Paul and Paula have had bad experiences with love: Paul is financially well off but has lost all affection for his wife, and Paula leads a troublesome life raising two children on her own. ... See full summary »
Sunny is the singer of band trying to establish itself in the music-scene of East-Berlin. They play regular gigs in small towns, but Sunny feels out of touch with the audience and her life ... See full summary »
A Jewish ghetto in the east of Europe, 1944. By coincidence, Jakob Heym eavesdrops on a German radio broadcast announcing the Soviet Army is making slow by steady progress towards central ... See full summary »
A Roma family lives far from the urban centres of Bosnia-Herzegovina. The father Nazif salvages metal from old cars and sells it to a scrap-dealer. The mother Senada keeps the house tidy, ... See full summary »
During the '35th Cannes International Film Festival' (14th-26th May 1982), German director Wim Wenders asked a sample of 15 other international film directors to get, each one at a time, ... See full summary »
As rumors reach them that the Allied armies are advancing on their concentration camp at Buchenwald, Polish prisoners renew their feeble hope for survival and freedom. When a group of ... See full summary »
A teenager is found murdered, and the examining doctor recognizes her son's knife. The film works its way back to reveal how this situation came about; a rare treatment of the taboo subject of youth criminality in Socialist society.
Hannes Balla is the foreman of a group of building construction workers at the large construction site "Schkona" in the GDR. They spend most of their time working hard and drinking harder - to some they are fun, to some they are a public nuisance. Things get more complicated when the good-looking Kati Klee is employed as a young technician, and the ambitious new Party Secretary, Werner Horrath, aims to boost work efficiency and downsize Balla's ego. Kati slowly warms up to Werner, but is also attracted to Balla's nonconformity. A contemporary movie about work, love, and everything in between. Written by
When i studied the visual style of the film, the first thing i noticed was that it was set in a widescreen format. In order to fill the screen, the film has many scenes with crowds of people. It can be also observed that the Ballas are always in a firing-squad position resembling the Western Magnificent Seven.
Camera movements and shots are very conservative and minimal that it almost looks a documentary. It used a lot of panning and close-up shots. Over-the-shoulder shots are very rare.Flashbacks were not properly executed and the black and white format adds to the ambiguity. Overall, the film doesn't have the aesthetic appeal we often see in Hollywood films yet it remains one of the best German Films for its story and historical value.
5 of 12 people found this review helpful.
Was this review helpful to you?