| David Warner | ... | Morgan Delt | |
| Vanessa Redgrave | ... | Leonie Delt | |
| Robert Stephens | ... | Charles Napier | |
| Irene Handl | ... | Mrs. Delt | |
| Bernard Bresslaw | ... | Policeman | |
| Arthur Mullard | ... | Wally | |
| Newton Blick | ... | Mr. Henderson | |
| Nan Munro | ... | Mrs. Henderson | |
| Peter Collingwood | ... | Geoffrey | |
| Graham Crowden | ... | Counsel | |
| John Garrie | ... | Tipstatt | |
| John Rae | ... | Judge | |
| Angus MacKay | ... | Best Man | |
| Marvis Edwards | ... | Maid | |
| Peter Cellier | ... | Second Counsel | |
| Robert Bridges | ... | Ticket Collector | |
| rest of cast listed alphabetically: | |||
| Ilija Dzuvalekovski | ... | (uncredited) | |
| Bekim Fehmiu | ... | (uncredited) | |
Directed by | |||
| Karel Reisz | |||
Writing credits(in alphabetical order) | ||
| David Mercer | ||
Produced by | |||
| Leon Clore | .... | producer | |
Original Music by | |||
| John Dankworth | |||
Cinematography by | |||
| Larry Pizer | |||
Film Editing by | |||
| Tom Priestley | |||
| Victor Procter | |||
Casting by | |||
| Miriam Brickman | |||
Art Direction by | |||
| Philip Harrison | |||
Costume Design by | |||
| Jocelyn Rickards | |||
Makeup Department | |||
| Philip Leakey | .... | makeup artist | |
Production Management | |||
| Roy Baird | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Stephen Frears | .... | assistant director | |
| Claude Watson | .... | assistant director | |
Art Department | |||
| Roger King | .... | assistant art director (uncredited) | |
Sound Department | |||
| John Crome | .... | dubbing editor | |
| John Crome | .... | sound editor | |
| Peter Handford | .... | sound recordist | |
| Hugh Strain | .... | dubbing mixer | |
Camera and Electrical Department | |||
| Ronnie Taylor | .... | camera operator | |
Music Department | |||
| David Lindup | .... | orchestrator (uncredited) | |
Other crew | |||
| Zelda Barron | .... | assistant to director | |
| Robert Simmonds | .... | assistant to producer | |
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| The Ruling Class | The Graduate | Lolita | Restoration | Fellini Satyricon |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
A film that acheives what it sets out to be. It is an immature and unreasonable storyline that takes no account for anyones feelings but those of our hero, Morgan... But 1966 was a time of big brush strokes, not subtle pointers. Most of the situations and characters are cardboard and stereotypical, but done with a sense of style and flair that allows you not to get bogged down in it all. When at the end of the film, the seemingly battered and beaten Morgan still has the clenched fist of rebellion, it's time for a hot cocoa and then off to bed clutching Das Kapital in your rebellious mitts, with a wistful smile on your face for the simple values of yesteryear, when it was good versus evil. I gave it 9 0ut of 10. Very watchable and great fun