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Torn Curtain (1966)

Approved | | Thriller | July 1966 (UK)
An American scientist publicly defects to East Germany as part of a cloak and dagger mission to find the solution for a formula resin before planning an escape back to the West.

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Cast

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Heinrich Gerhard (as Hansjoerg Felmy)
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Günter Strack ...
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Gisela Fischer ...
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Carolyn Conwell ...
Arthur Gould-Porter ...
Gloria Govrin ...
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Storyline

Professor Michael Armstrong is heading to Copenhagen to attend a physics conference accompanied by his assistant-fiancée Sarah Sherman. Once arrived however, Michael informs her that he may be staying for awhile and she should return home. She follows him and realizes he's actually heading to East Germany, behind the Iron Curtain. She follows him there and is shocked when he announces that he's defecting to the East after the US government canceled his research project. In fact, Michael is there to obtain information from a renowned East German scientist. Once the information is obtained, he and Sarah now have to make their way back to the West. Written by garykmcd

Plot Summary | Plot Synopsis

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It tears you apart with suspense! See more »

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Thriller

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Approved | See all certifications »

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Release Date:

July 1966 (UK)  »

Also Known As:

Cortina rasgada  »

Box Office

Budget:

$6,000,000 (estimated)
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Technical Specs

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Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

One of the reasons Alfred Hitchcock did not want to use Paul Newman and Julie Andrews was their very high fees. For the rest of his career Hitchcock would never hire performers with the same sort of fee or above. See more »

Goofs

When Professor Michael Armstrong (Paul Newman) is writing the address on a piece of paper in the beginning of the movie he writes: Kobenavn. The actual spelling is: Kobenhavn. See more »

Quotes

[first lines]
Professor Karl Manfred: Are they ever going to get the heating fixed?
Norwegian crewman: They are working at it, Professor. Perhaps some of you scientists would like to give us a helping hand!
See more »

Connections

Referenced in Hitchcock (2012) See more »

Soundtracks

Torn Curtain Love Theme (End Title)
Written by John Addison
Performed by The Johnny Mann Singers
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Frequently Asked Questions

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User Reviews

less than Hitch's best
3 February 2001 | by (Ontario, Canada) – See all my reviews

The first time I watched "Torn Curtain," I grew bored and turned it off before it was over. I've watched it in its entirety more than once since then. It's difficult not to conclude that the master director's age was beginning to take its toll by 1966. It could have been a great film except for some major flaws.

First, the main characters. Newman and Andrews look distinctly ill-at-ease and their acting is wooden. There is very nearly no chemistry between them, and viewers are not really drawn into their somewhat implausible situation. Both actors are compelling in other films, but for some reason not in this one.

Second, Hitchcock would have done better to keep his villains' identity less specific. In "The Lady Vanishes", "The Thirty-nine Steps," and "North by Northwest," the identity of the foreign agents is left deliberately vague and thus little plausibility need be attached to their actions. Here they are East German communists, of which we know rather a lot.

Third, there are inconsistencies in the plot. At one point Newman and Andrews are forced to go out into an open space to avoid being overheard. But in another scene a pro-western spy communicates confidential information to Newman in a hospital room, seemingly oblivious to the possibility of wiretaps.

Finally, there's John Addison's score, which seems to have been written quite independently of the film's action. A suspenseful scene is inappropriately matched with cheerful, melodic music. Everyone knows, of course, that Hitch's longtime musical collaborator, Bernard Herrmann, wrote a mostly complete score for the film, but the two had a falling out on the set and Herrmann was dismissed. Another example of poor judgement on Hitchcock's part. Herrmann's score would have immeasurably improved a mediocre film. (Look at "Obsession" nearly a decade later.) With all the recent film restorations, I would love to see someone redo "Torn Curtain" and put in as much of Herrmann's score as the composer was able to finish. (But perhaps there would be copyright problems.) Had Herrmann's score been used, the murder sequence in the farmhouse might have become as famous as the shower scene in "Psycho."

As I was watching the protagonists flee through the East German landscape in their efforts to reach the west, I found myself thinking that, if they had only waited another twenty-three years, the wall would have come down anyway and they could simply have walked out! That's how much their plight gripped me.


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