| Photos (See all 11 | slideshow) |
| Tetsuya Watari | ... | Tetsuya 'Phoenix Tetsu' Hondo | |
| Chieko Matsubara | ... | Chiharu | |
| Hideaki Nitani | ... | Kenji Aizawa | |
| Ryûji Kita | ... | Kurata | |
| Tsuyoshi Yoshida | ... | Keiichi | |
| Eimei Esumi | ... | Otsuka | |
| Tamio Kawaji | ... | Tatsuzo, The Viper | |
| Eiji Gô | ... | Tanaka | |
| Tomoko Hamakawa | ... | Mutsuko | |
| Isao Tamagawa | ... | Umetani | |
| Michio Hino | ... | Yoshii | |
| Shuntaro Tamamura | ... | Koyanagi | |
| Hiroshi Midorikawa | |||
| Hiroshi Chô | ... | Kumamoto | |
| Akira Hisamatsu | (as Kosuke Hisamatsu) | ||
| Shinzo Shibata | ... | Otoyoshi | |
| Yuzo Kiura | ... | Fujimura | |
| Yu Izumi | ... | Detective Sakai | |
| Ikuo Nikaido | |||
| Masaaki Honme | |||
| Shirô Tonami | |||
| Wataru Kobayashi | |||
| Mitsuru Sawa | |||
| Iwae Arai | |||
| Yoko Yokota | |||
| Hiroshi Takao | |||
| Kiyoshi Oba | |||
| Tessen Nakahira | |||
| Ken Mizoguchi | |||
| Tadayuki Kitakami | |||
| Masatoshi Takase |
Directed by | |||
| Seijun Suzuki | |||
Writing credits(in alphabetical order) | ||
| Kôhan Kawauchi | ||
Produced by | |||
| Tetsuro Nakagawa | .... | producer | |
Original Music by | |||
| Hajime Kaburagi | |||
Cinematography by | |||
| Shigeyoshi Mine | |||
Film Editing by | |||
| Shinya Inoue | |||
Production Design by | |||
| Takeo Kimura | |||
Production Management | |||
| Yasufusa Okada | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Masami Kuzuu | .... | assistant director | |
Sound Department | |||
| Yoshinobu Akino | .... | sound | |
Visual Effects by | |||
| Masaru Mori | .... | colorist | |
Camera and Electrical Department | |||
| Hideo Kumagai | .... | gaffer | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Japan section |
I will argue until my death that TOKYO DRIFTER is superior to BRANDED TO KILL, but that's for another time...
I am amazed every time I see this film that Suzuki could take such an obviously inferior product -- as Nikkatsu Studios was churning out at an obscene rate in those days, giving directors a script and saying "Shoot it fast and cheap so we can give you your next job" -- and turn it into one of the most beautiful and intriguing films I've ever seen.
Best plot ever? No. Easy to follow? Yes. Beautiful? Yes. And that theme...I could never forget that theme if I tried, even after my first viewing.
I'd ramble on about history and plot and so on, but so many others have, I'll just leave it at this: TOKYO DRIFTER makes me happy every time I see it.