IMDb > The Naked Prey (1965)
The Naked Prey
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The Naked Prey (1965) More at IMDbPro »

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Overview

User Rating:
7.6/10   2,892 votes »
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Down 42% in popularity this week. See why on IMDbPro.
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View company contact information for The Naked Prey on IMDbPro.
Release Date:
14 June 1966 (USA) See more »
Genre:
Tagline:
Stripped, turned loose like a wild beast ... a manhunt of indescribable terror and screaming suspense! See more »
Plot:
A group of men are on safari. One of the party refuses to give a gift to a tribe they encounter. The tribe is offended... See more » | Add synopsis »
Plot Keywords:
Awards:
Nominated for Oscar. See more »
NewsDesk:
(14 articles)
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User Reviews:
Disturbingly Realistic See more (68 total) »

Cast

  (in credits order) (verified as complete)
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Directed by
Cornel Wilde 
 
Writing credits
(in alphabetical order)
Clint Johnston 
Don Peters 

Produced by
Sven Persson .... co-producer
Cornel Wilde .... producer
 
Original Music by
Edwin Astley (uncredited)
Andrew Tracey (uncredited)
Cornel Wilde (uncredited)
 
Cinematography by
H.A.R. Thomson 
 
Film Editing by
Roger Cherrill 
 
Makeup Department
Trevor Crole-Rees .... makeup artist
 
Production Management
Basil Keys .... production supervisor
John D. Merriman .... production manager (as John Merriman)
Dawie Van Heerden .... unit manager
 
Second Unit Director or Assistant Director
Bert Batt .... assistant director
 
Art Department
Edu Masuch .... construction manager
Andrew T. Motjuoadi .... painter: title backgrounds
 
Sound Department
Luke Broadley .... assistant sound recordist
James Chapman .... sound recordist
Len Shilton .... dubbing mixer
Les Wiggins .... sound editor
 
Camera and Electrical Department
Ray Sturgess .... camera operator
 
Costume and Wardrobe Department
Freda Thompson .... wardrobe supervisor
 
Music Department
Archie Ludski .... music editor
Andrew Tracey .... musical advisor
 
Other crew
Muirne Van Wyk .... continuity (as Muirne Mathieson)
 
Crew believed to be complete


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Additional Details

Also Known As:
Runtime:
96 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
Mono (RCA Sound System)
Certification:
Filming Locations:

Did You Know?

Trivia:
In October 1808 fur trapper John Colter set out with another trapper, John Potts, on a trapping expedition. Foolishly, they returned to the Three Forks area in Wyoming, where they were able to amass almost a ton of furs. However, at Jefferson Fork they were attacked by Blackfoot Indians, who shot and killed Potts and took the furs. Colter was captured and given a chance to live. He was stripped naked and given a 30-second head start to run for his life. He outran all of the Indians except for one. When they were the only two left, Colter turned on his pursuer and in the ensuing fight took the Indian's spear and killed him with it. Colter ran for five miles across a rocky plain between the Jefferson and Madison Forks. Once he reached the Madison River, he dove under a mass of logs and beaver lodges and hid in an air pocket in the icy water until nightfall. He floated six miles downstream and climbed up a sheer cliff. He walked, still without any clothes, the 250 miles to Fort Raymond, where he arrived after 11 days.See more »
Goofs:
Boom mic visible: When the man is eating the snake,you can see the boom mic shadow on the ground to his right.See more »
Movie Connections:
Referenced in Where's Poppa? (1970)See more »

FAQ

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20 out of 28 people found the following review useful.
Disturbingly Realistic, 5 November 2006
Author: phatdan from United States

This is not a film for the squeamish. Footage of African elephants being gunned down was used in this film. Some of the most horrific brutality man can inflict on his fellow human being is depicted. How did they get a tribe to act out these ghastly portrayals? Were these practices once used? Binding someone, encasing them in mud, sticking a cylindrical device in their mouth so they can breathe, allowing the mud to harden, and then slow roasting them over a fire is much more than primitive. It is a scenario drawn out of the deepest recesses of depravity.

No suggestion of racism here. Both blacks and whites are hacked, speared, and cut to pieces. Thank goodness that part of the film is overshadowed by a thrilling chase through the wilds of Africa, which is the gist of the story.

It is easy to conclude that many black people have been offended by the imagery in this film. I was offended at the brutality. But, I was captivated by the desire to make this film believable. Even the music was traditional African. The humanity of the savage pursuers is manifested. And finally, the bond of humanity between the hunted and the hunter is suggested: as Cornel Wilde raises his hand to show respect to those who so eagerly tried to kill him, the lead hunter raises his hand as a gesture of respect and admiration. The same basic idea can be seen in the final scenes of Zulu Dawn. After the bloodshed, enemies become honored warriors.

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