An unhappy middle-aged banker agrees to a procedure that will fake his death and give him a completely new look and identity - one that comes with its own price.

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(screenplay), (based on the novel by)
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Cast

Cast overview, first billed only:
Frank Campanella ...
Man in Station
...
Frances Reid ...
Emily Hamilton
Barbara Werle ...
Secretary
Edgar Stehli ...
Tailor Shop Presser
Aaron Magidow ...
Meat Man
De De Young ...
Nurse
Françoise Ruggieri ...
Girl in Boudoir
...
Charlie
Thom Conroy ...
Dayroom Attendant
...
Mr. Ruby
...
Old Man
...
...
Khigh Dhiegh ...
Davalo
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Storyline

Middle-aged banker Arthur Hamilton is given the opportunity to start a completely new life when he receives calls from his old friend Charlie. The only problem is that Charlie is supposed to be dead. Hamilton is eventually introduced to a firm that will fake his death and create an entirely new look and life for him. After undergoing physical reconstruction surgery and months of training and psychotherapy, Hamilton returns to the world in the form of artist Tony Wilson. He has a nice house in Malibu and a manservant, a company employee who is there to assist him with his adjustment. He finds that the life he had hoped for isn't quite what he expected and asks the company to go through the process with surprising results. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

What Are Seconds?... The Answer May Be Too Terrifying For Words! See more »

Genres:

Sci-Fi | Thriller

Motion Picture Rating (MPAA)

Rated R for some nudity | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

14 November 1966 (Brazil)  »

Also Known As:

Der Mann, der zweimal lebte  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (re-release: 1996)

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The house that is provided for Rock Hudson's character was owned by director John Frankenheimer. It was later sold. See more »

Goofs

At the cocktail party the amount of ash hanging from Wilson's cigarette varies inconsistently between shots. See more »

Quotes

[first lines]
Man in Station: Mr. Hamilton?
Arthur Hamilton: Yes?
[Man in train station hands Hamilton a folded sheet of paper and turns to walk away; Hamilton stares after him, then opens the folded paper to find an address, with no explanation]
See more »


Soundtracks

Love Is Just around the Corner
(1934) (uncredited)
Music by Lewis E. Gensler
Lyrics by Leo Robin
Played at the party
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User Reviews

 
the best midlife crisis film
16 March 2004 | by (Brooklyn, NY) – See all my reviews

Midlife crisis films are rare beasts, but everybody loves them. Look at the success of "American Beauty," probably the most stereotypical depiction of middle-class America that I've ever seen. Quite shallow in its way, "Beauty" was a hit because of its subject matter - it tackled some taboos and had the nerve to portray the problems of "ordinary" people. But you know what - it had been done before, and better, here.

"Seconds" is the story of a middle-aged banker who undergoes surgery to become - this part is really a gas - Rock Hudson! He's given an outlet to escape from his loveless family life and tedious job, and he becomes a swinging painter/playboy with a beautiful house on the coast. Of course, he soon finds that good looks and money are no substitute for what he really wants - some kind of genuine intimacy in his life.

Is this message a bit too predictable? Oh, I dunno - we all seem to agree that the pursuit of wealth is an empty one, yet we indulge in it all the same. The social problems explored in "Seconds" are still very much with us, and our awareness of these problems certainly hasn't solved them. The film ultimately acts as a powerful, sobering reminder that most of us aren't doing what we really want to do.

Plenty of great style on display here from director Frankenheimer. There's a wonderful "wobbly camera" drunk scene that is so realistic, you'll feel as though you've been hitting the bottle yourself. There's also consistent effective use of point-of-view shots and unusual angles. In terms of subject matter and directorial flair, this film is incredibly innovative...it's taken years for us to catch up to this kind of material, and yet we still haven't topped it. Definitely in my top twenty.


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