A group of men are on safari. One of the party refuses to give a gift to a tribe they encounter. The tribe is offended, seizes the party, and one-by-one, kills all but one of the safari ...
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A small airplane crashes in the sweltering deserts of southern Africa hundreds of miles from civilization. As parallels are drawn between the stranded group of seven passengers and a nearby... See full summary »
Cocky car racer Nick Jargin has retired since he nearly caused the death of his brother at a hairpin bend on a circuit. He now holds a trendy café who keeps him busy full time until one day... See full summary »
Movie version of the BBC TV play that first addresses some of the major social issues of the day. A girl from a rich family in Chelsea is bored and decides to go "slumming" in depressed ... See full summary »
After being wounded by a bullet, bank robber Charlie Blake seeks shelter with his gang at his brother's mountain retreat. There he rekindles his romance with his brother's wife and reconnects with the boy he believes is his son.
A group of men are on safari. One of the party refuses to give a gift to a tribe they encounter. The tribe is offended, seizes the party, and one-by-one, kills all but one of the safari members in various creative and horrifying ways. The last surviving member is given "The Lion's Chance" by the tribal leader to be hunted down by a party of tribal warriors. Naked and weaponless he is set loose, the hunters hot on his heels, beginning a life-or-death hunt through wild Africa. Written by
Cornel Wilde said in interviews at the time that scene in which his character turns and is narrowly missed by a spear was an accident that could have been gruesomely real, but the scene worked and was kept. See more »
Before being attacked (when Wilde and Gert van den Bergh are talking and eating), Van den Bergh holds his mug with the left hand all the time along the talking; but in the close up scene, he holds the mug with the right one. See more »
What a rare and glorious film. The Africans, the Whites, the Arabs -- all thrashing about a primitive world blindly lurching for profit, vengeance, pride, and redemption. The animal scenes are bit canned, but the hardy authenticity of tribal southern Africa is marvellous. You can tell these are not extras from Culver City. It's a movie not afraid of blood and savagery. You root for the cunning and feel the fear on both sides. And the ending does make sense to those who know that men appreciate even an enemy who has fought bravely.
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