An old man and his son are walking along the road when they suddenly meet a speaking crow, which represents Marxist beliefs. They are soon moved back 750 years in time, changed into monks ... See full summary »
In this film inspired by the ancient erotic and mysterious tales of the Middle East, the main story concerns an innocent young man who comes to fall in love with a slave who selected him as... See full summary »
This consists of four short films by different directors. Rosselini's 'Chastity' ('Illibatezza') deals with an attractive air hostess who receives the unwelcome attentions of a middle aged ... See full summary »
While scouting locations for his classic "The Gospel According to St. Matthew", director Pier Paolo Pasolini noticed that filming in the actual site of the story, in Palestine, wouldn't be ... See full summary »
Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a ... See full summary »
A man returns to visit his native Sicily after living in New York for a long time. He learns about the Sicilian way of life from stylized conversations with an orange picker, his fellow ... See full summary »
Jacquot Demy is a little boy at the end of the thirties. His father owns a garage and his mother is a hairdresser. The whole family lives happily and likes to sing and to go to the movies. ... See full summary »
"La Rabbia" employs documentary footage (from the 1950's) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, ... See full summary »
Pier Paolo Pasolini
CHE COSA SONO LE NUVOLE (by Pier Paolo Pasolini) Durante la rappresentazione dell'Otello in uno spettacolo di marionette, il pubblico si ribella alla malvagità di Jago ed invade il palco ... See full summary »
An old man and his son are walking along the road when they suddenly meet a speaking crow, which represents Marxist beliefs. They are soon moved back 750 years in time, changed into monks and sent by St. Francis to convert the hawks and the sparrows to Christianity. Written by
On 14th February 1988, actress Laura Betti introduced a reconstructed version of the film at the Berlin Film Festival. That version contained a short episode with Totò called "Toto al circo", which was not included in the original release. Although director Pier Paolo Pasolini had spoken about his work on it, this episode had never been shown to the public before. See more »
The opening credits are performed as a song. See more »
A picaresque approach by a master of the Italian cinema resulted in this personal and different film by Pier Paolo Pasolini. The director, who wrote and produced this picture, was in great form in this story that is more like a fable, deliciously acted by Toto and Ninetto Davoli, one of the best pairings in Pasolini's movies.
The film is, in many aspects, a road movie. From the beginning, we watch as Toto and Ninetto take to the road in their trip to nowhere, it seems, but a trip which permits Pasolini examine some of the things that obsessed him, mainly his dislike for organized religion, as he perceived it in his country, as it clashed with reality. He takes the life of Saint Francis and the story about his relationship with the birds as the main topic for the movie.
It's hard to add anything else to what already has been said by the valuable contributions to IMDb. This film is one of the most inspired by the director. In it, he doesn't pound on the viewer's head those things that were dear to him. In fact, the film has a whimsical touch as we follow the two travelers, Toto and Ninetto, through rural Italy as a raven keeps telling them stories.
Toto is perfect as the older man who is living in his own world and doesn't see the changes around him. Ninetto Davoli gives a great performance as the happy go lucky son. Their surname, is Innocenti, or Innocent, which in a way, fits their characters rather well.
The black and white cinematography by Mario Bernardo and Tonino Delli Colli works wonders for the film. Ennio Morricone's musical score also enhances all that one sees on the screen. This is a light Passolini, but one that delves deep into the subjects that were so dear to the director's heart.
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