Stephen is a married Oxford professor experiencing the pangs of a mid-life crisis as he begins to bristle at the stifling emotional repression of the society in which he lives. Things begin... See full summary »
An ex-con who's taken part in the robbery of a racetrack is caught and sent back to prison, but he won't tell his fellow gang members where he's stashed the loot. The gang kidnaps his ... See full summary »
Dutch painter Jan-Van Rooyer hurries to keep a rendezvous with Jacquleine Cousteau, an elegant, sophisticated Frenchwoman, slightly his elder, whose relationship with him had turned from ... See full summary »
In a small Finnish Lapland community, Milka, an innocent 14-year-old girl lives with her mother, misses her dead father and prays God to show her what love is. For haymaking, they employ a ... See full summary »
Two escaped convicts (Robert Shaw and Malcolm McDowell) are on the run in an unnamed Latin American country. But everywhere they go, they are followed and hounded by a menacing black ... See full summary »
Modesty Blaise, a secret agent whose hair color, hair style, and mod clothing change at a snap of her fingers is being used by the British government as a decoy in an effort to thwart a diamond heist. She is being set up by the feds but is wise to the plot and calls in sidekick Willie Garvin and a few other friends to outsmart them. Meanwhile, at his island hideaway, Gabriel, the diamond thief has his own plans for Blaise and Garvin. Written by
Dean Harris <firstname.lastname@example.org>
This has to be my all time favourite film. I have watched it over and over again and cannot find fault with it (although if I do, I learn to love it too). I think it has something to do with the film's innate spontaneity. It creates a joyous sense of creativity and freeness on the actors and the film-makers part (with Vitti and Stamp at the high of their 'New Wave' popularity). Modesty Blaise is total fun and total filmatic glamour in all it's technicolour radiance. It is a sad fact that there is not a filmmaker alive today that could inject a film with this sort of cheeky decadence and lightheartedness and get away with it. A film of it's time that I personally hope with resonate through the ages.
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