| Patricia McNair | ... | Mona Parsons | |
| Sheila Britt | ... | Karen Picard (as Stella Britton) | |
| George Wolfe | ... | Les Parsons | |
| Louis Waldon | ... | Wayne Picard (as Jim Chisolm) | |
| Crystal Snow | ... | Penny Craig | |
| Monica Davis | ... | Brooke Furman (as Pat Davis) | |
| Joanna Mills | ... | Kathy (as Joyce Knight) | |
| Judson Todd | ... | Pete Furman | |
| Peggy Steffans | ... | Stella Morse (as Cleo Nova) | |
| Frank Spencer | ... | Danny Morse (as Steve Barton) | |
| Rick Sheldon | ... | Morgan Hackett | |
| Richard Sarnes | ... | Kent Craig | |
| Carol Holleck | ... | Gene Hackett (as Rynn Marlowe) | |
| Warwick Christian | ... | Paul Masters | |
| Alix Reed | ... | Dick | |
| Thomas Andrisano | ... | Ed (as Harold Frank) |
Directed by | |||
| Joseph W. Sarno | (as Joe Sarno) | ||
Writing credits(in alphabetical order) | ||
| Joseph W. Sarno | ||
Produced by | |||
| Donald Havens | .... | executive producer (uncredited) | |
| David C. Stone | .... | producer (uncredited) | |
Film Editing by | |||
| Joseph W. Sarno | (uncredited) | ||
Sound Department | |||
| James Lynch | .... | sound | |
Camera and Electrical Department | |||
| Robert Gage | .... | camera operator | |
| Bruce G. Sparks | .... | lighting director (as Bruce Sparks) | |
Other crew | |||
| Mel Garfinkel | .... | production coordinator | |
| Barbara Stone | .... | script supervisor (uncredited) | |
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| Lolita | Jimmy and Judy | The Kids Are All Right | Spanking the Monkey | Secret Things |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section |
Another successful Joe Sarno suburban erotica opus, this one is executed in a decidedly minor key, more of a chamber drama than a critique of social mores. It rearranges the themes and plot strategies of his earlier works (such as Sin in the Suburbs) with a more subtle mise-en-scene and a surprising tinge of misogyny. There isn't much nudity or on-screen lovemaking, but the attitude of the principals and some clever imagery makes it quite lascivious nonetheless. There's no occultism this time, but the de rigueur masked party serves as the nasty climactic scene.