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Persona (1966)

 -  Drama  -  16 March 1967 (USA)
8.2
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Ratings: 8.2/10 from 46,619 users  
Reviews: 153 user | 98 critic

A nurse is put in charge of an actress who can't talk and finds that the actress's persona is melding with hers.

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Title: Persona (1966)

Persona (1966) on IMDb 8.2/10

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Top 250 #193 | Nominated for 1 BAFTA Film Award. Another 8 wins & 1 nomination. See more awards »
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Cast

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Margaretha Krook ...
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Storyline

A young nurse, Alma, is put in charge of Elisabeth Vogler: an actress who is seemingly healthy in all respects, but will not talk. As they spend time together, Alma speaks to Elisabeth constantly, never receiving any answer. Alma eventually confesses her secrets to a seemingly sympathetic Elisabeth and finds that her own personality is being submerged into Elisabeth's persona. Written by Kathy Li

Plot Summary | Plot Synopsis

Plot Keywords:

actress | nurse | silence | beach | medical | See All (77) »

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One of the ten greatest films of all time See more »

Genres:

Drama

Certificate:

Not Rated | See all certifications »

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Details

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Release Date:

16 March 1967 (USA)  »

Also Known As:

Persona  »

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Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

According to himself, Ingmar Bergman fell in love with Liv Ullmann during the making of the movie. See more »

Quotes

Sister Alma: Is it really important not to lie, to speak so that everything rings true? Can one live without lying and quibbling and making excuses? Isn't it better to be lazy and lax and deceitful? Perhaps you even improve by staying as you are. (No response) My words mean nothing to you. People like you can't be reached. I wonder whether your madness isn't the worst kind. You act healthy, act it so well that everyone believes you--everyone except me, because I know how rotten you are.
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Connections

Featured in The Pervert's Guide to Cinema (2006) See more »

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User Reviews

 
Absolute masterpiece
31 January 2009 | by (Poland) – See all my reviews

What can I say? It is an absolute masterpiece in some aspects bringing reminiscences of antic tragedies (in terms of gestures mostly - vide Maria Callas in Pasolini's Medea). But most of all this movie, as almost all Bergman's movies, touches humanity of a man and asks us questions that hardly none of directors was able to present in such a clear manner. The story can be read in many ways, but for me the symbolic one is probably the most fruitful. Persona, the face, mask, in a physical meaning as used in Greek tragedies, the way to become someone else, depict and reenact myths. On higher level, symbolic meaning of persona in Jung's psychology together with all his theories about ego. Simply, a 100% must see for every thinking man.


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