Dop leads his fellow Martians to Earth on an interplanetary quest for females. Dop proves that Martians have impeccable taste when one of his first conquests turns out to be sexy scientist Dr. Marjorie Bolen.
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After receiving a series of messages from outer space all decoded to be "Mars Needs Women", the United States Decoding Center in Houston receives a visit from Dop, the leader of a group of five Martians on an experimental voyage to Earth. Because of a genetic problem, Martians are producing virtually only male offspring and thus need to import women for the survival of the species. The Martians' non-hostile mission is to bring back to Mars five fertile and single human women. Those at the Center see the mission as a hostile one and as such the Martians decide to carry out their mission as inconspicuously as possible without the cooperation of the authorities by posing as Earthlings. Of the potential women they spy which includes strippers, co-eds and flight attendants, the one they believe is the most conducive to success of the project is the beautiful Dr. Marjorie Bolen, an expert in space genetics. In pursuing her, Dop falls in love with Dr. Bolen. But the Martians have to complete... Written by
Of all the sci-fi movies that I have seen that were filmed in Houston, this is among the best.
Mars Needs Women is watchable fun. Tommy Kirk pilots a spaceship with a crew of 4 Martian males into an abandoned ice making factory, which is spooky and heavy with the fetor of rotting chemical containers.
They have 24 hours to acquire 5 women who are both beautiful and healthy which they can use to repopulate their loathsome planet.
Tommy must assume the identity of a newspaper reporter and convince a rather strapping Yvonne (Batgirl) Craig through a series of soliloquies and expertly maneuvered tarradiddles that he is more than a bromide journalist rather he is ultimately the urbane, suave Prince Charming who can make her pretty little head swirl with thoughts beyond the realm of standardized lucubration. Behind her horn-rimmed glasses, she quivers for this alluring myrmidon from beyond the stars. He is captivated by this autochthonous siren. To want- to love- to live.
He in turn bespeaks the confusion of his soul, an embodiment of the whole piece, rightly an olla podrida of mental acuity and the most conspicuous of all jigs; that quasi-caromed, state of palpitate we mortals call seduction.
It gives us much to mull. It is to cinema what T.S. Eliot's "The Wasteland" was to prose; only this classic has a stripper, a groovy soundtrack, and a harpoon gun.
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