Jonas Trapp falls in love with the beautiful Jessie, a wealthy girl out of his humble class. Against the wishes of her snobbish aunt, she marries him, later faking a pregnancy to win her ...
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Fugitive bank robber Joe Maybe steals the identity of a marshal and rides into a town whose judge asks Joe to act as town marshal but an old flame almost betrays his real identity forcing Joe to claim she's his wife.
Virgil Renchler owns most of the town providing a thriving economy. When his men go too far and kill one of his migrant workmen, the sheriff goes after him even if it means his job and everyone else's.
Jonas Trapp falls in love with the beautiful Jessie, a wealthy girl out of his humble class. Against the wishes of her snobbish aunt, she marries him, later faking a pregnancy to win her aunt's consent. But Jonas tires of living off of his wife's family, and eventually deserts her to become a buffalo hunter. 11 years later, with his self-made fortune, he sets out to return home, only to be set upon by three sadistic marauders, who steal his money and leave him for dead. Rescued by a farmer who nurses him back to health, Jonas becomes consumed by the desire for revenge. As fate would have it, all three men live close to Jonas' former home. Matters quickly get worse when Jonas reunites with his wife, only to discover that she is now engaged to Renne. Written by
Returning home after toiling eleven years as a buffalo hunter in order to to provide for his rich, estranged wife, Chuck Conners (in a terrific performance) is beaten, branded, and robbed of his life savings by banker/gambler Michael Rennie, psychotic dandy Bill Bixby, and drunken cowboy Claude Akins. (and Akins imaginary friend!) Needless to say that Chuck's infuriated when he finds out that Rennie is courting his wife.
Ride Beyond Vengeance is uniquely bookended by modern scenes of a visiting census taker being told the story by a bartender, in the exact place where Conners' vengeance went down. It gives the unfolding events both a feel of historical significance and a sense of western mythology.
Co-produced by game-show impresario Mark Goodson, this is stark, mean film, truly top-notch in terms of characterization and story. Anyone who thinks the Italians had a monopoly on hard-boiled, violent westerns in the sixties really should see this!
Bixby is a lot of fun to watch, especially in the scene where he's confronted by Conners on a lonely road and made to squirm. Frank Gorshin's description of the aftermath is incredible!
An exciting climax features one helluva rowdy fight between Between Chuck and Claude Akins.
I highly recommend this!
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