Tanin no kao (1966)
A businessman facially scarred in a laboratory fire receives psychotherapy from a psychiatrist, and obtains an amazingly lifelike mask from the doctor. Soon after being fitted for the mask, he seduces his wife and succeeds. But his wife claims she was aware all along who he was and believed that both were just masquerading together as most couples usually do in different ways. Strangely enough, his personality seemingly begins to change after he puts on the mask as if the mask has influenced his personality. His new identity does not enable him to reintegrate into society after all. A subplot is inserted in fragments. A good-natured young woman, the right side of whose face is disfigured, has been hurt by others' inquisitive eyes and insults, and has been shunned by men. She asks her older brother, the only man who understands her pain and solitude, to make love to her, hiding from him the intent of killing herself after then.- Written by Prion
This follow-up to Abe and Teshigahara's Sunna no Onna (1965) is even more surrealistic, thanks to the intrusion of science fiction elements. Tatsuya Nakadai (X) is horribly burned it a laboratory accident and seeks the help of Dr. K___, who designs a new face for him out of a realistic mask. Is the mask controlling him, or did he create the personality of the mask? He randomly remembers scenes from a film he saw in which Bibari Maeda was a horribly scarred woman (Hiroshima), shunned by most people, who commits incest with her brother and throws herself into the sea.- Written by Scott Hutchins <firstname.lastname@example.org>
A businessman with a disfigured face obtains a lifelike mask from his doctor, but the mask starts altering his personality.- Written by Samovarkov
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