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Storyline
The lead in a British semi-improvisational musical theater troupe introduces the troupe's featured players - his wife, two adult daughters and adolescent son - as they rehearse for their next performance. That performance tells the story of Little Chap, a working class stiff, who marries the boss' daughter Evie because she is pregnant. He wouldn't have married her otherwise. As Evie is the boss' daughter, Little Chap, over the course of thirty-five years, is given opportunity after opportunity to enhance his professional life by his new father-in-law. In turn, Little Chap, being opportunistic, builds upon those experiences to try and be fulfilled both professionally and personally, rarely taking Evie and his burgeoning family into consideration despite the fact that they love him. At the end of those thirty-five years, he comes to an understanding of who he is and why he made the decisions in his life that he did. Written by
Huggo
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Did You Know?
Trivia
The original Broadway production of "Stop the World - I Want to Get Off" opened at the Shubert Theatre in New York City on October 3, 1962, and ran for 555 performances; and it was nominated for 1963 Tony Awards for Outstanding Musical, Distinguished Musical Actor, Best Composer and Lyricist, and Best Author (Musical).
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Soundtracks
"Gonna Build a Mountain"
Written by
Leslie Bricusse and
Anthony Newley
Performed by
Tony Tannerr
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Without its co-creator and original leading man, Anthony Newley, this film is at a disadvantage right from the start. It's a record of a stage musical, largely filmed in the theatre, with black and white inserts taped at a studio. It only really works because it is fresh and unique, and because of three wonderful songs in particular: 'Gonna Build a Mountain', 'Once in a Lifetime', and 'What Kind of Fool Am I'.
The problem really is that Tony Tanner, although good, is no Newley, and mimicking vocal mannerisms isn't really enough to hide the fact he's a poor substitute. Having said that, the film doesn't lack charm and anything with Millicent Martin has to get the thumbs-up. Perhaps a product of its time, and now rather dated, but watched in the right frame in mind it still stands up, perhaps better than a stage revival would these days.