A hit-man, with a fetish for sniffing boiling rice, fumbles his latest job, putting him into conflict with his treacherous wife, with a mysterious woman eager for death and with the phantom-like hit-man known only as Number One.
Bank robbery in small town ends with one of the robbers being wounded. The loot from the robbery is just a asset for the even more spectacular heist. Simon, gang leader and Paris night club... See full summary »
The melancholy, homely Kamimura is a hit man who takes a job to kill a mob boss who's gotten greedy. The rival gang lord who hires Kamimura and his driver Shun pays them and sets them up in... See full summary »
When an ambulatory TV news unit live broadcasts the embarrassing defeat of a police battalion by five bank robbers in a ballistic showdown, the credibility of the police force drops to a ... See full summary »
Super Fly is a cocaine dealer who begins to realize that his life will soon end with either prison or his death. He decides to build an escape from the life by making his biggest deal yet, ... See full summary »
Favraux, an unscrupulous banker, receives a threatening note, signed by "Judex", demanding that he pay back the people he has swindled. He refuses, and apparently dies after a midnight ... See full summary »
Using unprecedented degrees of violence, young Joey Tai becomes the head of Chinese mafia in New York and undisputed leader of the Chinese community. Stanley White, the most decorated cop ... See full summary »
Insurance investigator Maindrian Pace and his team lead double-lives as unstoppable car thieves. When a South American drug lord pays Pace to steal 48 cars for him, all but one, a 1973 Ford... See full summary »
Tetsu has joined his yakuza boss in going straight, but when a rival gang threatens to bring them back into the gang wars, Tetsu must become a drifter to keep the pressure off his old boss. Written by
Erik Gregersen <firstname.lastname@example.org>
Absolutely incredible. Seijun Suzuki is one of the most underrated directors of all time. His use of coloring and black and white is something that everyone from Steven Spielberg to Brian DePalma to George Romero have emulated to great effect in some of their most well-loved movies. Also, his way of stylizing violence is something that oriental films are still copying. Go check out Pistol Opera, Ichi the Killer, The Killer, or Hard Boiled if you want to see what I mean. The gun-throwing move that Tetsuya utilizes is used in American action movies to this day. It's also amazingly politically incorrect. Americans are lampooned as bumbling, drunken idiots and women are no more than objects to be slapped around and used for a man's benefit. I miss political incorrectness in contemporary movies. The theme song was pretty awesome, as well.
16 of 22 people found this review helpful.
Was this review helpful to you?