Julian Berniers and Lily Prine have just gotten married. They have been in Chicago on business before returning to their home town of New Orleans, where they will meet with Julian's older ... See full summary »
George Roy Hill
Colonel John Wister, on duty with the British army in the desert region of Dubik, returns to England on leave. There he falls in love with Julia Ashton, who cares deeply for him but ... See full summary »
Based on Polly Adler's best-selling autobiography about her life in the Roaring Twenties as a legendary Madam. The movie follows Polly's life from an immigrant worker to becoming friend and... See full summary »
Peter Churchman stopped robbing banks a long time ago and is now living as a wealthy and respected citizen in Pamplona, Spain. But then his former companion Angela appears and blackmails ... See full summary »
A blonde floozy drifts into town and gets a job as a waitress at a local bar. She sets her sights on the bar's handsome owner, who is married to an alcoholic. Her plans are for the two of ... See full summary »
After her husband dies in a fire, a woman is left to tend for her young son and the family farm on her own. Soon, she takes in a drifting handyman, they fall in love, and a resentment ... See full summary »
Frankie Fane has clawed his way to the top of the Hollywood heap. Now, as he's preparing to win his Oscar, his friend Hymie Kelly reminisces over their life together, and Frankie's ruthless struggle to the top and the people he's stepped on (i.e., everyone else in the movie) to make it there. Written by
The Richard Sale novel on which this film is based followed Frank Fane as he systematically ruined the chances of his four fictitious Oscar rivals. In the movie, the other four Best Actor nominees are actual Hollywood stars, "nominated" as Best Actor for fictitious film titles. See more »
In the scene in the yacht Frankie says he pushed a rack on 28th street. The garment center in New York City is between 34th & 40th streets. See more »
He's in a funky mood today.
Well, you know that pattern, every time he starts a new picture, snarly Fane, the boy-faced dog.
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Stephen Boyd leads an impressive cast (Milton Berle, Edie Adams, Ernest Borgnine, Joseph Cotten, Jill St John, Eleanor Parker, Tony Bennet, Peter Lawford, Jack Soo, Elke Sommer) in this flawed Hollywood expose for the masses. The biggest flaw being that he's supposed to be an unscrupulous guy (which he is) who steps over everyone (which he does) in order to get to the top echelon of Hollywood actors. Once he gets a taste of life at the top, problems arise, because of all the people he's used and disposed of to get there. It sounds bad, however, the way his part is written doesn't do justice to how bad he's supposed to be. He's just another aggressive lout, with at least episodes of decency, who's self-blinded by the unreasonable purpose to reach the top. Anyone who's watched a few movies has seen characters who are much worse. Nonetheless, he gets a great comeuppance towards the end of the film that is worth waiting for, not that you have to suffer through a terrible film in the meanwhile. There's more than enough to string the viewer along, with pretty good performances by Milton Berle as Boyd's agent, and Joseph Cotten as the head of the studio. Granted, Tony Bennet is no actor, but there are nifty parts for Jill St John, Edie Adams, and Ernest Borgnine, as well as Peter Lawford.
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