Inspired by fairy-tales such as Alice in Wonderland and Little Red-Riding Hood, "Valerie and her Week of Wonders" is a surreal tale in which love, fear, sex and religion merge into one fantastic world.
A small group of adult bourgeois friends are on a day outing in the country, that outing which includes having a picnic. While they are going for a walk after the picnic, they encounter a ... See full summary »
A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.
Two stories are simultaneously told. One dutiful mother progressively becomes a frustrated woman who is the only one assuming the family responsibilities of working at home and looking ... See full summary »
Set against the backdrop of a repressed Czechoslovakia, five non-related vignettes are presented, each showcasing the need and want for human connection. In "Mr. Baltazar's Death", a middle... See full summary »
In the 1950's, Ludvik Jahn was expelled from the Communist Party and the University by his fellow students, because of a politically incorrect note he sent to his girlfriend. Fifteen years ... See full summary »
The fire department in a small town is having a big party when the ex-boss of the department celebrates his 86th birthday. The whole town is invited but things don't go as planned. Someone ... See full summary »
A lonely widowed housewife does her daily chores, takes care of her apartment where she lives with her teenage son, and turns the occasional trick to make ends meet. However, something happens that changes her safe routine.
Two teenage girls, both named Marie, decide that since the world is spoiled they will be spoiled as well; accordingly they embark on a series of destructive pranks in which they consume and destroy the world about them. This freewheeling, madcap feminist farce was immediately banned by the government. Written by
Fiona Kelleghan <email@example.com>
For its renewal of the spirit of DADA, for its sixties potlatch, for its fine excess, for its playful modernist montage, this is certainly the most formally revolutionary of all the Czech New Wave films I have seen. It escapes and transcends the heavy moral dissidence of the other great Prague Spring directors, and even manages to transcend its time and place. An authentic work of creative genius, its 'high spirits' belong to another world, a world which subverts the grip of everyday totalitarianism, and, as DADA updated, topples the philistines left and right.
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