Nevada Smith
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Mad Women | Review

8 July 2015 7:00 AM, PDT | ioncinema | See recent ioncinema news »

Women on the Verge: Lipsky’s Overwrought Portrait of Dysfunction

Those having experienced the independent cinema styling of Jeff Lipsky won’t be surprised by the end product of his latest overblown cascade of maudlin litanies in Mad Women. A forced provocation ruinously scored by an endless patter of affected, hopelessly insincere bits of dialogue, the ineptitude is exacerbated by this being Lipsky’s sixth feature, and yet this production bears the same marks of amateurism as his previous endeavors. Shrill, annoying, and as graceful to observe as a symphony of tapered fingernails viciously excoriating a football field sized chalk board, the end result features overly rehearsed actors floundering through endless, exaggerated monologues.

Nevada Smith (Katie Lynn Stokes) is the product of a seemingly affluent environment. Residing in the privileged community known as Iris Glen, she is the second of three children belonging to her dentist father Richard (Reed Birney »

- Nicholas Bell

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