The Louisiana wedding of debutante Phoebe Ann Naylor to Don Andrea de Baldasar, El Duce de la Casala is stopped by the Cavalry over a matter of honor. Don Andrea flees across the river to ...
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Three stories about the lives and loves of those who own a certain yellow Rolls-Royce: **First purchased by the Marquess of Frinton for his wife as a belated anniversary present, the ... See full summary »
In this retelling of Gunga Din (1939) transplanted to the 1870's American West, three cavalry officers and a bugler work together to thwart a Native American chief intent on uniting local tribes against the white man.
Sammy Davis Jr.
Charles (Jean Gabin), a sixtyish career criminal fresh out of jail, rejects his wife's plan for a quiet life of bourgeois respectability. He enlists a former cellmate, Francis (Alain Delon)... See full summary »
The Louisiana wedding of debutante Phoebe Ann Naylor to Don Andrea de Baldasar, El Duce de la Casala is stopped by the Cavalry over a matter of honor. Don Andrea flees across the river to Texas, where he meets up with Sam Hollis and his Indian sidekick, Kronk, who are carrying rifles to the town of Moccasin Flats. Don Andrea rescues an Indian maiden, Lonetta, tames some longhorns, competes with Sam for Phoebe's affections, eludes a Comanche war party and the cavalry (who have come to Moccasin Flats to celebrate Texas' statehood) and ultimately saves the town and gets his girl. Written by
Kronk (Sam's Indian sidekick)played by Joey Bishop is referred to as a friendly or safe Indian since he is a Karankawa. In reality the Karanakawa were hostile and one of the few cannibal Indian tribes. See more »
A tongue in cheek spoof about everything that is a typical western
You need to park your brains at the door, put your tongue in your cheek and fully engage your funny bone for this film. This spoof is just that a spoof on everything that you find in a typical western and Texan. There is cows, oil, calvary, natives (I seriously doubt if there is a genuine North American native in the cast), good and bad guys and girls (mostly erring toward the good side). Nobody and nothing is spared from the writers' wit. This film is just good fun and a good laugh. I seriously doubt if it would meet any of the more modern standards for tolerance to racial groups and consideration for their feelings but this was the 60's and things were just beginning to change. Watch and enjoy whenever you see it coming. Do expect too much and you'll enjoy it more.
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