The aristocratic Tony moves to London and hires the servant Hugo Barrett for all services at home. Barrett seems to be a loyal and competent employee, but Tony's girlfriend Susan does not ... See full summary »
The Oxford professor of philosophy Stephen has two favorite pupils, the athletic aristocrat William and the Austrian Anna von Graz. Stephen is a frustrated man, with a negligent wife, ... See full summary »
In Southern Spain with a U.S. team, skydiver Fathom Harvill is approached by a Scottish colonel working for a top-secret Western agency. He's after a vital lost atomic device, and wants her... See full summary »
Leslie H. Martinson
In this, the first Matt Helm movie, we see Matt Helm coaxed out of semi-retirement by an attractive ex-partner. It seems that the evil Big O organization has a nefarious plan called "... See full summary »
While mainland Britain shivers in deepest winter, the northern island of Fara bakes in the nineties. The boys at the Met station have no more idea what is going on than the regulars at the ... See full summary »
A triangle of friendship, love, sex, and, perhaps, murder. Minou is newly married to Peter, a businessman in debt as he works to bring a new product to market. They met through Dominique, ... See full summary »
Pier Paolo Capponi,
The plot, set in what appears to be Los Angeles, involves Modesty and Willie preventing the kidnap of a young girl who turns out to be a computer genius and has been working for Tarrant's ... See full summary »
Modesty Blaise, a secret agent whose hair color, hair style, and mod clothing change at a snap of her fingers is being used by the British government as a decoy in an effort to thwart a diamond heist. She is being set up by the feds but is wise to the plot and calls in sidekick Willie Garvin and a few other friends to outsmart them. Meanwhile, at his island hideaway, Gabriel, the diamond thief has his own plans for Blaise and Garvin. Written by
Dean Harris <firstname.lastname@example.org>
This has to be my all time favourite film. I have watched it over and over again and cannot find fault with it (although if I do, I learn to love it too). I think it has something to do with the film's innate spontaneity. It creates a joyous sense of creativity and freeness on the actors and the film-makers part (with Vitti and Stamp at the high of their 'New Wave' popularity). Modesty Blaise is total fun and total filmatic glamour in all it's technicolour radiance. It is a sad fact that there is not a filmmaker alive today that could inject a film with this sort of cheeky decadence and lightheartedness and get away with it. A film of it's time that I personally hope with resonate through the ages.
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