Engineer Jake Holman arrives aboard the gunboat U.S.S. San Pablo, assigned to patrol a tributary of the Yangtze in the middle of exploited and revolution-torn 1926 China. His iconoclasm and... See full summary »
1933. An ocean liner, belonging to a second rate German company, is making a twenty-six day voyage from Veracruz, Mexico to Bremerhaven, Germany. Along the way, they will stop in Cuba to ... See full summary »
Set during the Korean War, a Navy fighter pilot must come to terms with with his own ambivalence towards the war and the fear of having to bomb a set of highly defended bridges. The ending ... See full summary »
Engineer Jake Holman arrives aboard the gunboat U.S.S. San Pablo, assigned to patrol a tributary of the Yangtze in the middle of exploited and revolution-torn 1926 China. His iconoclasm and cynical nature soon clash with the "rice-bowl" system which runs the ship and the uneasy symbiosis between Chinese and foreigner on the river. Hostility towards the gunboat's presence reaches a climax when the boat must crash through a river-boom and rescue missionaries upriver at China Light Mission. Written by
Martin H. Booda <firstname.lastname@example.org>
The San Pablo was purpose built for the film, in Hong Kong. She was actually powered by diesel engines: the black smoke from the stack came from old tires and other rubbish fired in a special compartment on the boat. After filming, the boat was sold and survived for some years with various building firms in the Far East, finally using the name Nola D and being scrapped in Singapore in 1975. See more »
When the San Pablo first gets underway Holman is wearing a clean set of dungarees, yet in the next shot when he is noticing an engine problem, he is wearing old, worn and dirty dungarees with no undershirt. See more »
There is a credit for 'Diversions by Irving Schwartz' in tribute to a mysterious, unknown correspondent whose letters proved a morale booster to cast and crew during trying location work in Hong Kong and Taiwan. See more »
This is truly my all time favorite film and not just because of the wonderful performances by McQueen, Crenna, Mako and the rest, but because I had an opportunity to experience the Asia culture first hand (during Viet Nam) and the depiction of the culture and the climate of the land is right on. I rank McQueen's performance right up there with my favorite Newman's performance in "Cool Hand Luke". Basically, the same type of a character, a loner challenging the boundries of their society's limits. It was a shame that the movie was released the same year as "A Man for All Seasons", because McQueen should have received and Oscar for this performance. I now own this video and I make a point of watching it once a year.
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