Two British agents are murdered by a mysterious Neonazi organization in West Berlin. The British Secret Service sends agent Quiller to investigate. Soon Quiller is confronted with Neonazi ...
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Called out of retirement to settle the affairs of a friend, Smiley finds his old organization, the Circus, so overwhelmed by political considerations that it doesn't want to know what ... See full summary »
Following the suicide of an elderly Jewish man, a journalist in possession of the man's diary investigates the alleged sighting of a former SS captain, who allegedly commanded a concentration camp during WWII.
Taken from the book by John le Carre, George Smiley rallies to the aid of his former intelligence colleague, Ailsa Brimley, to investigate a mysterious letter from a junior master's wife at... See full summary »
This is the story of Magnus Pym, from his childhood to the end of his career in middle age. As a young man, there is little doubt that his father Rick was the most influential character in ... See full summary »
Two British agents are murdered by a mysterious Neonazi organization in West Berlin. The British Secret Service sends agent Quiller to investigate. Soon Quiller is confronted with Neonazi chief "Oktober" and involved in a dangerous game where each side tries to find out the enemy's headquarters at any price... Written by
Dirk Bauer <email@example.com>
QUILLER... Quiller is not just another spy and The Quiller Memorandum is not just another spy story. Quiller works in a deadly lonely way... always unorthodox... always effective. If Quiller shatters your nerves, remember... he's living on his. See more »
In adapting (Trevor Dudley Smith writing under the nom de guerre of) Adam Hall's novel "The Berlin Memorandum", Harold Pinter altered the emphasis of the book to be less a spy thriller and more a meditation on the human condition, and the duplicitous nature of identity. See more »
During the car chase scene, the cars behind Segal's Porsche appear and disappear, and are sometimes alongside his car, on the drivers (left) side.. See more »
Let me put it this way. There are two opposing armies drawn up on the field but there's a heavy fog- they can't see each other. Oh, they want to, of course, very much. You are in the gap between them. You can just see us, you can just see them. Your mission is to get near enough to see them, to signal their position to us so giving us the advantage. But if, in signaling their position to us, you inadvertently signal our position to them it is they who will gain a very considerable advantage. ...
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How did I miss this film until just recently? What a difference to the ludicrous James Helm/Matt Bond (or is it the other way round?) movies.
The Cold War atmosphere in Germany at the time was perfectly captured. I was there with the British Armed Forces from Jan 1961 until Sept 1964, and remember it well, and old memories came flooding back.
Not that I was a spy, but the first thing we were told on our arrival in Germany was that we were only there to give the Yanks an extra six minutes to prepare for, and retaliate to, a nuclear attack. Just how we were supposed to do that no one knew. Then we were told (as people tell their kids today) not to talk to strange men. Presumably they meant Communists.
In the British Section of West Germany, everything appeared normal, but the claustrophobic atmosphere of Berlin with the Wall and checkpoints ever present, was different. There was always the feeling of paranoia, of someone watching you. This movie brought it all back.
I'm well aware that "The Quiller Memorandum" was not a perfect representation of reality, but it's a damn sight closer to it than "Goldfinger" and all other similar types of pap. Spying is mostly a secretive, lonely occupation in which James Bond and Matt Helm wouldn't last a minute.
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