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2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2004

17 items from 2015


Review: Queen Of Earth, Another Promising Effort By A Fearless Director

26 August 2015 11:01 AM, PDT | Twitch | See recent Twitch news »

Alex Ross Perry is a more than promising young director. He courageously combines intimacy, humor and a sense for cinematic language and form. Nevertheless, his latest, Queen of Earth, is a step back for the young director in terms of maturity and individuality, especially compared to his impressive Listen Up Philip. In Queen of Earth, the director aims at the same time for greatness and modesty. The modesty comes from working with fewer people, fewer locations, and a smaller budget than in his previous film while the greatness follows in the footsteps of directors like Ingmar Bergman and Roman Polanski. To be frank, one can easily speak of a rather cheap copy/combination of Persona and Repulsion. But there is something in the faces of his characters...

[Read the whole post on twitchfilm.com...]

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Queen of Earth | Review

26 August 2015 10:30 AM, PDT | ioncinema | See recent ioncinema news »

Earth Below Us: Perry’s Esoteric Puzzle of Women and Madness

What a delight to see director Alex Ross Perry continuing his delightful examinations of unlikeable characters with his latest feature, Queen of Earth. Abandoning the black comedy undertones of the pretentious, literary minded male psyches of Listen Up Philip, Perry sets his sights on the female of the species with a delectable psychodrama chamber piece.

Perhaps even more staunchly misanthropic than his previous features, a grueling struggle for dominance amongst its central characters recalls the barbed early period of Polanski, while its dueling female centerpieces juxtaposed across time periods equally generates a likeness to the granddaddy identity chaos of them all, Ingmar Bergman’s Persona (1966). And yet, Perry’s unsettling and uncomfortable title stands on its own two feet as a wholly original treatment.

Catherine (Elisabeth Moss) arrives at her friend Virginia’s (Katherine Waterston) isolated summer cabin under self-imposed exile. »

- Nicholas Bell

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Haugesund: ‘Teenage Jesus’ Wins Nordic Genre Boost

20 August 2015 7:13 AM, PDT | Variety - Film News | See recent Variety - Film News news »

Blood and guts from Finland, Swedish trolls, André Ovredal’s Norwegian sci-fi drama based on a true legendary UFO event. Under a consolidating market umbrella, Nordic Genre Boost, a variety of established and more unproven filmmakers presented their genre projects in seven-minute pitches at Haugesund’s New Nordic Film Wednesday.

Best pitch, voted by participating delegates, went to Marie Grahto for her ”Teenage Jesus” (Beofilm), a partly self-inspired sci-fi drama about an anarchistic teenage girl who’s committed to a psychiatric hospital, where she discovers that she can actually cure the other patients’ mental disorders. ” ‘One Flew Over the Cuckoo’s Nest’ meets Harmony Korine,” explained Grahto and showed extracts from Ingmar Bergman’s “Persona” as well as Gus van Sant’s “Elephant” and Carlos Reygadas’ “Post Tenebras Lux.” Her short film ”Teenland” world premiered at SXSW this year. ”Teenage Jesus” will be her first feature film.

Among other genre »

- Jon Asp

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Now Playing: Andrea Štaka's "Cure - The Life of Another"

4 August 2015 7:09 AM, PDT | MUBI | See recent MUBI news »

In celebration of the Locarno Film Festival, which begins today in Switzerland, Mubi is pleased to present the global online premiere of Golden Leopard-winning director Andrea Štaka's latest film, Cure - The Life of Another.In Croatia after the siege of Dubrovnik, 14-year-old Linda’s new friend Eta takes her to the forbidden forest above the city where the two become entangled in a sexually charged game of swapping identities. The next morning Linda comes back alone; slowly she begins to take Eta’s place in her family.The film is playing worldwide on Mubi beginning today, and select territories will also be showing the director's 2006 Golden Leopard winner at Locarno, Fräulein.We had a chance to discuss Cure - The Life of Another with the director, below.Notebook: What drew you to this true story and why did you prefer to fictionalize it rather than make a documentary?Andrea »

- Notebook

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Queen Of Earth Trailer Offers Up A Cheeky Thriller Throwback

25 July 2015 12:00 AM, PDT | Twitch | See recent Twitch news »

There's something so knowingly corny about the trailer for Listen Up Philip director Alex Ross Perry's Queen Of Earth, that it just becomes some kind of wonderful. That something is the deep-throated voice over which totally edges the trailer into a old school psychological thriller vibe. Starring Elisabeth Moss and Katherine Waterston as two old friends who find respite at a secluded lake house, there's undoubtedly a bit of Ingmar Bergman's Persona in here, as Patrick Holzapfel stated in his review from Berlin:  When the film starts to quote Bergman and Polanski as a method, it gets on a dangerous path of over-ambition. Perry being a cinephile, such a way of working might seem only natural and even personal for the director. And he absolutely...

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Blu-ray Review – 3 Women (1977)

12 July 2015 8:00 PM, PDT | Flickeringmyth | See recent Flickeringmyth news »

3 Women, 1977.

Directed by Robert Altman

Starring: Shelley Duvall, Sissy Spacek, Janice Rule, Robert Fortier, Ruth Nelson, John Cromwell and Craig Richard Nelson.

Synopsis:

An awkward adolescent begins work at a spa in the Californian desert. The shy and reserved young woman becomes overly attached to her more confident co-worker and eventual room-mate.

3 Women is a memorably disturbing film with its heart set firmly on the art house. Said to be inspired by a dream, Robert Altman’s (M.A.S.H., Short Cuts, The Player) feature is also strongly reminiscent of Ingmar Bergman’s beautifully nightmarish Persona. Indeed, both films focus on the transient nature of behaviour and psyche, and reveal the unlimited potential for personalities to rebuild and redevelop.

Taking a look at the mysteries of femininity through a male filmmaker’s hazy vision is something else both films have in common. This fear of pre-judged emotional unpredictability and instability has been »

- Robert W Monk

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Oscar-Nominated Film Series: Bergman's Final, Disturbing Masterwork About Religion, Power and Child Abuse

7 May 2015 6:39 PM, PDT | Alt Film Guide | See recent Alt Film Guide news »

'Fanny and Alexander' movie: Ingmar Bergman classic with Bertil Guve as Alexander Ekdahl 'Fanny and Alexander' movie review: Last Ingmar Bergman 'filmic film' Why Ingmar Bergman's Fanny and Alexander / Fanny och Alexander bears its appellation is a mystery – one of many in the director's final 'filmic film' – since the first titular character, Fanny (Pernilla Allwin) is at best a third- or fourth-level supporting character. In fact, in the three-hour theatrical version she is not even mentioned by name for nearly an hour into the film. Fanny and Alexander should have been called "Alexander and Fanny," or simply "Alexander," since it most closely follows two years – from 1907 to 1909 – in the life of young, handsome, brown-haired Alexander Ekdahl (Bertil Guve), the original "boy who sees dead people." Better yet, it should have been called "The Ekdahls," for that whole family is central to the film, especially Fanny and Alexander's beautiful blonde mother Emilie, »

- Dan Schneider

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Premieres galore at Sydney Film Festival

5 May 2015 5:40 PM, PDT | IF.com.au | See recent IF.com.au news »

Neil Armfield.s Holding the Man, Simon Stone.s The Daughter, Jeremy Sims. Last Cab to Darwin and Jen Peedom.s feature doc Sherpa will have their world premieres at the Sydney Film Festival.

The festival program unveiled today includes 33 world premieres (including 22 shorts) and 135 Australian premieres (with 18 shorts) among 251 titles from 68 countries.

Among the other premieres will be Daina Reid.s The Secret River, Ruby Entertainment's. ABC-tv miniseries starring Oliver Jackson Cohen and Sarah Snook, and three Oz docs, Marc Eberle.s The Cambodian Space Project — Not Easy Rock .n. Roll, Steve Thomas. Freedom Stories and Lisa Nicol.s Wide Open Sky.

Festival director Nashen Moodley boasted. this year.s event will be far larger than 2014's when 183 films from 47 countries were screened, including 15 world premieres. The expansion is possible in part due to the addition of two new screening venues in Newtown and Liverpool.

As previously announced, Brendan Cowell »

- Don Groves

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Video Interview: Olivier Assayas – Clouds of Sils Maria

6 April 2015 9:00 AM, PDT | ioncinema | See recent ioncinema news »

Though director Olivier Assayas’ latest project, Idol’s Eye, looks to have been shelved due to funding issues, his film Clouds of Sils Maria is just getting prepped for theatrical distribution here in the states after wowing audiences on the festival circuit. The film premiered at Cannes to a warm reception thanks to its charactorially complex and mysterious tale of an aging actress and her personal assistant which coaxed a pair of stunning performances out of Juliette Binoche and Kristen Stewart in the leading roles.

After the film’s North American premiere at the Toronto International Film Festival back in September, I had the opportunity to sit down with the soft spoken, but cinematically articulate Assayas to discuss how he came to center the film around aging and how a person’s relationship with art changes as one ages, as well as the film’s strong resemblance of Ingmar Bergman »

- Jordan M. Smith

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Ingmar Bergman A Legend By Time

23 February 2015 10:52 AM, PST | Cinelinx | See recent Cinelinx news »

Ingmar Bergman leaves his mark the way a nightmare leaves a scar. His films haunt you, they're hard. You confront the difficulty, it mends, and you're stronger for it. He maintained a strict intimacy in his work environment. His cast and crew rarely succeeded more than 30 closely knit members, and even fewer remained while shooting. With this light ensemble he produced classics in surplus that explored grand ideas with minimal means. But when I say classic, I don't mean the way people consider Forrest Gump one. I mean a hard classic, the kind that filmmakers pay their inspirational dues, and critics and historian's sob over with glee.  

 

They're what you'd consider a "Capital-g Great Film", which means the experience can prove grueling for those lacking the trained appetite. And for those initiated, prepared to combat the attrition, there's that hard-earned reward to bask in later. What distinguished films like Persona, »

- feeds@cinelinx.com (Aaron Hunt)

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Watch: “Mirrors of Bergman” by :: kogonada

12 February 2015 1:39 PM, PST | Filmmaker Magazine - Blog | See recent Filmmaker Magazine news »

The latest in his series of video essays for the Criterion Collection brings ::  kogonada face to face with Ingmar Bergman — more precisely, to the Swedish auteur’s use of mirrors in relation to women. Set to a reading of Sylvia Plath’s Mirror (“I am important to her/she comes and goes” nicely encapsulates Persona, at the very least), this short montage considers the meditative reflections — and interior revelations — across several of Bergman’s films. Watch above, and stay tuned for a longer ::  kogonada/Bergman essay, set to accompany the Cries and Whispers release. »

- Sarah Salovaara

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Beyond Narrative: The Future of the Feature Film

12 February 2015 12:01 PM, PST | blogs.suntimes.com/ebert | See recent Roger Ebert's Blog news »

Editor's Note: RogerEbert.com is proud to reprint Roger Ebert's 1978 entry from the Encyclopedia Britannica publication "The Great Ideas Today," part of "The Great Books of the Western World." Reprinted with permission from The Great Ideas Today ©1978 Encyclopædia Britannica, Inc.

It's a measure of how completely the Internet has transformed communication that I need to explain, for the benefit of some younger readers, what encyclopedias were: bound editions summing up all available knowledge, delivered to one's home in handsome bound editions. The "Great Books" series zeroed in on books about history, poetry, natural science, math and other fields of study; the "Great Ideas" series was meant to tie all the ideas together, and that was the mission given to Roger when he undertook this piece about film.

Given the venue he was writing for, it's probably wisest to look at Roger's long, wide-ranging piece as a snapshot of the »

- Roger Ebert

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Berlinale 2015 Review: Queen Of Earth Proves How Great Faces Look On Film

8 February 2015 10:05 AM, PST | Twitch | See recent Twitch news »

Alex Ross Perry is a more than promising young director. He courageously combines intimacy, humor and a sense for cinematic language and form. Nevertheless, his latest, Queen of Earth, is a step back for the young director in terms of maturity and individuality, especially compared to his impressive Listen Up Philip. In Queen of Earth, the director aims at the same time for greatness and modesty. The modesty comes from working with fewer people, fewer locations, and a smaller budget than in his previous film while the greatness follows in the footsteps of directors like Ingmar Bergman and Roman Polanski. To be frank, one can easily speak of a rather cheap copy/combination of Persona and Repulsion. But there is something in the faces of his characters...

[Read the whole post on twitchfilm.com...]

»

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Week in Review: New details on Terrence Malick’s ‘Knight of Cups’ and ‘Voyage of Time’

6 February 2015 12:58 PM, PST | SoundOnSight | See recent SoundOnSight news »

Terrence Malick is having a busy week, which for the director who formerly took ages between films, must rank among his busiest. Malick has first been working on a documentary called Voyage of Time that will incorporate footage from The Tree of Life and be “a celebration of the universe, displaying the whole of time, from its start to its final collapse,” according to a press release via HitFix. One version of the film will be just 40 minutes long, will feature narration by Brad Pitt, and will appear on IMAX screens. Another longer version will appear in traditional theaters and will be narrated by Cate Blanchett. Neither version has a release date just yet but are being planned for 2016.

His latest film however, Knight of Cups, is about to premiere at the Berlinale on February 8 (watch the trailer here), and the full plot revealed for the film sounds perfectly Malick-esque. »

- Brian Welk

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The fantasist: The comic art of Woody Allen

24 January 2015 12:49 PM, PST | The Moving Arts Journal | See recent The Moving Arts Journal news »

Everyone knows Woody Allen. At least, everyone thinks they know Woody Allen. His plumage is easily identifiable: horn-rimmed glasses, baggy suit, wispy hair, kvetching demeanor, ironic sense of humor, acute fear of death. As is his habitat: New York City, though recently he has flown as far afield as London, Barcelona, and Paris. His likes are well known: Bergman, Dostoevsky, New Orleans jazz. So too his dislikes: spiders, cars, nature, Wagner records, the entire city of Los Angeles. Whether or not these traits represent the true Allen, who’s to say? It is impossible to tell, with Allen, where cinema ends and life begins, an obfuscation he readily encourages. In the late nineteen-seventies, disillusioned with the comedic success he’d found making such films as Sleeper (1973), Love and Death (1975), and Annie Hall (1977), he turned for darker territory with Stardust Memories (1980), a film in which, none too surprisingly, he plays a »

- Graham Daseler

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Criterion Collection: The Bitter Tears of Petra Von Kant | Blu-ray Review

20 January 2015 10:00 AM, PST | ioncinema | See recent ioncinema news »

Premiering at the Berlin Film Festival in the summer of 1972, Rainer Werner Fassbinder’s The Bitter Tears of Petra Von Kant didn’t open to ecstatic reception. Treated with the sort of contempt that artistic endeavors later recuperated as being ‘ahead of their time’ are often subjected to, conservative audiences dismissed it as bleak and artificial, while queer audiences denounced it as an exploitational freak show. Decades later, time has come for a reexamination of one of Fassbinder’s finest achievements, arriving early on in his titles inspired by the works of Douglas Sirk, for which the title of this most certainly evokes. Shot in ten days, and presumed to have been written by Fassbinder by hand on a flight from Berlin to Los Angeles, it features three of his most beloved actresses, each with whom he shared a different type of relationship. Bitchy, catty, melodramatic and pretentious, it’s »

- Nicholas Bell

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Men, Women, Anderson and Altman: On ‘The Master’ and ’3 Women’

11 January 2015 10:26 AM, PST | SoundOnSight | See recent SoundOnSight news »

1.

Paul Thomas Anderson learned to make movies by watching movies. Each of his films bears the ghostly fingerprints of his masters and mentors: the obsession and one-point perspective of Kubrick; the tough-guy veneers and fetid societies that sated the first decade of Scorsese’s career; the intense meditative stares of Jonathan Demme, constantly reminding us that we are, of course, watching a film—we’re immersed in it, but we are spectators, non-participants, in the hands of an artist. Anderson has never created voyeuristic or naturalistic films, never approached Cinéma vérité, and he’s never tried to feign an amateur aesthetic. He crafts films indebted to the grand ambience of New Hollywood, rendered unnaturally lucid and diligently composed. To watch one of Anderson’s films is to get a condensed lesson on the artisanship and history of American cinema.

But Anderson’s most obvious early influence—one he has name-checked, »

- Greg Cwik

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2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2004

17 items from 2015


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