In 1989, the Americans and the Russians each have a two-person base on the moon. The Americans have had to keep replacing their astronaut teams because they quickly go crazy; they have been... See full summary »

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Cast

Cast overview, first billed only:
...
Pete Mattemore
...
Eileen Forbes
...
Harold Quonset
...
Hoffman
...
Schmidlap
...
Gen. 'Howling Bull' Hallenby
...
Igor Valkleinokov
...
Anna Soblova
William O'Connell ...
Ponsonby
Bobo Lewis ...
Esther Davenport
Sig Ruman ...
Russian Delegate
Milton Frome ...
American Delegate
Alexander D'Arcy ...
Deuce Hawkins (as Alex D'Arcy)
...
Peggy
...
Ted Robertson
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Storyline

In 1989, the Americans and the Russians each have a two-person base on the moon. The Americans have had to keep replacing their astronaut teams because they quickly go crazy; they have been using only male astronauts on the unspoken assumption that this would avoid any possibility of impropriety. The Russians, as godless Communists, are under no such constraints, and their male-female team has remained well-adjusted. At the start of the film, a male and female American astronaut team is sent up to replace the sex-starved all-male team. The government insists on them being married first to preserve morality. Most of the story revolves around the eventual consummation of this marriage of convenience, and around their relationship with their Russian neighbors, who keep casually dropping by. Written by Bob Kanefsky

Plot Summary | Add Synopsis

Taglines:

By Gemini, here's the wildest crew on Earth, Saturn, Mars, Moon etc. See more »

Genres:

Comedy | Sci-Fi

Certificate:

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Details

Country:

Language:

Release Date:

26 October 1966 (USA)  »

Also Known As:

Das Mondkalb  »

Company Credits

Production Co:

,  »
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Technical Specs

Sound Mix:

(Westrex Recording System)

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Some of the sets were recycled for the _Lost in Space_ TV series that was being filmed around about the same time. See more »

Goofs

On their first night on the moon the valve on Pete's pillow appears and disappears. See more »

Quotes

[loading the sex-crazed Schmilap onto the return vessel]
Pete Mattemore: When do you untie him?
Hoffman: When I rendezvous with Deuce in the main ship, and get some help.
Schmidlap: NOTHIN'S gonna help ya Hoffman! You no good dir...
[Hoffman yanks the cord on Schmidlap's suit radio. Schmidlap continues shouting in silence, until quieted by a few blows by Hoffman to the side of his helmet]
Pete Mattemore: What happens when Schmidlap gets back, and there's girls all over the place?
Hoffman: Oh I don't know... I honestly don't know... If I could just get him ...
See more »

Connections

Features Frankenstein (1931) See more »

Soundtracks

Way... Way Out
Words by Hal Winn
Music by Lalo Schifrin
Sung by Gary Lewis & The Playboys (as Gary Lewis and the Playboys)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Incredible sets, good camera-work, a few great gags
3 April 2007 | by (New York City) – See all my reviews

A few parts had me howling, even though the rest of the room was dead quiet. But I've always been a fan of Jerry's more subtle "deadpan" humour and surrealistic, wordless scenes where the comedy seeps into you rather than the bang-pow punchline type of laugh.

For example in CINDERFELLA there's that scene where he's trying to light his stepbrother's cigarette. No music, no dialogue, no camera motion at all. Just 120 seconds of pure disaster. Or in NUTTY PROFESSOR there's the hilarious scene where he timidly enters the dean's office--again, no sound, no words, just a thick, hilarious atmosphere.

WAY... WAY OUT has a few of those types of gags, and they were brilliantly done, including one of the funniest gags I've ever seen ("If I'm not mistaken, that's Stella Mary right there"). Unfortunately the film seemed to switch gears halfway through, once they're on the moon, and it became more of a silly sitcom. Still, I enjoyed it until the end.

A word about the visual presentation: magnificent! Sure, we don't generally go to Jerry Lewis movies to see artistic cinematography, but it's there. The sets are surreal (futuristic in a cool retro-60s way). Everything was large and colourful. Shots are framed wonderfully (be sure to see it in widescreen). The camera moves smoothly and brilliantly throughout the action. But then, as I said above, everything changes once they're on the moon. The sets become smaller, more claustrophobic and less grandiose. This returns us to the silly sitcom feel.

Overall it was wacky & entertaining. I think it's best watched by people who are familiar with Jerry's subtle style, rather than his slapstick skits. For that reason I'm afraid most people will be disappointed. But a few of you may really enjoy it.


4 of 5 people found this review helpful.  Was this review helpful to you?

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