A French intelligence agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missile Crisis, and then back to France to break up an international Russian spy ring.
Professor Michael Armstrong is heading to Copenhagen to attend a physics conference accompanied by his assistant-fiancée Sarah Sherman. Once arrived however, Michael informs her that he may be staying for awhile and she should return home. She follows him and realizes he's actually heading to East Germany, behind the Iron Curtain. She follows him there and is shocked when he announces that he's defecting to the East after the US government canceled his research project. In fact, Michael is there to obtain information from a renowned East German scientist. Once the information is obtained, he and Sarah now have to make their way back to the West. Written by
Unsatisfied with the actors cast in the leads, Alfred Hitchcock shifted the point of view of the plot from the defecting scientist's wife to the American amateur spy and he centered his attention in the colorful international actors who played supporting roles in the film. Lila Kedrova was Hitchcock's favorite among the cast; he ate lunch with her several times during filming and invited her home for dinners with his wife. Although the length of the film was shortened in post-production, Hitchcock left intact Countess Kutchiska scenes in the final film. See more »
Reflected in the window of the farmhouse as Armstrong enters. See more »
Professor Karl Manfred:
Are they ever going to get the heating fixed?
They are working at it, Professor. Perhaps some of you scientists would like to give us a helping hand!
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... have 'know' idea what they're talking about. It may not be Hitch's best movie, but 'watch at your own risk' is an utterly ridiculous appraisal of this movie. But yes, when discussing a Hitch movie, all the normal conventions of movie analysis fly straight out of the window; now it's time to take out the REALLY big magnifying glass. The nitpicking borders on the outrageous. The story is actually quite enjoyable, no more implausible than that of many of his other films, and contains the usual Hitchcockian set pieces and camera work. Whats not to love? Ya, Newman doesnt exactly carry around Jack Nicholson-like expressiveness; there may have been better actors up to the task, and the Old Woman scene feels strange and out of place not to mention over-acted, but even these cant bring the movie as a whole down. Seems like for years this film has the unlucky honor of being the scapegoat in the Hitchcock stable...unfortuanate, really. If you haven't already, see it for yourself, you wont be disappointed
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