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The Wrong Box (1966)

Approved | | Comedy, Crime | 4 July 1966 (UK)
In Victorian England, a fortune now depends on which of two brothers outlives the other... or can be made to have seemed to do so!

Director:

Writers:

(suggested by a novel by), (suggested by a novel by) | 2 more credits »
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Won 1 BAFTA Film Award. Another 2 nominations. See more awards »
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Cast

Cast overview, first billed only:
Jeremy Lloyd ...
Brian Allen Harvey
James Villiers ...
Sydney Whitcombe Sykes
...
Ian Scott Fife
Dick Gregory ...
Leicester Young Fielding
Nicholas Parsons ...
Alan Fraser Scrope
Willoughby Goddard ...
James White Wragg
...
Oliver Pike Harmsworth
...
Vyvyan Alistair Montague
Hamilton Dyce ...
Derek Lloyd Peter Digby
...
Lawyer
...
Clerk
Donald Oliver ...
Gunner Sergeant
Totti Truman Taylor ...
Lady at Launching
Jeremy Roughton ...
Bugler
Frank Singuineau ...
Native Bearer
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Storyline

A tontine is established for twenty boys in 1818 England - a tontine being a kind of insurance wager in which money is invested by each participant, to grow with interest, with the last survivor to get the substantial payout. We watch the group dwindle until only two elderly brothers are left in 1882. One brother is watched by his nephews who will keep him alive at all costs; the other lives in ill health and poverty as the only support of his perpetually confused grandson. Statues and bodies are switched, in the wrong boxes, until everyone is sure that one (or both) of the brothers has died. Now if they can only make it seem as if the other brother died first, over a hundred thousand pounds (in Victorian England, when a pound was a pound) will be theirs. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Add Synopsis

Taglines:

Virtuous maidens...cunning cousins...dastardly deeds...bodies in barrels...and boxes and boxes of boxes!

Genres:

Comedy | Crime

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

|

Release Date:

4 July 1966 (UK)  »

Also Known As:

13.000.000 dollaria zitoun klironomo  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Final theatrical movie of television comedian Tony Hancock. See more »

Goofs

Joseph Finsbury's nephews keep taking away his tobacco, presumably to extend his longevity. In the time period of this film, it was not known that smoking is harmful. See more »

Quotes

[the doctor, owner of dozens of cats, is coughing]
Doctor Pratt: I'm all right; it's just a fur ball; it's nothing. Strangely, I haven't had fur for a fortnight.
See more »

Crazy Credits

The end credits are divided into sections, each preceded by an explanatory phrase as follows: for cast positions 1-9 "members of the tontine who came to untimely ends (in order of disappearance)"; for positions 10-17 "assisted by"; for positions 18-24 "The Finsbury Households"; for positions 25-53 "rest of cast in order of appearance" See more »

Connections

Featured in Hollywood: The Gift of Laughter (1982) See more »

Soundtracks

Onward Christian Soldiers
(1871) (uncredited)
Music from "St. Gertrude" by Arthur Sullivan (1871)
Lyrics by Sabine Baring-Gould (1865)
Sung a cappella by Cicely Courtneidge, Diane Clare and other Salvation Army girls
See more »

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User Reviews

 
A perfect gem of British humor
10 June 2002 | by (Austin, Texas) – See all my reviews

In my considered opinion, this is one of the best British comedies of all time (and I flatter myself that I am not usually given to hyperbole). To buttress this opinion, I could mention the fact that the movie is based on (and quite faithful to) one of the most hilarious stories ever penned in the English language (by R. L. Stevenson of "Treasure Island" fame); that the story in spite of its endless comical complications never once becomes too confusing (except of course to Tony Hancock's hapless inspector); and that the story is interpreted by some of the most memorable and talented actors of two generations.

The (then) old guard is worthily represented by Ralph Richardson as the deliciously exasperating Joseph Finsbury, John Mills as the cranky and cantankerous Masterman, and especially Wilfrid Lawson's unforgettable doddering yet stalwart butler (his fellow actor Michael Caine has stated that Lawson is his favorite actor--as well as the favorite actor of every other actor who knew him).

The (then) younger generation, however, does not pale by comparison. Peter Cook's Morris Finsbury sets down a delightfully unprincipled cad (one suspects that Masterman may have resembled him in his younger days), yet we can't quite stop rooting for him, because Michael Caine and Nanette Newman strike just the right sweet and innocent tone as Michael and Julia to make us surreptitiously feel that perhaps they deserve to be cheated out of their money. Moreover, the fact that the fate of the more deserving members of the younger generation is not exactly aligned with the more deserving member of the older generation reinforces the ambiguity--so we find ourselves rooting in turn for Joseph, Morris, and John, then again for Michael, Julia, and Masterman. In this respect, the eventual denouement (which I won't give away) is pleasantly and surprisingly satisfying.

Spare some kudos also for the excellent supporting cast, from Peter Sellers' vacuously venal Doctor Pratt and Dame Cicely Courtneidge's imperious Salvation Army major to such brief but perfect walk-ons as the unflappable engine crew ("We haven't heard the last of this") or poor Hackett's lachrymose widow. This is what British acting is all about.

If, in spite of all this circumstantial evidence, however, I still have not fully conveyed the essential laugh-out-loud, tears-in-your-eyes, still-uncontrollably-snickering-in-church-twelve-hours-later (warning: do not watch this movie if you plan to attend a funeral anytime soon), then I can only say one thing:

Go watch this movie. You'll love it.


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