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The Texican (1966)

Approved | | Adventure, Western | November 1966 (USA)
Wanted north of the border, Jess Carlin resides safely in Mexico. Then he hears his brother was killed in a gunfight with another man. Knowning his brother never carried a gun he heads ... See full summary »



(original story), (screenplay) | 1 more credit »

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Cast overview, first billed only:
Jess Carlin
Luke Starr
Diana Lorys ...
Kit O'Neal
Luz Márquez ...
Sandy Adams (as Luz Marquez)
Antonio Casas ...
Frank Brady
Antonio Molino Rojo ...
Harv (as Antonio Molino)
Gil Rio
Juan Antonio Peral ...
Eb (as John Peral)
Helga Genth ...
Mrs. Maria Banta
George Rigaud ...
Luis Induni ...
U.S. Marshal Dick
Marta May ...
Víctor Vilanova ...
Roy Carlin - Clarion Publisher
Carlos Hurtado ...
Tobe Banta
Víctor Israel ...
Wilkins the Station Master


Wanted north of the border, Jess Carlin resides safely in Mexico. Then he hears his brother was killed in a gunfight with another man. Knowning his brother never carried a gun he heads north to find his brother's killer. After battling bounty hunters he arrives in Rimrock, a town controlled by Luke Starr. Starr is the man he wants but he unable to find any evidence until he is given an item found by his brother's body. Written by Maurice VanAuken <mvanauken@a1access.net>

Plot Summary | Add Synopsis


Adventure | Western


Approved | See all certifications »





Release Date:

November 1966 (USA)  »

Also Known As:

Der Mann aus Texas  »

Filming Locations:

Company Credits

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Technical Specs

Sound Mix:



Aspect Ratio:

2.35 : 1
See  »

Did You Know?


Average Shot Length (ASL) = 7 seconds See more »


At the end of the movie Broderick Crawford's character is shot and falls from a balcony. The stuntman who does the fall is obviously and easily one hundred pounds lighter and much thinner than Crawford. See more »


Remake of Panhandle (1948) See more »

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User Reviews

Audie Murphy scores as "The Texican"
29 November 2005 | by (United States) – See all my reviews

Audie Murphy, the highest decorated U. S. soldier of WWII, gives a subtle and likable performance as Jess Carlin in the 1966 Spain-made spaghetti western, "The Texican", one of Murphy's last films.

Although Murphy was awarded every medal for valor available by the United States Army for his incredible bravery in combat (the Congressional Medal of Honor, the Distinguished Service Cross, the Silver Star, the Bronze Star, three Purple Hearts, among others) and is credited with the elimination of over 240 enemy soldiers, he was lightly regarded as an actor in Hollywood circles. Many of his performances were dismissed as "wooden" or "stoic". But in "The Texican", Murphy uses his two decades of action acting experience (almost exclusively as a Universal International contract player were he was a dependable money machine) to make this film entertaining and interesting to watch.

Performing all of his own stunts, Audie rides like the wind (bareback in a chase scene!), fights ferociously, and shoots (regarded as one of if not the fastest draw in Hollywood) his way to avenge the murder of his newspaper publishing brother, Roy Carlin. In some excellent casting concerning physical similarities to Murphy, Victor Vilanova gives a strong performance as Roy Carlin. He holds his own and then some opposite Best Actor Oscar Winner Brodrick Crawford, who delivers a rather pedestrian performance as the movie's antagonist, Luke Starr, the corrupt kingpin of the Texas town called Rimrock.

The movie's diamond in the rough is Diana Lorys, who plays bookkeeper Kit O'Neal, looking after her deceased father's interest in Starr's Silver Ring Hotel. Her acting is in fine emotional range from scornful to alluring, and as a result comes off as quite attractive. She is a definite plus for the film, and together with Murphy they generate a nice romantic electricity.

Notable acting comes from Aldo Sambrell as the hired gun, Luz Marquez as Sandy Adams, and Gerald Tichy as Boyd Thompson.

The script by John C. Champion and Jose Antonio de la Lama is tight and usually doesn't lag. It is somewhat choppily directed by Lesley Selander in a hurried fashion (not enough close ups as used so effectively by Sergio Leone), but he captures some fine steely-eyed looks from Audie during confrontational moments. More focus on the avenging aspect concerning character development was needed here. The locations in Spain are adequate to good and lend to that authentic Old West feel that made spaghetti westerns such a world-wide phenomenon. The musical score by Nico Fidenco is fairly good and avoids the copycat tones of Ennio Morricone that have marred many westerns. Changes that could have enhanced concern Murphy's wardrobe that is off the Gene Autry rack, and the cinematography by Francisco Marin is competent, but should have been more creative. The editing by Teresa Alcocer is pretty smooth.

So, pop some corn and pull up a chair for some vintage Audie in "The Texican" !

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