Young and inexperienced Sister Ann has just arrived at her next posting at Samaritan House, a Dominican order located in a disreputable neighborhood of Ghent, Belgium. Sister Ann is ... See full summary »
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Young and inexperienced Sister Ann has just arrived at her next posting at Samaritan House, a Dominican order located in a disreputable neighborhood of Ghent, Belgium. Sister Ann is enthusiastic, progressive but naive, all which irks one of the senior sisters, Sister Cluny, especially the fact that Sister Ann has a prized material possession, a guitar she's named Adele. Sister Ann considers Adele and her music to be her friends. Contrary to Sister Cluny, the Mother Prioress believes Sister Ann will be a welcome addition to their order. This posting is to be the training ground for Sister Ann and others to become missionaries in Africa. Sister Ann's path takes a detour when the order's Father Clementi hears Sister Ann sing. He believes Sister Ann should record her music and as a favor asks Robert Gerarde of Primavera Records for recording time. Unknown at the time the request is made, Robert and Sister Ann are old friends who attended the Paris Conservatory of Music together five years... Written by
Loosely based on the true story of Soeur Sourire, who had a #1 pop hit in America with "Dominique". Unfortunately, the lovable nun was a one-hit wonder whose life did not continue happily after her brief blush of chart success. After leaving the church for a full-time music career, she ran into heavy financial problems and eventually took her own life. See more »
When Sister Ann and several other convent members perform on The Ed Sullivan Show, the women are forbidden to wear stage makeup - even though all of them have been sporting obvious foundation, blush, lipstick, mascara and even false eyelashes during rest of movie. See more »
Despite the best efforts of the actors, this movie is awful. The screenplay can only be described as moronic. I appreciate that it is the songs that draw people to watch it, but if so, do stick to the record.
It's a shame too because Debbie Reynolds, Greer Garson, Ricardo Montelban, Katherine Ross, Agnes Moorehead, Chad Everett all do as well as can be expected - and I am reminded of how wonderful a singing voice Debbie Reynolds has. Moreover, Montelban is truly believable as a priest - as are Garson and Reynolds as nuns. Ross is just fine.
But this is more saccharine than most of the Flying Nun episodes. It's strange too - because most movies about nuns have for some reason been quite good - Black Narcissus, Heaven Knows Mr. Allison, The Nun's Story, The French movie, Therese, The Song of Bernadette, even The Trouble with Angels (which bowled me over with how affectingly it evolved).
Most movies succeed in the writing - this one had a great real story to tell
even without emphasizing the astonishingly grim post-convent life of its
protagonist -- from her family's life in Paris during W.W.II (her father a figure in the Resistance) to the fascinating relationship with music. (Think of how fantastically the movie Hilary and Jackie showed a woman's conflicts about having her life revolve around music).
When I was a boy, Sister Soeur's songs were the leitmotif of our Catholic grade school - we all had to learn them in French, sing them in Christmas concerts for our parents, etc. It's such a shame that such an awful movie celebrates such light, cheery music. It's truly not worth watching.
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