Little Jack is a young fox living happily with his family in the woods, but everything changes when his father is captured by a circus troupe in order to be part of their show. The rest of ... See full summary »
The epic adventures of the legendary Baran the Bandit following his release from prison. After serving 35 years, it is no surprise that the world has changed dramatically. Still, Baran ... See full summary »
Mercenary Gold is sent from the CIA to seize the laser expert Braun in Cuba, before the KGB catches him. A recently stolen giant diamond could be used together with Braun's knowledge to ... See full summary »
Debi A. Monahan,
Nasik-based Heerendra Dhaan and Raj Ranade are bodyguards of a politician, but after their employer is implicated in a scam, they end up assaulting a police officer and flee to Mumbai. Once... See full summary »
A trio of convicts joins up for an assault on a Cuban stronghold. After they are captured, they plan to escape before they face the firing squad. They eventually make it back to the American Southwest, where they go from town to town, robbing and killing. Written by
Dave Smith <firstname.lastname@example.org>
Look, Folks, a lot of the reviewers here are missing the finer distinctions of artistic expression. There is a difference between being a fine work of art and being an excellent example of a given genre. Red Zone Cuba (by any name) is a stinker of a movie. It is execrable. It is abominable. But it may be a work of genius. Let's look at the facts: everything about this film is wrong. Every scene is inept, every element is unfit. The editing is botched, the sound is miserable, the acting dead and naturalistic, the characters are anti-appealing, the mise en scene is as flat and barren as capitalistic materialism, the direction is directionless, the story isn't one. Whence John Carradine and this great train robbery? What about the blind woman interminably playing that piano? Francis subverts every expectation we have of a movie. It does not entertain, nor does it provide spectacle. He gives us nothing with which to justify watching this Wretched Thing. Only a determined genius tapped into a conduit from Plato's realm of the Forms could have so deconstructed Film. It is ugly, it is dirty, it is mean and it is boring-- sounds like the world we live in. This is a portrait of our empty American existence. It is about the tyranny of a system that doesn't care about anything except its own perpetuation. It's about the Bay of Pigs invasion, which was arguably as corrupt, doomed and ridiculous as Francis portrays it. Francis shows us the dark underbelly of American hegemony. It's not surprising that everyone loathes it so much and fails to see its (admittedly sub-textual) merits. If movies are about lies, this film is about Truth. Just as the little boy discovers in Flannery O'Connor's The River, Truth isn't pretty and it isn't what you've been told to expect or what you want to see.
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