Costantino and Daniele are two friends which have very success with girls. Their wish is to work in the show business and they can achieve their goal when meet Valeria, top model and ... See full summary »
Ugo Fabrizio Giordani
A trio of convicts joins up for an assault on a Cuban stronghold. After they are captured, they plan to escape before they face the firing squad. They eventually make it back to the American Southwest, where they go from town to town, robbing and killing. Written by
Dave Smith <email@example.com>
Come on, folks! Coleman deserves a break. If the film's credits said DIRECTED BY JEAN LUC GODARD critics would praise it as revolutionary "new wave" cinema.
Coleman challenges our conventional notions of narrative & structure. Coleman challenges our suspension of disbelief by DELIBERATELY making things fake & unconvincing, by distorting time, place & sequence in true "cinema verite" fashion. Remember, there are people out there who think Marcus Welby & Obi Wan Kenobi are REAL - so, rather than exploit the viewer, Coleman DEMANDS that we face our concepts of "reality."
Try an experiment: take just about ANY Godard film (but especially NUMERO DEUX) and pretend it's a COLEMAN FRANCIS film; you'll see what I mean. ANYONE can make a horrid self indulgent incompetent "movie" & be successful if the film has a European (preferably French) director's name on the credits... [note that Numero Deux is French for "#2" - translation: caca] ...Ok... RED ZONE CUBA really did hurt; it was abysmal; it was obvious that many script pages blew away while shooting & Coleman never noticed. It deserves a special place of honor with MONSTER A GO-GO, PLAN 9, ROBOT MONSTER and MANOS as one of the all time worst.
Coleman hurt me; I think I'm suffering the movie watcher's equivalent of the Stockholm syndrome... pardon me while I check out BEAST OF YUCCA FLATS again; I am sure to find relief therein. I will imagine BEAST OF YUCCA FLATS is a Jean Luc Godard film...
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