Stock car racer Tommy Callahan is forced to join Pete Madsen's thrill circus after his blackouts cause a fatal accident that gets him thrown off the circuit. He shows Pete's daughter ... See full summary »
Though several actors portray Elvis Presley at different stages of his life, this documentary is comprised mostly of actual performance footage and interviews with Elvis, his fans and those... See full summary »
Paul Boensch III
Jim Stauton Rogers ('WEndell Corey'), a Texas rancher turned international diplomat, take his young daughter,Elizabeth Rogers (Jane Powell), on a trip to Paris. He is concerned that his ... See full summary »
Captain Matt Holbrook leads a squad of brave and tough detectives in a large, unnamed city. Instead of leading personal lives, they spend all of their time tracking murderers, thieves, ... See full summary »
Mike McCoy is the lead singer for a band combo and part-time racecar driver trying to get by when he is persued by a trio of very different women who want his hand in marriage. The first is Les, the female drummer of his band, The second is Cynthia, a spoiled heiress and Daddy's girl. The third is Diana, a writer of books on men. Written by
[as Lt. Richards enters her kitchen through the back door]
What? Is this a raid?
Lt. Tracy Richards:
Yeah, reach for the ceiling! Now turn around.
[When she complies, he slaps her derriere]
Lt. Tracy Richards:
I just wanted to see if you packed a gun.
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Elvis Presley spent most of the 1960s making fluffy lightweight romantic comedies with music, all constructed on a studio assembly line during the waning days of the old Hollywood studio system. These films tended to sap Elvis of the energy he could have devoted to better films and better roles, all of which he was capable of. Having said that, some of these films were more tolerable than others.
SPINOUT, made at MGM, is one of the most entertaining thanks to its teaming of Elvis with three colorful and delightful leading ladies, all of whom more than hold their own with their charismatic leading man. Deborah Walley plays the tomboyish redhead drummer in Elvis' band and has a secret crush on him; Diane McBain plays a sexually voracious best-selling author on the hunt for the perfect American male; and Shelley Fabares plays the heiress of an auto fortune who thinks she's entitled to whatever she wants and whose father wants Elvis to race a car for him. In the course of it, Elvis encounters rivals for each of the girl's affections, leading to a set of romantic entanglements that are ultimately resolved in an inspired and original ending. The plot is packed with lots of clever twists, thanks to a script co-written by Theodore J. Flicker who would write and direct the cult hit, THE PRESIDENT'S ANALYST, the following year. Fortunately, the film's racing angle is downplayed in favor of comic situations and a set of enjoyable songs.
The supporting players deserve singling out, including Jack Mullaney as Elvis' comical bandmate; Carl Betz as Shelley's father (a role he played with Shelley on "The Donna Reed Show" as well); Warren Berlinger as Betz's loyal assistant; TV cowboy Will Hutchins as a highway cop with a penchant for gourmet cooking; and Hollywood veterans Cecil Kellaway and Una Merkel as an elderly rich couple who allow Elvis and his band to take over their house when they go on vacation. (This latter touch is representative of the film's Hollywood fantasyland approach to life, but it's all so well played by such skilled hands that it's difficult not to get sucked into the fun of it all.)
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