Angie Rossini is an innocent (Italian Catholic) Macy's salesgirl, who discovers she's pregnant from a fling with Rocky, a musician. Angie finds Rocky (who doesn't remember her at first) to ... See full summary »
Engineer Jake Holman arrives aboard the gunboat U.S.S. San Pablo, assigned to patrol a tributary of the Yangtze in the middle of exploited and revolution-torn 1926 China. His iconoclasm and... See full summary »
Almost in breadth and depth of a documentary, this movie depicts an auto race during the 70s on the world's hardest endurance course: Le Mans in France. The race goes over 24 hours on 14.5 ... See full summary »
Lee H. Katzin
Captain Tom Reynolds and his band of skilled O.S.S. operatives are in WWII Burma to train the Kachin natives in modern warfare. But jungle combat, particularly against a Japanese army as ... See full summary »
Nevada Smith is the young son of an Indian mother and white father. When his father and mother are killed by three men over gold, Nevada sets out to find them and kill them. The boy is taken in by a gun merchant. The gun merchant shows him how to shoot, to shoot on time, and to shoot straight. Everything that Nevada does goes to killing those three men. He learns to read and write just to learn their location. He pays people to tell him where they're at. He even goes to prison to kill one of them. While the movie is a Western and has plenty of action, it also takes a deep look into vengeance and how one can change after a haunting incident. Written by
Chase Ard <Bullitt357@aol.com>
In the scene in the cattle pens when Max (Steve McQueen) fights Jessie Coe (Martin Landau), Max crouches behind a fence and opens the gate to let the cattle out. Some cattle come out the gate while others knock down the fence, and Max must dodge the flailing legs and hooves of the stampeding cattle. The knocking down of the fence was accidental, and McQueen was very nearly trampled for real. Shots of Max rolling clear of the hooves were added when it was decided to use the accidental footage. See more »
It ain't that easy, kid. Findin' em's one thing. Killin' em's another.
I'll figure out ways.
Ah! Well, I've been sellin' guns and ammunition to men like that for 15 years, and they got more ways to cripple and kill a man than you ever dreamed about. They'll shoot you in the back. They'll ambush you. They'll cut your throat while you're layin' asleep. All you got on your side is some blind Indian revenge.
And you're all-helpless!
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Another tall revenge tale from Harold Robbins--western style...
NEVADA SMITH is a long-winded revenge tale encompassing chapters in a man's quest for revenge. The first chapter is the most interesting--with BRIAN KEITH showing "the kid" (STEVE McQUEEN) something about handling a gun as a gunslinger should who's looking to avenge the killers of his parents.
As the killers--MARTIN LANDAU, ARTHUR KENNEDY and KARL MALDEN--give tough, gritty performances and each is slated to be avenged for the killing of Nevada Smith's parents.
But the last half of the film sags under the tacked on spiritual saga with RAF VALLONE preaching the Bible to "the kid", who promises to "keep it in mind" before he goes off to find the third man, KARL MALDEN.
It's all directed in typical Henry Hathaway fashion--ruggedly staged action against gorgeous scenic backgrounds. It's a role that suits STEVE McQUEEN as perfectly as any of his best parts. He's especially good in the early segment as the uneducated kid who comes under the tutoring of BRIAN KEITH as Jonas Cord.
The swamp scenes, where McQueen gets himself sent to prison so he can locate Arthur Kennedy, almost seem like segments from another movie he made with Dustin Hoffman--PAPILLON. HOWARD DaSILVA and PAT HINGLE play the brutal warden and his helpmate in brutal fashion. SUZANNE PLESHETTE is rather unlikely as a doomed native girl in an underwritten role.
Summing up: A revenge tale that could have been trimmed by at least 30 minutes to make a tighter western.
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