Jonas Trapp falls in love with the beautiful Jessie, a wealthy girl out of his humble class. Against the wishes of her snobbish aunt, she marries him, later faking a pregnancy to win her ... See full summary »
A group of five Confederate mercenaries led by Sergeant Will Hansen must choose sides carefully in a small village where they find themselves trapped in the middle of a rebellion. The group... See full summary »
A hardboiled aging private eye is hired to find and protect a missing government witness sought after by the gangsters. The witness is a beautiful French woman and even the cops can't be trusted. The case is tough, but so is Chandler.
When the anxiously awaited posse returns with neither prisoners nor the stolen money, we learn in flashback what happened. Having been cheated by Sampson Drune, a father and his two sons ... See full summary »
Alfred L. Werker
In the 1880s Jason McCord travels the country trying to prove he's no coward. He needs to do this because the military career of this West point graduate came to an end when he was thrown out of the army after being accused of cowardice.
This is a story about family relationships, set in the time before and during the American Civil War. Ethan Wilkins is a poor and honest man who ministers to the human soul, while his son ... See full summary »
Jonas Trapp falls in love with the beautiful Jessie, a wealthy girl out of his humble class. Against the wishes of her snobbish aunt, she marries him, later faking a pregnancy to win her aunt's consent. But Jonas tires of living off of his wife's family, and eventually deserts her to become a buffalo hunter. 11 years later, with his self-made fortune, he sets out to return home, only to be set upon by three sadistic marauders, who steal his money and leave him for dead. Rescued by a farmer who nurses him back to health, Jonas becomes consumed by the desire for revenge. As fate would have it, all three men live close to Jonas' former home. Matters quickly get worse when Jonas reunites with his wife, only to discover that she is now engaged to Renne. Written by
The names of the characters in the book on which "Ride Beyond Vengeance" is based are also the names of the characters in the movie, with one notable exception. The name of the man played by Chuck Connors has been changed from "Julius Rupp" to "Jonas Trapp". See more »
When Jonas confronts Johnsy Boy in his buggy, someone with a white hat is seen behind the rearing horses. See more »
I didn't have to tell you, Jessie.
Oh yes you did because you knew I'd find out. What you didn't have to do was steal his money, brand him, and turn him into an animal.
I thought he was a thief.
And what were you?
Jessie, I want you to be the first to know I'm going to find him and give him his money back.
And what about the brand? Will you just peel that off?
See more »
This is a darn fine movie, but it does not have the character development that many are claiming. The town, and the movie as a whole, has many odd characters, but we don't know much about why they are odd. We simply know that they are odd. Even Bixby is not developed. He starts as a psycho. He's a psycho in the middle. And he's a psycho at the end.
The character development is substantial on Connors (the good guy), Rennie (the bad guy), and Hays (the good guy's wife who is now with the bad guy). But is it good character development? Not really.
Connor's character could fall in love and marry, but he wouldn't have let the Aunt influence his marriage or his wife. He certainly would have left his home and wife as he did, but he never would have let himself get into that situation in the first place.
Rennie did play a guy who could turn bad, but he didn't play a stupid man. He wouldn't have let things get so far out of hand. At almost every turn, Rennie could have stopped Connors. Yet somehow, he lets things get worse and worse. Rennie's character was smart and knew how to manipulate people and situations. He could have killed Connors. He could have hired someone to do it. He could have returned the money anonymously. He could have framed anybody, living or dead, as the thief. He could have just stayed home. Even if he had just stayed home, it would have been enough. Stay home, Rennie, stay home. Let the town deal with Connors.
Hays played a woman who could fall in love with Connors under the right circumstances, but the character she played would not have fallen in love unless Connors was rich and/or if Connors had the approval of her aunt. Her character was weak and could never stand on her own. At least, that is who she was early on when a weak character was necessary. Later in the movie, she became strong and hard. I guess her aunt told her to do that. At the end, she became soft and warm towards Connors. I guess her aunt must have died by then. She was at least as psycho as Bixby from what I can tell. I'm sure she spent her remaining years taking care of her houseful of cats and screaming at anyone who used her sidewalk.
How come Connors was smart enough to save all that money, but he was too dumb to get a bank draft? How come Connors really hoped that he would be able to get a shave when he entered that campsite, but he was too dumb to stop anywhere along the way and buy a shave? How come Connors wanted so much to see his ex-wife, but he didn't even think about spending any of his money on a bath, a shave, and a set of clothes? Bixby and Akers went on and on about how bad Connors stunk. Are we supposed to believe that Connors thought his high-born wife wouldn't mind the smell? There are only two characters that are necessary to this movie: Connors and Akins. It would be the exact same movie if Bixby, Rennie, O'Connell, Hays, Blondell and the rest were replaced, rewritten or discarded. It is a simple story of vengeful good versus pure evil. Jimmy Stewart played that role several times. So did Eastwood, Wayne, and most of the other macho stars. First the star has something bad happen to him. Then he spends the rest of the picture trying to set things right. At the very end, good triumphs over evil. It works well because, when the whupping starts, the audience is really rooting for the good guy.
So why is it a great movie? Because it is a great western with great actors. There are many fine actors in this movie, and they all do a stand-up job. It is excellent. If you like westerns or dark film noir, you will like this. It is a much better movie than Johnny Guitar.
But, just like in Johnny Guitar, you can pick apart the plot and character development without even trying.
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