Two British agents are murdered by a mysterious Neonazi organization in West Berlin. The British Secret Service sends agent Quiller to investigate. Soon Quiller is confronted with Neonazi ...
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Following the suicide of an elderly Jewish man, a journalist in possession of the man's diary investigates the alleged sighting of a former SS captain, who allegedly commanded a concentration camp during WWII.
Called out of retirement to settle the affairs of a friend, Smiley finds his old organization, the Circus, so overwhelmed by political considerations that it doesn't want to know what ... See full summary »
John Preston is a British agent with the task of preventing the Russians detonating a nuclear explosion next to an American base in the UK. The Russians are hoping this will shatter the 'special relationship' between the two countries.
Two British agents are murdered by a mysterious Neonazi organization in West Berlin. The British Secret Service sends agent Quiller to investigate. Soon Quiller is confronted with Neonazi chief "Oktober" and involved in a dangerous game where each side tries to find out the enemy's headquarters at any price... Written by
Dirk Bauer <firstname.lastname@example.org>
When Quiller is waiting for the bomb to blow up, in the long shots he is still completely on the side of the garage, but in the medium shots his head is clearly extending around the corner to see the front of the garage. See more »
Met a man called Oktober.
We've never actually met.
At the end of our conversation, he ordered them to kill me.
And did they?
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This film has special meaning for me as I was living in Berlin during the filming and, subsequent screening in the city. Mind you, in 1966-67 the Wall was there, East German border guards and a definite (cold war) cloud hanging over the city. I loved seeing and feeling the night shots in this film and, as it was shot on location, the sense of reality was heightened for me. Very eerie film score, I believe John Barry did it but, I'm not sure. George Segal was good at digging for information without gadgets. A bit too sardonic at times, I think his character wanted to be elsewhere, clashing with KGB agents instead of ferreting out neo-nazis. I feel this film much more typified real counter espionage in the 60's as opposed to the early Bond flicks (which I love, by the way). Senta Berger was gorgeous! And, the final scene (with her and Segal) is done extremely well (won't spoil it for those who still wish to see it...it fully sums up the film, the tension filled times and cold war-era Germany). Also contains one of the final appearences of George Sanders in a brief role, a classic in his own right!
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