17 photos

Who's Afraid of Virginia Woolf Dir. Mike Nichols, Elizabeth Taylor, Richard Burton Who's Afraid of Virginia Woolf Dir. Mike Nichols, Elizabeth Taylor and Richard Burton Who's Afraid of Virginia Woolf Elizabeth Taylor, Sandy Dennis, George Segal,  Richard Burton and Dir. Mike Nichols 1966 Warner Bros. Who's Afraid of Virginia Woolf Elizabeth Taylor 1966 Warner Bros. Who's Afraid of Virginia Woolf Dir. Mike Nichols and Elizabeth Taylor 1966 Warner Bros. Who's Afraid of Virginia Woolf Elizabeth Taylor, Richard Burton and Dir. Mike Nichols 1966 Warner Bros. Who's Afraid of Virginia Woolf Elizabeth Taylor, Sandy Dennis, George Segal, Richard Burton and Dir. Mike Nichols 1966 Warner Bros. Who's Afraid of Virginia Woolf Rehearsal  Richard Burton and Elizabeth Taylor 1966 Warner Bros. Who's Afraid of Virginia Woolf Rehearsal with George Segal, Richard Burton, Dir. Mike Nichols and Elizabeth Taylor 1966 Warner Bros. Elizabeth Taylor and Richard Burton in Who's Afraid Of Virginia Woolf 1966 Warner Bros. Elizabeth Taylor in Who's Afraid of Virginia Woolf 1966 Warner Bros. Who's Afraid of Virginia Woolf Elizabeth Taylor meets Marlene Dietrich on the set 1965 Warner Bros. Who's Afraid of Virginia Woolf Richard Burton clowns around by putting on Elizabeth Taylor's wig Who's Afraid of Virginia Woolf Elizabeth Taylor in her dressing room, Mike Nichols in the doorway Who's Afraid of Virginia Woolf Elizabeth Taylor with Jack Warner Who's Afraid of Virginia Woolf Elizabeth Taylor with Dir. Mike Nichols Who's Afraid of Virginia Woolf Elizabeth Taylor and Mike Nichols on location

17 photos

View the latest pictures, photos and images from Who's Afraid of Virginia Woolf? - George and Martha are a middle aged married couple, whose charged relationship is defined by vitriolic verbal battles, which underlies what seems like an emotional dependence upon each other. This verbal abuse is fueled by an excessive consumption of alcohol. George being an associate History professor in a New Carthage university where Martha's father is the President adds an extra dimension to their relationship. Late one Saturday evening after a faculty mixer, Martha invites Nick and Honey, an ambitious young Biology professor new to the university and his mousy wife, over for a nightcap. As the evening progresses, Nick and Honey, plied with more alcohol, get caught up in George and Martha's games of needing to hurt each other and everyone around them. The ultimate abuse comes in the form of talk of George and Martha's unseen sixteen year old son, whose birthday is the following day.