Two interwoven stories. The first is a biography of anarchist Sakae Osugi which follows his relationship with three women in the 1920s. The second centers around two 1960s' students researching Osugi's theories.
During the Second Sino-Japanese War, in 1940, Lieutenant Kurokawa returns home as a honored and decorated soldier... but deprived of his arms and legs lost in battle in mainland China. All ... See full summary »
After the mysterious death of her mother, a young woman chooses to enter a convent to find out what happened. As soon as the door closes to the nunnery, the nuns start torturing the woman. ... See full summary »
After escaping from an insane asylum, a young medical student takes on the identity of a dead man to discover the true identity of a man whose picture he saw in a newspaper--who is his ... See full summary »
After being cruelly set up and deceived by Sugimi (Natsuyagi Isao), a conniving and crooked detective she had whole-heartedly fallen in love with (and subsequently lost her virginity to...)... See full summary »
A man penetrates by night in a nurse dormitory planning to kill them all. While he accomplishes to his self imposed task thoughts and obsessions come to his mind revealing his love deficits... See full synopsis »
I've seldom seen such a mixture of disturbing violence and heartrending visual poetry as in this film by Koji Wakamatsu. There is but so much you can do with the story of a woman who is kept prisoner in an apartment; where she is repeatedly humiliated, beaten and tortured by her psycho boyfriend. Unless your name is Wakamatsu. This is 1966 and we are treated to visual experimentation from bleachers to freeze frames, inventive choice of camera angles and virtuoso editing. In one torture scene the sound completely disappears and we can only see the woman's face contort with pain. This is not cheap sensationalism but a highly inventive film which, here and there, makes excellent use of classical music to underline the action. Although the violence is disturbing one cannot help but feel sorry for the man. His sick, twisted mind is torn between tender feelings for his prisoner and the violent impulses that make him torture her. Koji Wakamatsu's handling of the script manages to convincingly show this duality. Fascinating in its austere and brutal poetry, this film paved the way for other Wakamatsu masterpieces like Violated Angels (1967) and Go,Go, Second Time Virgin (1969).
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