| Totò | ... | Innocenti Totò / Brother Cicillo | |
| Ninetto Davoli | ... | Innocenti Ninetto / Brother Ninetto (as Davoli Ninetto) | |
| Femi Benussi | ... | Luna | |
| Umberto Bevilacqua | ... | Incensurato | |
| Renato Capogna | ... | The medieval rude fellow | |
| Alfredo Leggi | |||
| Renato Montalbano | |||
| Flaminia Siciliano | |||
| Giovanni Tarallo | ... | Starving peasant boy | |
| Vittorio Vittori | ... | Ciro Lococo | |
| rest of cast listed alphabetically: | |||
| Gabriele Baldini | ... | Dante's dentist (uncredited) | |
| Lina D'Amico | ... | (uncredited) | |
| Pietro Davoli | ... | The other rude fellow (uncredited) | |
| Rossana Di Rocco | ... | Ninetto's girlfriend (uncredited) | |
| Cesare Gelli | ... | (uncredited) | |
| Vittorio La Paglia | ... | (uncredited) | |
| Francesco Leonetti | ... | Crow (voice) (uncredited) | |
| Domenico Modugno | ... | The Balladeer (voice) (uncredited) | |
| Rosina Moroni | ... | The peasant (uncredited) | |
| Mario Pennisi | ... | (uncredited) | |
| Ricardo Redi | ... | Engineer (uncredited) | |
| Fides Stagni | ... | (uncredited) | |
Directed by | |||
| Pier Paolo Pasolini | |||
Writing credits(in alphabetical order) | ||
| Pier Paolo Pasolini | screenplay | |
| Pier Paolo Pasolini | story | |
Produced by | |||
| Alfredo Bini | .... | producer | |
Original Music by | |||
| Ennio Morricone | |||
Cinematography by | |||
| Mario Bernardo | |||
| Tonino Delli Colli | |||
Film Editing by | |||
| Nino Baragli | |||
Production Design by | |||
| Luigi Scaccianoce | |||
Costume Design by | |||
| Danilo Donati | |||
Makeup Department | |||
| Vittorio Biseo | .... | makeup artist | |
| Adriana Cassini | .... | hair stylist | |
Production Management | |||
| Fernando Franchi | .... | production manager | |
| Gilberto Scarpellini | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Vincenzo Cerami | .... | assistant director | |
| Sergio Citti | .... | assistant director | |
| Carlo Morandi | .... | assistant director | |
| Francesco Barilli | .... | trainee assistant director (uncredited) | |
Art Department | |||
| Dante Ferretti | .... | assistant production designer | |
Sound Department | |||
| Armando Bondani | .... | boom operator | |
| Pietro Ortolani | .... | sound | |
| Emilio Rosa | .... | sound mixer | |
| Franca Silvi | .... | sound editor | |
Camera and Electrical Department | |||
| Divo Cavicchioli | .... | still photographer | |
| Franco Di Giacomo | .... | camera operator | |
| Antonio Orlandini | .... | assistant camera | |
| Alberto Ridolfi | .... | chief electrician | |
| Sergio Rubini | .... | assistant camera | |
| Mariano Sargenti | .... | key grip | |
| Gaetano Valle | .... | camera operator | |
Costume and Wardrobe Department | |||
| Piero Cicoletti | .... | assistant costume designer | |
Editorial Department | |||
| Rossana Maiuri | .... | assistant editor | |
Music Department | |||
| Totò | .... | composer: song "Carmè, carmè" (as Antonio De Curtis) | |
Other crew | |||
| Evelina D'Amico | .... | script supervisor | |
| Aureliano Lalli-Persiani | .... | cashier (as Aureliano Lalli Persiani) | |
| Enzo Ocone | .... | production secretary | |
| Pino Serpe | .... | animal wrangler | |
| Vincenzo Taito | .... | administrative supervisor | |
| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Italy section |
"Uccellacci e uccellini" aka "The Hawks and the Sparrows" (1964) - directed by Pier Paolo Pasolini
This is a movie that begins like no other introducing the cast and the crew in the manner that is charming, original, melodious and promising of even better things to follow. The fun begins actually with its Italian title, "Uccellacci e uccellini". I don't know about you but the sound of the title simply makes me smile, it sounds like the birds themselves whispered or chirped it to the Pasolini's ear. It is possible to make a satirical philosophical fable concerned with the serious and even grave matters as religion, social and political systems and the order of things and at the same time highly enjoyable, often hilarious, sometimes sorrowful, always original, in one word -Pasolinesque. "Uccellacci e uccellini" talks about desires, death, the meaning of life, Christianity, and Marxism but first and foremost, it entertains. It is about a father (Italian clown Toto) and his young and naive son (Nino Davoli) whom Pasolini sends to the endless cyclical journey on the road of life where they soon will be joined by a talking crow, will be catapulted 750 years back in time and by the request of ST.Francis, they would become two saints (Toto with his clown's face makes a great saint) who would teach the birds (the hawks and the sparrows) the word of God, in the birds' language, of course. The birds seem to agree and accept the words of love but as we know the love comes and goes but everyone (including birds) has to eat and the hunger does not help to improve the understanding between the hawks and the sparrows and between the humans and the crows, even the talking crows. Some were born to kill and to eat the others and there is not much could be changed about it. Two men will be magically returned back to the present time, will go to funeral, will see the baby born, will meet a beautiful desirable girl named Luna who reminds them how divine the fresh hay smells and how much fun it is to make love in it... Their journey would end where it began and on and on and on they go around the world in circles turning. As for the talking crows, "Takers and fakers and talkers won't tell you. Teachers and preachers will just buy and sell you. When no one can tempt you with heaven or hell- You'll be a lucky man!"