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The Oscar (1966) More at IMDbPro »

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Overview

User Rating:
5.2/10   382 votes
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Down 12% in popularity this week. See why on IMDbPro.
Director:
Russell Rouse
Writers:
Richard Sale (novel)
Harlan Ellison (screenplay) ...
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Contact:
View company contact information for The Oscar on IMDbPro.
Release Date:
8 July 1966 (UK) more
Genre:
Drama more
Tagline:
This is the story of...The Dreamers and The Schemers...The Hustlers and The Hopefuls...The Free-loaders and The Phonies...The Fakers and The Famous...All Fighting for the Highest Possible Award!! more
Plot:
Snotty Hollywood actor becomes even more full of himself after he's nominated for Best actor at the Academy Awards. full summary | add synopsis
Plot Keywords:
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Awards:
Nominated for 2 Oscars. more
NewsDesk:
(14 articles)
Birthday Suits: Tilda's Frontal & Sam's Moon
 (From FilmExperience. 5 November 2009, 9:30 AM, PST)
Jamie Foxx rumored for Sinatra role
 (From Monsters and Critics. 18 May 2009, 2:10 AM, PDT)
User Comments:
The Oscar for Best Over-Actor goes to... more (37 total)

Cast

  (Cast overview, first billed only)

Stephen Boyd ... Frank Fane
Elke Sommer ... Kay Bergdahl

Milton Berle ... Kappy Kapstetter
Eleanor Parker ... Sophie Cantaro
Joseph Cotten ... Kenneth Regan

Jill St. John ... Laurel Scott

Tony Bennett ... Hymie Kelly

Edie Adams ... Trina Yale

Ernest Borgnine ... Barney Yale

Ed Begley ... Grobard

Walter Brennan ... Orrin C. Quentin

Broderick Crawford ... Sheriff
James Dunn ... Network Executive
Edith Head ... Herself
Hedda Hopper ... Herself
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Additional Details

Parents Guide:
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Runtime:
119 min
Country:
USA
Language:
English
Color:
Color (Pathécolor)
Sound Mix:
Mono (Westrex Recording System)
Certification:
West Germany:16 | UK:X | USA:Approved | USA:TV-PG (TV rating) | Finland:K-16
Company:
Greene-Rouse Productions more

Fun Stuff

Trivia:
According to the Harlan Ellison documentary "Dreams With Sharp Teeth", he wrote with Steve McQueen and 'Peter Falk' in mind to play the leads. Those roles went to 'Stephen Boyd' and 'Tony Bennett'. more
Goofs:
Continuity: The scene of Frankie getting hit in the head by Cheryl Barker doesn't match with the photo the newspapers later run. (It's possible that she hit him twice (she was angry enough to), and the photographers caught the second hit.) more
Quotes:
Laurel Scott: Ever since we hit this town you've been living off me. If you think I'm gonna work my tail off so you can run around with the Village chicks... oh, stop spreading the pollen around, Frankie, or else!
Frankie Fane: Or else what? You'll chop my allowance? You'll turn me out of your warm bed? You're *nothin'*, that's what! So can that "or else" crap!
more
Movie Connections:
References The Barefoot Contessa (1954) more
Soundtrack:
Carmen Carmela more

FAQ

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User Comments

   (Comment on this title)
27 out of 31 people found the following comment useful.
The Oscar for Best Over-Actor goes to..., 13 November 2002
Author: Poseidon-3 from Cincinnati, OH

This obscure, sublimely over-heated film is a second cousin to "Valley of the Dolls" in terms of pure, unadulterated Hollywood camp. The film is like a massive wad of cotton candy for those who enjoy a two hour trip to movie hell. Opening at the ceremony for the title statuettes, we see that Boyd is the front-runner for Best Actor. But first, the audience must step back in time to discover how he got there. It falls to Bennett to narrate the with the most dry delivery of horrendous socko '60's scripting. Looking like a Dean Martin wax figure that's been left in the sun for two hours, he is a stumpy, squatty disaster in this film. Billed as "Introducing Tony Bennett", he has zero charisma, receives corpse-lighting, doesn't sing even once and forever after (thankfully) played only himself in films. At any rate, as the film flashes back, lean, mean Boyd (in a performance that ensured he'd never see another "Ben-Hur") is instantaneously irredeemable and agonizing as a big mouthed roamer who's joined by his stripper girlfriend (St. John) and a passive buddy (Bennett.) In these early scenes, St. John actually manages to come off as sexy despite a crazed tigress costume and the tacky surroundings. Soon, though, she's chewing one end of the scenery while Boyd chews the other. They meet in the middle where hapless Bennett is sitting like a bump on a log. Soon Boyd is trying to make it as an actor with the assistance of love-starved talent scout Parker (in a typically dedicated performance) and agent Berle (solid, also, in a non-comedic role...at least it is meant to be non-comedic!) Boyd's eternal bad attitude and horrible personality continue to inflict pain on all those around him and the viewing audience. In the film, he has a magnetic presence that draws everyone to him and causes them to embarrass themselves repeatedly. This charm is invisible to the film's viewers. One of his victims is the lovely Sommer, who looks stunning in an array of Head gowns and intricate hairstyles. His rise to the top of his profession is spoiled by his own ego and eventually he gets tripped up. He even gets one of those hilarious dreams with smoke swirling and actors dully repeating their lines. The movie is jam-packed with bits by stars who should have known better, some of them even Oscar-winners themselves (Crawford, Brennan, Borgnine.) Other cameos of people playing themselves lend a faux verisimilitude to the proceedings (Hopper, shortly before her death, Head, Hope, Oberon, even James Bacon appears at a press conference looking pouty because Archerd got all the lines.) There's a great little part for Hale as a snotty, demanding starlet and it's one time when Boyd comes off well. Lawford has a bit as a fallen star who works in a restaurant. Sadly, his own career would soon hit the skids as well. Adams adds a bit of verve as Borgnine's showy wife. She has one unfortunate scene, though, in which her behind is spread right in front of the camera. The film is a feast of kicky '60's production design, fun clothing and enormous hairdo's. There are a few clever touches in the film. At least twice, scenes involving different people are duplicated to show the parallels. The film has one of the all-time hilarious "surprise" resolutions...one last cackle before the credits roll. A MUST for any connoisseur of bad films!

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