A man in London tries to help a counterespionage agent. But when the agent is killed and the man stands accused, he must go on the run to both save himself and also stop a spy ring which is trying to steal top secret information.
A murder inside the Louvre and clues in Da Vinci paintings lead to the discovery of a religious mystery protected by a secret society for two thousand years -- which could shake the foundations of Christianity.
Professor Michael Armstrong is heading to Stockholm to attend a physics conference accompanied by his assistant-fiancée Sarah Sherman. Once arrived however, Michael informs her that he may be staying for awhile and she should return home. She follows him and realizes he's actually heading to East Germany, behind the Iron Curtain. She follows him there and is shocked when he announces that he's defecting to the East after the US government canceled his research project. In fact, Michael is there to obtain information from a renowned East German scientist. Once the information is obtained, he and Sarah now have to make their way back to the West. Written by
early in the film sitting in a hotel lobby with a baby on his knee. He transfers the baby to his other knee, and then rubs his knee, as if disdainfully looking at something the baby has done to it. See more »
Or their shadow, anyway. On the road-level shot of Armstrong's taxi leaving the farm (Gromek's motorbike is visible on the left of the screen), just at the very bottom of the image can be seen the shadow of the camera (4:3 television version only). See more »
Professor Karl Manfred:
Are they ever going to get the heating fixed?
They are working at it, Professor. Perhaps some of you scientists would like to give us a helping hand!
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Being a huge fan of Hitchcock, Julie Andrews, and Paul Newman, I should hate this movie because none of them were particularly fond of it. With that said, you know what's going to follow: I don't hate it. It's not my favorite movie, or the best work from any of those three great talents, but it's actually pretty good. I love how we find out things in this movie as Sarah (Julie's character) finds them out, particularly about the "real" reason Michael (Paul's character and Sarah's assistant/fiance) is in East Germany. It has all the suspense of Hitchcock's best films and even though you're pretty sure what's going to happen at the end, just knowing that Hitchcock directed it makes you question until the end. Could have gotten by just fine without Julie's bushy hairdo, but for a chance to gaze into Paul Newman's eyes I'll take what I must. The chemistry between the two stars isn't like hers with Christopher Plummer or his with Joanne Woodward, but it's not a total fizzle either. They're believably in love, and if they weren't, the movie wouldn't work since Sarah would have much less of a reason to care about what happens to Michael. That is the driving force of the movie, and it works. Again, not the best, but not the worst way to spend a few hours either.
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