A weapons expert who murdered his unfaithful stripper wife and her lover goes on a killing spree, bumping off exotic dancers and hookers, while plotting the demise of his wife's swinging bisexual sister and her kinky boyfriend.
A distraught weapons dealer is involved in an automobile accident after catching his stripper wife in bed with another man. Upon recovering, he goes on a killing spree, bumping off exotic ... See full summary »
A sexually confused young woman in a session with her psychiatrist relates her tale of coming to New York City from Sweden after being raped by her stepfather, falling in love with a young ... See full summary »
Henpecked misogynist Richard Davis murders his shrewish wife and goes out to dispose of her corpse. However, things go awry for Richard after he's abducted by a pair of insane lesbians who ... See full summary »
A stripper is kidnapped by a drifter and taken to the home of a wealthy pervert. The pervert proceeds to strip her and beat her with a whip. She escapes, and he has to track her down and kill her before she can notify the police.
Presented as an inquiry into the ways of lust, this film is staged as a documentary. It moves from rural prostitution (the roadhouse) to pornographers, then on to streetwalkers, male ... See full summary »
It's easy to rag on this movie. The plot is pretty weak: a lonely derelict voyeur spies on a woman every night as she showers, masturbates, or just wanders naked around her NYC apartment. Finally, he decides to do something about it. The end. It is also very pretentious with an at times hilariously overwrought voice-over narration ("Her skin is made of the disillusionment of man"). It is filmed in black-and-white in a kind of would-be avante-garde style. And as they often did in their early days, the Findlays put themselves in principal acting roles--Roberta Findlay herself plays the oft-nude woman under her "Anna Riva" pseudonym. Unfortunately, the Findlay missus is definitely not an actress, nor is she exactly a raving beauty. And while her skin may or may not be made of the "disllusionment on man", she and her late husband's film-making was definitely made of the "disillusionment of the movie-goer".
However, consider for a moment what this would be like if it were made today. It would be a shot-on-video hardcore porn movie. Forget about even the pretentious artistry since it would have had a $1,000 production budget and a shooting schedule measured in hours. Instead of authentic gritty NY locations, it would have been shot in somebody's condo in the San Fernando Valley. Instead of this overripe, ridiculous dialogue you would have had something like this: "Ummmm. . .Oh yeah, that's good. . .Uhhhh. . .C'mon baby, yeah. . .Oh, yeah. . .Oh yeah! Yeah! Oh, yeah! Yeah! AAAAAAAigghh!!!" Of course, the girls probably would have been better-looking than Roberta Findlay, but that's only if you can still consider human beings injected with that much silicone, saline, and collagen "girls".
And where the Findlays ALWAYS suceeded was in making truly disturbing films, and this is certainly no exception. Sex films today though are almost never disturbing. If it weren't for the gang-bangs, the oral sex "facials", and triple-penetrations you wouldn't be able to tell them from Disney movies as they have that exact same horribly saccharine don't-let-anything-disturb-the-fantasy element to them. This early Findlay effort may not be a great movie, but when you consider the modern-day alternative, it doesn't seem so bad after all.
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