In Okayama in the mid-1930s, Kiroku attends high school and boards with a Catholic family whose daughter, Michiko, captures his heart. He must, however, hide his ardor and other aspects of ... See full summary »
The melancholy, homely Kamimura is a hit man who takes a job to kill a mob boss who's gotten greedy. The rival gang lord who hires Kamimura and his driver Shun pays them and sets them up in... See full summary »
Muraki, a hardboiled Yakuza gangster, has just been released from prison after serving a sentence for murder. Revisiting his old gambling haunts, he meets Saeko, a striking young ... See full summary »
A hit-man, with a fetish for sniffing boiling rice, fumbles his latest job, putting him into conflict with his treacherous wife, with a mysterious woman eager for death and with the phantom-like hit-man known only as Number One.
Tetsu has joined his yakuza boss in going straight, but when a rival gang threatens to bring them back into the gang wars, Tetsu must become a drifter to keep the pressure off his old boss. Written by
Erik Gregersen <firstname.lastname@example.org>
I will argue until my death that TOKYO DRIFTER is superior to BRANDED TO KILL, but that's for another time...
I am amazed every time I see this film that Suzuki could take such an obviously inferior product -- as Nikkatsu Studios was churning out at an obscene rate in those days, giving directors a script and saying "Shoot it fast and cheap so we can give you your next job" -- and turn it into one of the most beautiful and intriguing films I've ever seen.
Best plot ever? No. Easy to follow? Yes. Beautiful? Yes. And that theme...I could never forget that theme if I tried, even after my first viewing.
I'd ramble on about history and plot and so on, but so many others have, I'll just leave it at this: TOKYO DRIFTER makes me happy every time I see it.
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