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Nattlek (1966)

6.4
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Title: Nattlek (1966)

Nattlek (1966) on IMDb 6.4/10

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Cast

Credited cast:
...
Irene
Keve Hjelm ...
Jan
Jörgen Lindström ...
Jan age 12
Lena Brundin ...
Mariana
Naima Wifstrand ...
Astrid
Monica Zetterlund ...
Lotten
Lauritz Falk ...
Bruno
Rune Lindström ...
Albin
Christian Bratt ...
Erland
Lissi Alandh ...
Melissa
Rest of cast listed alphabetically:
Cleo Boman ...
Guest at party
Monique Ernstdotter ...
Guest at party
Axel Fritz ...
Alex
Willy Koblanck ...
Doctor
Cécile Ossbahr ...
Guest at party
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Storyline

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Taglines:

Extravagantly Bold and Bizarre

Genres:

Drama

Certificate:

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Parents Guide:

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Details

Country:

Language:

Release Date:

12 September 1966 (Sweden)  »

Also Known As:

Night Games  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Former child star Shirley Temple Black quit the board of the San Fransisco Film Festival to protest its decision to show Nattlek (Night Games). She regarded it as pornography. See more »

Connections

Referenced in Midnight Cowboy (1969) See more »

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User Reviews

 
Angst and sexual repression in downbeat, risqué film
18 November 2003 | by (Rio de Janeiro, Brazil) – See all my reviews

Jan (Keve Hjelm) fights impotence (literal and symbolic) and anguished childhood memories in a decadent Swedish castle where risqué parties and daring scenes defy 1960s' movie censorship, reaffirming the ground-breaking role of Swedish films in helping advance adult, sexually concerned themes in international cinema (q.v. Bergman's "Through a Glass Darkly", "The Silence" and "Persona", Vilgot Sjöman's "My Sister My Love/ Syskonbädd 1782" and "I am Curious Yellow", etc). "Night Games" includes a bold flashback scene of Jan as a child (sensitive Jörgen Lindström, who played the young boy in Bergman's "The Silence") caught masturbating.

Former Swedish star Mai Zetterling's third directorial effort is particularly interesting for atmosphere, decors and cast, but the film is heavily depressing and the rather obvious symbolisms have dated badly. Sphynx-like, marvelous Ingrid Thulin has a field day as the bitchy and sensuous mother; Keve Hjelm is engagingly honest in a role that requires bravado and emotional range. The film is influenced by Bergman's "angst" films but also has an expressionist touch to it, because of Rune Ericson's camera-work and experiments with different lenses.

If you like films with decadent-bourgeois flavor and angst-filled characters, this is for you. Of course, it's also a must for Ingrid Thulin fans, but it's probably a very difficult film to find these days. My vote: 6 out of 10.


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