Engineer Jake Holman arrives aboard the gunboat U.S.S. San Pablo, assigned to patrol a tributary of the Yangtze in the middle of exploited and revolution-torn 1926 China. His iconoclasm and... See full summary »
Almost in breadth and depth of a documentary, this movie depicts an auto race during the 70s on the world's hardest endurance course: Le Mans in France. The race goes over 24 hours on 14.5 ... See full summary »
Lee H. Katzin
Angie Rossini is an innocent (Italian Catholic) Macy's salesgirl, who discovers she's pregnant from a fling with Rocky, a musician. Angie finds Rocky (who doesn't remember her at first) to ... See full summary »
Nevada Smith is the young son of an Indian mother and white father. When his father and mother are killed by three men over gold, Nevada sets out to find them and kill them. The boy is taken in by a gun merchant. The gun merchant shows him how to shoot, to shoot on time, and to shoot straight. Everything that Nevada does goes to killing those three men. He learns to read and write just to learn their location. He pays people to tell him where they're at. He even goes to prison to kill one of them. While the movie is a Western and has plenty of action, it also takes a deep look into vengeance and how one can change after a haunting incident. Written by
Chase Ard <Bullitt357@aol.com>
In the scene in the cattle pens when Max (Steve McQueen) fights Jessie Coe (Martin Landau), Max crouches behind a fence and opens the gate to let the cattle out. Some cattle come out the gate while others knock down the fence, and Max must dodge the flailing legs and hooves of the stampeding cattle. The knocking down of the fence was accidental, and McQueen was very nearly trampled for real. Shots of Max rolling clear of the hooves were added when it was decided to use the accidental footage. See more »
When Martin Landau swings the chair at Steve McQueen as he enters the saloon bedroom, you can plainly see that a piece of plexiglas is in the door frame to protect McQueen. See more »
The kid's creepy. He ain't human! He doesn't kill people; he executes them. Yeah, he executes them!
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Harold Robbins Western sleaze saved by McQueen and Hathaway.
This sidebar story from Harold Robbins THE CARPETBAGGERS was given class treatment by Paramount as a vehicle for McQueen, who lends some authenticity to a rather routine character motivated by a quest to avenge the brutal slaying of his parents at the beginning of the picture. Henry Hathaway lends visual elegance to what's basically a drawn-out, seedy revenge tale. Alfred Newman provides the rousing music. Moderately engaging.
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