first step is to find a girl who's "willing," but he passes up a sure thing, Amy Partlett, for a more elusive goal. Her name is Barbara Darling, an inscrutable go-go dancer. More than a few obstacles keep Bernard from his dream world. There's his doting mother, who mails him locks of her hair and weeps at the thought of her baby as a man; there's a malicious rooster, trained to attack pretty girls, patrolling the halls of his New York City rooming house; and most of all, there's Barbara herself. She turns out to be a man hater, emotionally scarred by the lecherous wooden-legged hypnotherapist who "counseled" her in high school. All in all, Bernard finds himself in an improbable universe with a calculated clumsiness designed to evoke his confusing coming-of-age. Written by
In the film, Bernard Chanticleer's landlady, Miss Thing, has a pet rooster that attacks girls who come to visit him. Bernard's last name, Chanticleer, is taken from an old European folk tale about a rooster named Chanticleer who matches wits with Reynard the Fox (as told in "The Nun's Priest's Tale" of Chaucer's "Canterbury Tales"). See more »
As Barbara Darling is ripping the buttons from the front of Bernard Chanticleer's shirt, she pulls off the top button first. In the next edited shot, as Barbara's hands move to the lower buttons, the top button is back on. In the next shot, the top button is missing again. See more »
It's 1966, but you won't mind. This'll take you back.
What we have here is an early F.F.C. effort (he also wrote most of the screenplay).You can see the genius that is later to come.
Here's a confused, virginal young man, constantly picked on by his over-bearing parents, trying to find his way in the world of New York City. Bernard is his name and just watch what he does with initials he spots.
The gal that wants him he doesn't want, and the gal that he wants doesn't want him. Got it straight? No wonder this is turning into a "cult" film.
The acting is first rate in a lot of places. Geraldine Page is always great and Rip Torn can handle most roles. Julie Harris was "perfect" as Mrs. Thing (honest, that's her name). Speaking of names, the part played by Lisa Hartman is Barbara Darling, a would-be actress who dances in a go-go club at night.
Watching Bernard weave his way through conniving co-workers and the strange behavior of Miz Darling, is worth the price of admission.
I always wonder who writes these critiques for IMDB, and should I trust them? For that reason,I'd like you all to know that I am a male senior citizen, but this movie made me feel 18 again. You'll find yourself running into similar things that happened to you in your youthful pursuits.
You could do a lot worse taking a chance on a movie.
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