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Morgan! (1966)
"Morgan: A Suitable Case for Treatment" (original title)

 -  Comedy | Drama | Fantasy  -  January 1966 (UK)
7.0
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Ratings: 7.0/10 from 1,141 users  
Reviews: 26 user | 16 critic

After his wife leaves him for another man, a London artist begins his descent into madness in trying to win her back.

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Title: Morgan! (1966)

Morgan! (1966) on IMDb 7/10

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Nominated for 2 Oscars. Another 7 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Irene Handl ...
...
Policeman
Arthur Mullard ...
Wally
Newton Blick ...
Nan Munro ...
Peter Collingwood ...
Geoffrey
...
Counsel
John Garrie ...
Tipstatt
John Rae ...
Judge
Angus MacKay ...
Best Man
Marvis Edwards ...
Maid
Peter Cellier ...
Second Counsel
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Storyline

Morgan Delt is a failed and irresponsible left-wing artist whose Communist parents own a fish and chips shop in downmarket London. He is also an aggressive and self-admitted dreamer, a fantasist who uses his flights of fancy as refuge from external reality, where his unconventional behavior lands him in a divorce from his wife, Leonie, trouble with the police and, ultimately, incarceration in a lunatic asylum. Written by alfiehitchie

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | Fantasy

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Release Date:

January 1966 (UK)  »

Also Known As:

Morgan!  »

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Did You Know?

Trivia

Vanessa Redgrave's Best Actress Oscar nomination for this movie coincided with sister Lynn Redgrave's similar nomination for Georgy Girl (1966). Such a coincidence had occurred only once before when sisters Joan Fontaine and Olivia de Havilland respectively vied for the Best Actress Oscar for Suspicion (1941) and Hold Back the Dawn (1941). See more »

Goofs

At the beginning, Morgan is supposed to returned from being in Greece for a few days. However, when he goes up into his studio and pulls the sheets off, large clouds of dust fly up. See more »

Quotes

Morgan Delt: There's no cause for alarm. Gorillas are good. They're big, but they're good.
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Connections

Referenced in A Decade Under the Influence (2003) See more »

Soundtracks

The Red Flag
(uncredited)
Traditional
Arranged by John Dankworth
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User Reviews

 
Was I the only one...?
19 June 2007 | by (United States) – See all my reviews

I loved this movie when it came out. Haven't seen it since, so I'm operating from memory, but one of the strongest impressions I got from it (and even wrote a letter to "Esquire" disputing that magazine's review) was that Morgan was not psychotic. Eccentric, sure, but crazy like a fox, a sort of McMurphy for swinging England. My impression then was that everything around him and Leonie was out of whack, and that Leonie was more inclined to submit to the dominant cultural mishigas because the life of an eccentric's wife was too hard to take, as much as she loved him.

I felt that the story challenged conventional notions of what is normal, and the "normal" that Morgan was an outsider to was insufferably stifling to the human spirit. My fellow IMDb commentator who recoiled from the "weird politics" of this movie, missed the point. Morgan wasn't a Communist. He was the son of Communists. He was a lot freer than any ideologue. The sight gag at the end of the picture is not about him being a Commie. It's about him being an outsider and a prankster to the core.

I don't think the movie makes light of real mental illness. I think it skewers overly enthusiastic diagnoses of psychosis when someone's behavior is socially inconvenient. I don't know that I'd find an assessment of Morgan Delt as a harmless flake to be any more appropriate, in that it's still an incredibly patronizing view of the guy, but at least it wouldn't land him in the rubber room. Although, I found that last scene so encouraging in showing his ability to transcend institutionalization on his own terms.

Thinking in terms of what would happen next if the movie were to continue, my biggest fear at the time was that institutionalization would eventually break his spirit. He reminded me of so many of my peers who were dumped in psych hospitals because their parents didn't know what to do with them. It was easier to call them sick than to deal with the real people they were. In that sense, this is a very '60's movie, because it seemed that the psych hospitalization rate was spiking among young people of that time.

Yeah, you had to be there. And, indeed, how can you go wrong with a movie that has a Johnny Dankworth score?


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