Frankie Fane has clawed his way to the top of the Hollywood heap. Now, as he's preparing to win his Oscar, his friend Hymie Kelly reminisces over their life together, and Frankie's ruthless struggle to the top and the people he's stepped on (i.e., everyone else in the movie) to make it there. Written by
Listed among the Top 10 Best Bad Movies of All Time in "The Official Razzie Movie Guide." See more »
In the scene in the yacht Frankie says he pushed a rack on 28th street. The garment center in New York City is between 34th & 40th streets. See more »
Ever since we hit this town you've been living off me. If you think I'm gonna work my tail off so you can run around with the Village chicks... oh, stop spreading the pollen around, Frankie, or else!
Or else what? You'll chop my allowance? You'll turn me out of your warm bed? You're *nothin'*, that's what! So can that "or else" crap!
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Stephen Boyd leads an impressive cast (Milton Berle, Edie Adams, Ernest Borgnine, Joseph Cotten, Jill St John, Eleanor Parker, Tony Bennet, Peter Lawford, Jack Soo, Elke Sommer) in this flawed Hollywood expose for the masses. The biggest flaw being that he's supposed to be an unscrupulous guy (which he is) who steps over everyone (which he does) in order to get to the top echelon of Hollywood actors. Once he gets a taste of life at the top, problems arise, because of all the people he's used and disposed of to get there. It sounds bad, however, the way his part is written doesn't do justice to how bad he's supposed to be. He's just another aggressive lout, with at least episodes of decency, who's self-blinded by the unreasonable purpose to reach the top. Anyone who's watched a few movies has seen characters who are much worse. Nonetheless, he gets a great comeuppance towards the end of the film that is worth waiting for, not that you have to suffer through a terrible film in the meanwhile. There's more than enough to string the viewer along, with pretty good performances by Milton Berle as Boyd's agent, and Joseph Cotten as the head of the studio. Granted, Tony Bennet is no actor, but there are nifty parts for Jill St John, Edie Adams, and Ernest Borgnine, as well as Peter Lawford.
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