Night Train to Mundo Fine (1966)

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Ratings: 2.7/10 from 5,827 users  
Reviews: 114 user | 8 critic

Gritty neo-noir art film about escaped convict Griffin and his friends, who ran all the way to hell... with a penny, and a broken cigarette.



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Cast overview, first billed only:
Coleman Francis ...
Griffin / Narrator
Anthony Cardoza ...
Landis / Fidel Castro (as Tony Cardoza)
Harold Saunders ...
John Morrison ...
George Prince ...
Tom Hanson ...
Bailey Chastain (as Tom Hansen)
Lanell Cado ...
Ruby Chastain
Charles F. Harter ...
Cliff Weismeyer
Julian Baker ...
Elaine Gifford ...
Cliff Weismeyer's Daughter
Frederic Downs ...
Tinsley (as Fredric Downs)
James H. Russell ...
(as Jamie Russell)
Jim Stout
Avilio Silva ...


A trio of convicts joins up for an assault on a Cuban stronghold. After they are captured, they plan to escape before they face the firing squad. They eventually make it back to the American Southwest, where they go from town to town, robbing and killing. Written by Dave Smith <>

Plot Summary | Add Synopsis


Make the Mistake!

Parents Guide:





Release Date:

November 1966 (USA)  »

Also Known As:

Red Zone Cuba  »

Box Office


$30,000 (estimated)

Company Credits

Production Co:

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Technical Specs


Sound Mix:

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Did You Know?


The film was called "Red Zone Cuba" when it was featured on Mystery Science Theater 3000. See more »


The planes at the Cuban airstrip all have American registration numbers. See more »


Landis: You Cherokee Jack?
Cherokee Jack: Yah. Ah'm Cherokee Jack.
See more »


Featured in Mystery Science Theater 3000: Red Zone Cuba (1994) See more »


Night Train to Mundo Finé
Written by Ray Gregory
Music played by Ray Gregory and the Melmen
Sung by John Carradine
See more »

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User Reviews

Coleman Godard
28 September 1999 | by See all my reviews

Come on, folks! Coleman deserves a break. If the film's credits said DIRECTED BY JEAN LUC GODARD critics would praise it as revolutionary "new wave" cinema.

Coleman challenges our conventional notions of narrative & structure. Coleman challenges our suspension of disbelief by DELIBERATELY making things fake & unconvincing, by distorting time, place & sequence in true "cinema verite" fashion. Remember, there are people out there who think Marcus Welby & Obi Wan Kenobi are REAL - so, rather than exploit the viewer, Coleman DEMANDS that we face our concepts of "reality."

Try an experiment: take just about ANY Godard film (but especially NUMERO DEUX) and pretend it's a COLEMAN FRANCIS film; you'll see what I mean. ANYONE can make a horrid self indulgent incompetent "movie" & be successful if the film has a European (preferably French) director's name on the credits... [note that Numero Deux is French for "#2" - translation: caca] ...Ok... RED ZONE CUBA really did hurt; it was abysmal; it was obvious that many script pages blew away while shooting & Coleman never noticed. It deserves a special place of honor with MONSTER A GO-GO, PLAN 9, ROBOT MONSTER and MANOS as one of the all time worst.

Coleman hurt me; I think I'm suffering the movie watcher's equivalent of the Stockholm syndrome... pardon me while I check out BEAST OF YUCCA FLATS again; I am sure to find relief therein. I will imagine BEAST OF YUCCA FLATS is a Jean Luc Godard film...

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