A man in London tries to help a counterespionage agent. But when the agent is killed and the man stands accused, he must go on the run to both save himself and also stop a spy ring which is trying to steal top secret information.
A murder inside the Louvre and clues in Da Vinci paintings lead to the discovery of a religious mystery protected by a secret society for two thousand years -- which could shake the foundations of Christianity.
Professor Michael Armstrong is heading to Stockholm to attend a physics conference accompanied by his assistant-fiancée Sarah Sherman. Once arrived however, Michael informs her that he may be staying for awhile and she should return home. She follows him and realizes he's actually heading to East Germany, behind the Iron Curtain. She follows him there and is shocked when he announces that he's defecting to the East after the US government canceled his research project. In fact, Michael is there to obtain information from a renowned East German scientist. Once the information is obtained, he and Sarah now have to make their way back to the West. Written by
According to Truffaut/Hitchcock Interview, Alfred Hitchcock told Truffaut that he is giving "Gromek's brother" scenes to Truffaut. Truffaut told Hitchcock that he will look at these scenes and then turn them over to Henri Langlois for the Cinematheque Francaise. But it has yet to be found and is generally considered to be lost. See more »
When Professor Lindt is erasing the chalkboard of his calculations, two shots show him erasing only the right side. But in a subsequent shot, the entire chalkboard is erased. See more »
Professor Karl Manfred:
Are they ever going to get the heating fixed?
They are working at it, Professor. Perhaps some of you scientists would like to give us a helping hand!
See more »
... have 'know' idea what they're talking about. It may not be Hitch's best movie, but 'watch at your own risk' is an utterly ridiculous appraisal of this movie. But yes, when discussing a Hitch movie, all the normal conventions of movie analysis fly straight out of the window; now it's time to take out the REALLY big magnifying glass. The nitpicking borders on the outrageous. The story is actually quite enjoyable, no more implausible than that of many of his other films, and contains the usual Hitchcockian set pieces and camera work. Whats not to love? Ya, Newman doesnt exactly carry around Jack Nicholson-like expressiveness; there may have been better actors up to the task, and the Old Woman scene feels strange and out of place not to mention over-acted, but even these cant bring the movie as a whole down. Seems like for years this film has the unlucky honor of being the scapegoat in the Hitchcock stable...unfortuanate, really. If you haven't already, see it for yourself, you wont be disappointed
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