A boat has been destroyed, criminals are dead, and the key to this mystery lies with the only survivor and his twisted, convoluted story beginning with five career crooks in a seemingly random police lineup.
Emily Boynton, step-mother to the three Boynton children and mother to Ginevra, blackmails the family lawyer, Jefferson Cope, into destroying a second will of her late husband which would ... See full summary »
Up to a house high on a mountain top have been invited ten people who are strangers to each other. When they are all gathered, they hear from their host that each one of them has in someway caused the death of an innocent person and that justice had not be served in their cases. There are eight guests and two servants there for the weekend, but one by one, they are being knocked off according to the poem of "Ten Little Indians". As the number of survivors decreases, they begin to believe that the killer is one of the group, but are unable to decide on which one he or she may be. Written by
Tony Fontana <email@example.com>
The mysterious voice that accuses the invited guests of their specific crimes is an uncredited Christopher Lee. See more »
Early in the movie, the characters hear a tape recording accusing of them of murder. Later, however, when Lombard makes a reference to Blore's crime, Blore responds with a surprised, "Who told you?" when he knows exactly how Lombard found out about it. See more »
Also known as "And Then There Were None" and other titles, this Agatha Christie murder mystery centers around one of the most clever, if not the most clever, plots of any of her many works. In typical Agatha Christie style, the story twists and turns in unexpected directions, and you either give up trying to identify who the murderer is, or you are surprised that the murderer is someone whom you least expected. It's then fun to go back and see how you missed the subtle clues pointing to the real murderer.
The 1966 movie version is often compared unfavorably to the original, 1945, movie version. Frankly, I prefer the 1966 movie, which is more contemporary in style, and the actor's accents are easier to understand.
"Ten Little Indians" takes place in a castle on a mountaintop in winter. The "castle" has an echo which when combined with the cold and lonely atmosphere, and sometimes sinister lighting, makes for a creepy setting. Thankfully, the movie was shot in black and white.
The acting is quite good, for the most part. But the main reason to see this movie is because of the unique plot puzzle.
The cinema has made many other Agatha Christie movies, two of the best being "Witness For The Prosecution" (1957), and "Murder On The Orient Express" (1974). But none can compare, in my opinion, with the clever plot of "Ten Little Indians".
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