A wealthy San Francisco socialite pursues a potential boyfriend to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people there in increasing numbers and with increasing viciousness.
Professor Michael Armstrong is heading to Stockholm to attend a physics conference accompanied by his assistant-fiancée Sarah Sherman. Once arrived however, Michael informs her that he may be staying for awhile and she should return home. She follows him and realizes he's actually heading to East Germany, behind the Iron Curtain. She follows him there and is shocked when he announces that he's defecting to the East after the US government canceled his research project. In fact, Michael is there to obtain information from a renowned East German scientist. Once the information is obtained, he and Sarah now have to make their way back to the West. Written by
In Hitchcock/Truffaut Interview, Alfred Hitchcock revealed that he was dissatisfied with the performance of Paul Newman as Professor Armstrong. But Hitchcock mentioned to Truffaut that the performance of Wolfgang Kieling as Gromek was very good. See more »
Reflected in the window of the farmhouse as Armstrong enters. See more »
Professor Karl Manfred:
Are they ever going to get the heating fixed?
They are working at it, Professor. Perhaps some of you scientists would like to give us a helping hand!
See more »
Being a huge fan of Hitchcock, Julie Andrews, and Paul Newman, I should hate this movie because none of them were particularly fond of it. With that said, you know what's going to follow: I don't hate it. It's not my favorite movie, or the best work from any of those three great talents, but it's actually pretty good. I love how we find out things in this movie as Sarah (Julie's character) finds them out, particularly about the "real" reason Michael (Paul's character and Sarah's assistant/fiance) is in East Germany. It has all the suspense of Hitchcock's best films and even though you're pretty sure what's going to happen at the end, just knowing that Hitchcock directed it makes you question until the end. Could have gotten by just fine without Julie's bushy hairdo, but for a chance to gaze into Paul Newman's eyes I'll take what I must. The chemistry between the two stars isn't like hers with Christopher Plummer or his with Joanne Woodward, but it's not a total fizzle either. They're believably in love, and if they weren't, the movie wouldn't work since Sarah would have much less of a reason to care about what happens to Michael. That is the driving force of the movie, and it works. Again, not the best, but not the worst way to spend a few hours either.
15 of 22 people found this review helpful.
Was this review helpful to you?