A French intelligence agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missle Crisis, and then back to France to break up an international Russian spy ring.
Professor Michael Armstrong is heading to Stockholm to attend a physics conference accompanied by his assistant-fiancée Sarah Sherman. Once arrived however, Michael informs her that he may be staying for awhile and she should return home. She follows him and realizes he's actually heading to East Germany, behind the Iron Curtain. She follows him there and is shocked when he announces that he's defecting to the East after the US government canceled his research project. In fact, Michael is there to obtain information from a renowned East German scientist. Once the information is obtained, he and Sarah now have to make their way back to the West. Written by
In Hitchcock/Truffaut Interview, Alfred Hitchcock revealed that he was dissatisfied with the performance of Paul Newman as Professor Armstrong. But Hitchcock mentioned to Truffaut that the performance of Wolfgang Kieling as Gromek was very good. See more »
When Gromek's motorbike is unearthed, the chrome is shiny, without any soil on it. See more »
Professor Karl Manfred:
Are they ever going to get the heating fixed?
They are working at it, Professor. Perhaps some of you scientists would like to give us a helping hand!
See more »
This film looks as if it had potential but seems to miss the mark. The story of an American scientist (Paul Newman) who is supposedly defecting to East Germany is engaging and is now dated. Newman's performance is capable. Julie Andrews who plays Newman's wife is mediocre at best - there just isnt much of a character to develop here. As far as a Hitchcock signature on the movie
the death of the policeman, "Grommek" is the highlight of the movie. The
films turns into a harrowing escape adventure from East Germany. Finally, the things that disappointed me are the vastly cheap rear-projection that was used in making this film. And finally, the decision to scrap Bernard Herrmann's score and replace it was another composer could have made the film more exciting.
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