A modern-day updating of the Dracula legend that finds Steven, a good-looking American hero devastated by the death of his girlfriend, wandering through Europe and looking for happiness. A ... See full summary »
A family driving through a small town gets lost and winds up at a backwoods shack managed by Torgo, who takes care of it while The Master is away. The Master worships Manos, an evil deity, and he also wears a neat cape. When Torgo lets the family stay, The Master awakens and does mean stuff like burning off Torgo's hand and sicking his dog on the family pet. Meanwhile, The Master's wives wrestle for his favor. Written by
Jeremy Yuenger <firstname.lastname@example.org>
Writer/director/producer/actor Harold P. Warren was an insurance salesman (later a fertilizer salesman) from El Paso. He made a bet with visiting location scout Stirling Silliphant (later an award-winning screenwriter) that he could make a popular horror film on an extremely minimal budget. See more »
When the cop slams his car door to have a talk with the teens in the car, the sound effect is delayed. See more »
We're almost there, honey. Just a little while longer and your vacation starts.
I'm getting cold, mother, and hungry!
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Some films are so bad, they're good. Meaning "fun" or "entertaining" or at least "interesting"... But few films can claim to be so dreadful, you actually feel physical pain while viewing them. So bad are these damned few that you don't experience them or watch them: you "endure" them. This is the mother of all such films!
"Manos the hands of fate" is without a doubt the most inept and atrociously awful film ever made. Its poorness is so extreme that of itself it is the film's strongest selling point. The script is non-existent, the acting makes Steven Seagal look like a member of the Royal Shakespeare Company and the editing could have been less horrendously botched by a blind Eskimo with no arms. It is also painfully slow. this film makes might barely last 70 minutes but you will feel like you've aged ten years by the end of it. That's what makes a film truly bad: the fact that despite its overbearing weaknesses it isn't even entertaining!
Many people look back at the sixties and think, with obvious resentment for today's cinematic output, that "they don't make them like this anymore!". Watching "Manos..." would cure any breed of hardcore nostalgia.
In the end I can not advise against this strongly enough. This is for the masochist in you (or the sadist if you insist on showing it to friends). Any other part of your person can only feel pained or offended by such extreme trash!
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