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Persona (1966)

Not Rated | | Drama, Thriller | 16 March 1967 (USA)
A nurse is put in charge of an actress who can't talk and finds that the actress's persona is melding with hers.

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Top Rated Movies #191 | Nominated for 1 BAFTA Film Award. Another 6 wins & 3 nominations. See more awards »

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Cast

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Margaretha Krook ...
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Storyline

A young nurse, Alma, is put in charge of Elisabeth Vogler: an actress who is seemingly healthy in all respects, but will not talk. As they spend time together, Alma speaks to Elisabeth constantly, never receiving any answer. Alma eventually confesses her secrets to a seemingly sympathetic Elisabeth and finds that her own personality is being submerged into Elisabeth's persona. Written by Kathy Li

Plot Summary | Plot Synopsis

Plot Keywords:

actress | nurse | silence | beach | medical | See All (78) »

Taglines:

A new film by Ingmar Bergman See more »

Genres:

Drama | Thriller

Certificate:

Not Rated | See all certifications »

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Details

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Release Date:

16 March 1967 (USA)  »

Also Known As:

Persona  »

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Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

In the spring of 1965 Bergman was admitted to the Sophia Hospital, Stockholm, for double pneumonia and acute penicillin poisoning. While hospitalized, he created the basic script of "Persona". Inspired by August Strindberg's one-act play "The Stronger", an existence which consisted of dead people, brick walls and some dreary park trees and conceived as a sonata for two instruments. See more »

Quotes

Sister Alma: Anaesthetise me... throw me away! No, I can't, I can't take any more! Leave me alone! It's shame, it's all shame! Leave me alone! I'm cold and rotten and indifferent! It's all just lies and imitation, all of it!
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Connections

Referenced in Mystery Science Theater 3000: The Atomic Brain (1993) See more »

Soundtracks

Adagio from Concerto No. 2 in E major for Violin, Strings and Continuo, BWV 1042
Written by Johann Sebastian Bach
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User Reviews

 
Absolute masterpiece
31 January 2009 | by (Poland) – See all my reviews

What can I say? It is an absolute masterpiece in some aspects bringing reminiscences of antic tragedies (in terms of gestures mostly - vide Maria Callas in Pasolini's Medea). But most of all this movie, as almost all Bergman's movies, touches humanity of a man and asks us questions that hardly none of directors was able to present in such a clear manner. The story can be read in many ways, but for me the symbolic one is probably the most fruitful. Persona, the face, mask, in a physical meaning as used in Greek tragedies, the way to become someone else, depict and reenact myths. On higher level, symbolic meaning of persona in Jung's psychology together with all his theories about ego. Simply, a 100% must see for every thinking man.


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