When her surrogate father who owns the casino she works in gets murdered, Modesty Blaise takes on those that killed him and are now at the casino to rob it. It turns out she is more than just a modest worker.
Frederique (Huppert) leaves her family's small-town trout farm to embark on an journey taking her to Japan and into the arms of a man. Irritations concerning her actions and present state ... See full summary »
A Mexican bandit, part of a gang led by his father, goes on a raid into the U.S. He falls for a beautiful woman and decides to leave his life of crime and settle down with her. Eventually ... See full summary »
An ex-con who's taken part in the robbery of a racetrack is caught and sent back to prison, but he won't tell his fellow gang members where he's stashed the loot. The gang kidnaps his ... See full summary »
Dutch painter Jan-Van Rooyer hurries to keep a rendezvous with Jacquleine Cousteau, an elegant, sophisticated Frenchwoman, slightly his elder, whose relationship with him had turned from ... See full summary »
Two escapees (Robert Shaw and Malcolm McDowell) are on the run in an unspecified but seemingly Latin-American country. Everywhere they go they are observed and hounded by a menacing black ... See full summary »
Modesty Blaise, a secret agent whose hair color, hair style, and mod clothing change at a snap of her fingers is being used by the British government as a decoy in an effort to thwart a diamond heist. She is being set up by the feds but is wise to the plot and calls in sidekick Willie Garvin and a few other friends to outsmart them. Meanwhile, at his island hideaway, Gabriel, the diamond thief has his own plans for Blaise and Garvin. Written by
Dean Harris <firstname.lastname@example.org>
Modesty Blaise is introduced with a close-up of her legs in fishnet stockings, sitting on a couch by two magazines, one showing a color photo of actress Monica Vitti, and on top a full page copy of the Modesty Blaise comic strip where she is depicted as a huntress with a bow-and-arrow and a revolver. Willie Garvin is introduced looking at a blow-up of the same scene, in a wall frame. See more »
When Modesty shoots an arrow at the guard on the island, when watched in slow motion you can follow the arrow as it flies over the arch to the right as the guard is "hit" by an arrow from the left. See more »
This has to be my all time favourite film. I have watched it over and over again and cannot find fault with it (although if I do, I learn to love it too). I think it has something to do with the film's innate spontaneity. It creates a joyous sense of creativity and freeness on the actors and the film-makers part (with Vitti and Stamp at the high of their 'New Wave' popularity). Modesty Blaise is total fun and total filmatic glamour in all it's technicolour radiance. It is a sad fact that there is not a filmmaker alive today that could inject a film with this sort of cheeky decadence and lightheartedness and get away with it. A film of it's time that I personally hope with resonate through the ages.
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