IMDb > Seconds (1966)
Seconds
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Overview

User Rating:
7.6/10   3,971 votes
MOVIEmeter: ?
Down 29% in popularity this week. See why on IMDbPro.
Director:
John Frankenheimer
Writers:
David Ely (novel)
Lewis John Carlino (screenplay)
Contact:
View company contact information for Seconds on IMDbPro.
Release Date:
5 October 1966 (USA) more
Tagline:
What Are Seconds?... The Answer May Be Too Terrifying For Words! more
Plot:
Want out of your life? Just pay the fee and we'll fake your death, change your face, and set up a new identity for you... full summary | add synopsis
Plot Keywords:
more
Awards:
Nominated for Oscar. Another 1 nomination more
NewsDesk:
(3 articles)
La-La Land releases Goldsmith double
 (From MovieScore Magazine. 7 October 2009, 8:06 AM, PDT)

Playing it Straight
 (From AfterElton.com. 7 April 2009, 6:31 PM, PDT)

User Comments:
the best midlife crisis film more (97 total)

Cast

  (Cast overview, first billed only)

Rock Hudson ... Antiochus 'Tony' Wilson
Salome Jens ... Nora Marcus

John Randolph ... Arthur Hamilton
Will Geer ... Old Man
Jeff Corey ... Mr. Ruby

Richard Anderson ... Dr. Innes
Murray Hamilton ... Charlie Evans
Karl Swenson ... Dr. Morris
Khigh Dhiegh ... Davalo
Frances Reid ... Emily Hamilton
Wesley Addy ... John
John Lawrence ... Texan
Elisabeth Fraser ... Plump Blonde
Dodie Heath ... Sue Bushman (as Dody Heath)
Robert Brubaker ... Mayberry
more
Create a character page for: ?

Additional Details

MPAA:
Rated R for some nudity.
Runtime:
100 min | USA:107 min (re-release: 1996) | Australia:103 min
Country:
USA
Language:
English
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Mono
Certification:
UK:X (1966) (cut) | West Germany:18 (nf) | Finland:K-16 | Sweden:15 | USA:R (1996 re-release) | Australia:M
Filming Locations:
California, USA more

Fun Stuff

Trivia:
Arthur Hamilton's tennis trophy in reality belonged to John Frankenheimer. more
Goofs:
Revealing mistakes: When Tony is on the airplane on his way to Malibu the "clouds" outside the window move from right to left as you would expect. However they then reverse and move the other way. more
Quotes:
[first lines]
Man in Station: Mr. Hamilton?
Arthur Hamilton: Yes?
[Man in train station hands Hamilton a folded sheet of paper and turns to walk away; Hamilton stares after him, then opens the folded paper to find an address, with no explanation]
more
Movie Connections:
Edited into Bass on Titles (1977) more

FAQ

This FAQ is empty. Add the first question.
23 out of 24 people found the following comment useful.
the best midlife crisis film, 16 March 2004
10/10
Author: dr_foreman

Midlife crisis films are rare beasts, but everybody loves them. Look at the success of "American Beauty," probably the most stereotypical depiction of middle-class America that I've ever seen. Quite shallow in its way, "Beauty" was a hit because of its subject matter - it tackled some taboos and had the nerve to portray the problems of "ordinary" people. But you know what - it had been done before, and better, here.

"Seconds" is the story of a middle-aged banker who undergoes surgery to become - this part is really a gas - Rock Hudson! He's given an outlet to escape from his loveless family life and tedious job, and he becomes a swinging painter/playboy with a beautiful house on the coast. Of course, he soon finds that good looks and money are no substitute for what he really wants - some kind of genuine intimacy in his life.

Is this message a bit too predictable? Oh, I dunno - we all seem to agree that the pursuit of wealth is an empty one, yet we indulge in it all the same. The social problems explored in "Seconds" are still very much with us, and our awareness of these problems certainly hasn't solved them. The film ultimately acts as a powerful, sobering reminder that most of us aren't doing what we really want to do.

Plenty of great style on display here from director Frankenheimer. There's a wonderful "wobbly camera" drunk scene that is so realistic, you'll feel as though you've been hitting the bottle yourself. There's also consistent effective use of point-of-view shots and unusual angles. In terms of subject matter and directorial flair, this film is incredibly innovative...it's taken years for us to catch up to this kind of material, and yet we still haven't topped it. Definitely in my top twenty.

Was the above comment useful to you?
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Possible companion piece? gaby01575
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