A group of men are on safari. One of the party refuses to give a gift to a tribe they encounter. The tribe is offended, seizes the party, and one-by-one, kills all but one of the safari ... See full summary »
Gert van den Bergh,
Lt. Commander Finchhaven, a ghostly relic from the First World War, he had fallen down dead drunk on his first assignment and been consigned from the great beyond to sail the seas until a ... See full summary »
Middle-aged banker Arthur Hamilton is given the opportunity to start a completely new life when he receives calls from his old friend Charlie. The only problem is that Charlie is supposed to be dead. Hamilton is eventually introduced to a firm that will fake his death and create an entirely new look and life for him. After undergoing physical reconstruction surgery and months of training and psychotherapy, Hamilton returns to the world in the form of artist Tony Wilson. He has a nice house in Malibu and a manservant, a company employee who is there to assist him with his adjustment. He finds that the life he had hoped for isn't quite what he expected and asks the company to go through the process with surprising results. Written by
Rock Hudson was five inches taller than his "older self" John Randolph. This was worked around with a careful choice of camera angles. Randolph and Hudson also spent casual time together in the days before shooting, so Hudson could learn to copy Randolph's mannerisms. See more »
At one point Hamilton/Wilson claims he was next in line for bank presidency. Highly unlikely in view of the fact that during early scenes he didn't even have a private office. See more »
Man in Station:
[Man in train station hands Hamilton a folded sheet of paper and turns to walk away; Hamilton stares after him, then opens the folded paper to find an address, with no explanation]
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SECONDS decries the dehumanization of the middle class. The protagonist is a successful banker, though successful at banking, in late middle age finds his life devoid of purpose. Given an opportunity to completely start his life over he jumps at the chance even though it means he must "die" and be reborn in a new body.
Filmed in black and white SECONDS has that unsettling jumpy-jangly editing and sound track I associate with 50s film noir. It keeps the viewer off balance and out of kilter, like the banker who slides slowly, effortlessly into a more ominous dehumanized existence than the one he left. An oddly (but successfully) cast Rock Hudson gives a great performance as the 'reborn' banker. Recommended when in the mood for something different.
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