Black Girl
(1966)
|
|
| 0Share... |
Black Girl
(1966)
|
|
| 0Share... |
| Cast overview: | |||
|
|
Mbissine Thérèse Diop | ... |
Diouana
|
|
|
Anne-Marie Jelinek | ... |
Madame
(as Anne-Marie Jelinck)
|
|
|
Robert Fontaine | ... |
Monsieur
|
|
|
Momar Nar Sene | ... |
Diouana's Boyfriend
|
|
|
Ibrahima Boy | ... |
Boy with Mask
|
|
|
Bernard Delbard | ... |
Young Male Guest
|
|
|
Nicole Donati | ... |
Young Female Guest
|
|
|
Raymond Lemeri | ... |
Old Male Guest
(as Raymond Lemery)
|
|
|
Suzanne Lemeri | ... |
Old Female Guest
(as Suzanne Lemery)
|
|
|
Philippe | ... |
Couple's Oldest Son
|
|
|
Sophie | ... |
Couple's Daughter
|
|
|
Damien | ... |
Couple's Youngest Son
|
|
|
Toto Bissainthe | ... |
Diouana
(voice)
|
|
|
Robert Marcy | ... |
Monsieur
(voice)
|
|
|
Sophie Leclerc | ... |
Madame
(voice)
|
A Senegalese woman is eager to find a better life abroad. She takes a job as a governess for a French family, but finds her duties reduced to those of a maid after the family moves from Dakar to the south of France. In her new country, the woman is constantly made aware of her race and mistreated by her employers. Her hope for better times turns to disillusionment and she falls into isolation and despair. The harsh treatment leads her to consider suicide the only way out. Written by Fiona Kelleghan <fkelleghan@aol.com>
The print I saw was a bit erratic and grainy, and included one jumpy sequence in color, whereas the rest was in black and white. This is the deceptively simple story of a woman from Senegal who joins a French family in France to be their nanny touches on many cultural, colonial, racial, and emotional issues, and if you look for easy answers, or answers at all, you'll be disappointed. There's a bit of French New Wave to the film, though it's really mostly African, featuring Senegalese music on the soundtrack. The only real flaw I see is that the story is told rather sketchily, with little in the way of clues as to the timing. Do the events take place over the course of a few days or weeks? The ending comes up so quickly that it feels a little forced, though not entirely unexpected.