A psychological thriller based on the novel by Agatha Christie. Ten strangers are forced to come face to face with their dark pasts after receiving invitation to an isolated island off the coast of England.
Up to a house high on a mountain top have been invited ten people who are strangers to each other. When they are all gathered, they hear from their host that each one of them has in someway caused the death of an innocent person and that justice had not be served in their cases. There are eight guests and two servants there for the weekend, but one by one, they are being knocked off according to the poem of "Ten Little Indians". As the number of survivors decreases, they begin to believe that the killer is one of the group, but are unable to decide on which one he or she may be. Written by
Tony Fontana <email@example.com>
The Whodunnit Break! A first in motion pictures! Just before the gripping climax of the film, you will be given sixty seconds to guess the killer's identity! The film will pause and on the screen you will see clues to help you decide who the murderer is...We Dare You To Guess! See more »
Producer Harry Alan Towers was unable to film in the UK due to am outstanding arrest warrant, and so made this on Ireland. To save costs, he eschewed using Ardmore Studios and leased a rundown mansion , Kenure House, in Rush , Co Dublin, as his base. See more »
Early in the movie, the characters hear a tape recording accusing of them of murder. Later, however, when Lombard makes a reference to Blore's crime, Blore responds with a surprised, "Who told you?" when he knows exactly how Lombard found out about it. See more »
Agatha Christie's oft-filmed whodunnit (and dunnit and dunnit!) gets an updating here to the mid 1960's with a pretty odd international cast selection and a less skillful presentation than in the first adaptation, 1945's "And Then There Were None". Still, this is better than any of the following versions (two of which were made by this same producer, Harry Towers! Apparently, he liked the story?!) The credits open on a Swiss mountainside with the cast making it's way up to a remote castle. Sleigh ride-a-go go music plays, instantly dating the film even more than its black and white photography. The credits are fun, though, with each actor being shown along with his or her name to help keep everyone straight. Once at the top, the gathering of eight assorted personalities and the two staff members find that they have each been invited there by a person they have never met and that the person wants to pay them back for crimes they've supposedly committed, yet never paid for. Chief people include brylcreamed hunk of man O'Brian, stiff, blonde Eaton, yammering recording artist Fabian, mod-actress Lavi and wry, elderly Hyde White among others. Before anyone can really determine how to get out of the place, the first victim falls dead on the floor. They then realize that they are being offed in the manner of the famed title nursery rhyme. One by one, the murderer knocks them off until the surprise ending reveals how and why it was done. The set up is irresistible and not even a rather lame script, nor some wooden acting can mar it completely. The thing is, in a story like this, the actors are not permitted to display very much of their character, lest they spoil the mystery and ruin the ending. They all have to be simultaneous victims/suspects and all that really leaves is a lot of worried expressions. That said, O'Brian was at the peak of his handsomeness with his parade of macho sexuality "Love Has Many Faces" just around the corner. Eaton, one of the most noted Bond girls due to her gold body paint in "Goldfinger", doesn't exactly exude screen charisma, but she and O'Brian are attractive in their ski lodge wear. Fabian plays a highly annoying character and does it a bit too convincingly, creating animosity from many audience members. Lavi gets to trot around in some couture clothes while trying to balance a massive, lacquered wig on her head. The butler and housekeeper couldn't be more mismatched as a couple with her looking like his mother (and old enough in real life to be!) Of the remaining male guests, only Hyde White makes much of an impression with his customary glint in his eye, though Holloway has a few nice moments as well. Most versions are now minus the campy "murder minute" which gave audiences a chance to try to figure out who the killer was.
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