On an empty road, an old man is walking with his son. They meet a crow that can speak. They are changed into monks and Saint Francois sent them to preach for hawks and sparrows. A reflexion... See full summary »
Three narrators (French writer Jean Martin, an English royal equerry, and a papal chamberlain) tell the story of seven matched pearls, four of them now in the British Crown. Episodes whirl ... See full summary »
Russia, 1936: revolutionary hero Colonel Kotov is spending an idyllic summer in his dacha with his young wife and six-year-old daughter Nadia and other assorted family and friends. Things ... See full summary »
Nero is on holiday at the seaside. Poppea, Seneca and many other guests are with him. Nero is preparing a great show where he will be the star. When Agrippina, his mother, arrives with her ... See full summary »
Vittorio De Sica,
Rome, 1825. Bishop Rivarola (Tognazzi) and colonel Nardoni (Salerno) are in charge to suppress liberal revolution. Shoemaker Cornacchia (Manfredi) got the information that the liberal ... See full summary »
Enrico Maria Salerno,
This documentary celebrates the 100th anniversary of the cinema birth. It is an historic running through the technical and artistic evolution of the 7th art. We move from mute to sound, ... See full summary »
On an empty road, an old man is walking with his son. They meet a crow that can speak. They are changed into monks and Saint Francois sent them to preach for hawks and sparrows. A reflexion about idealism. Written by
Film's opening credits are not only displayed on screen but also comically sung in Italian to a jaunty Ennio Morricone score, with a memorably droll rhyming of the film title with the director's full name. See more »
The opening credits are performed as a song. See more »
How does one describe a film like this? Imagine a Bunuel film like THE MILKY WAY. A couple of men walking on an empty road. They're on a strange journey only their destination is the beginning of their journey (huh?) and the two men are as funny as the best cinema clowns in screen history. Somewhat Felliniesque, somewhat Chaplinesque, throw in a little De Sica and even a dash of Monty Python and you can begin to have some idea of what this incredible blend of absurd and hilarious satire is like. Unlike Bunuel's films, this film is joyous. It has heart, passion, and an imagination springing somewhere from the soul. The film takes its stabs at religion, academics, and government but it does it in a playful way that leaves one feeling rejuevenated instead of that sour feeling that one feels after watching most social satires. It's hard to believe that this is a Pasolini film. It's about as far on the spectrum from SALO that one can get, yet it's sad that in comparison this film is almost completely unknown.
This is definitley worth seeking out on video. I'm hoping that I can find a soundtrack recording for this. It is one of the best Ennio Morricone scores I've heard, which is saying a great deal!
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