A Man for All Seasons (1966)

Approved  |   |  Biography, Drama, History  |  3 May 1967 (France)
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Ratings: 7.9/10 from 22,565 users  
Reviews: 162 user | 58 critic

The story of Thomas More, who stood up to King Henry VIII when the King rejected the Roman Catholic Church to obtain a divorce and remarriage.



(from the play by), (screenplay)
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Won 6 Oscars. Another 27 wins & 8 nominations. See more awards »



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Cast overview, first billed only:
Colin Blakely ...
Chief Justice
Thomas Heathcote ...
Yootha Joyce ...
Averil Machin
Anthony Nicholls ...
King's Representative


The story takes place in 16th century England. But men like Sir Thomas More, who love life yet have the moral fiber to lay down their lives for their principles, are found in every century. Concentrating on the last seven years of English chancellor's life, the struggle between More and his King, Henry VIII, hinges on Henry's determination to break with Rome so he can divorce his current wife and wed again, and good Catholic More's inability to go along with such heresy. More resigns as chancellor, hoping to be able to live out his life as a private citizen. But Henry will settle for nothing less than that the much respected More give public approval to his headstrong course. Written by alfiehitchie

Plot Summary | Plot Synopsis


...a motion picture for all times!


Approved | See all certifications »

Parents Guide:





| | |

Release Date:

3 May 1967 (France)  »

Also Known As:

El hombre de dos reinos  »

Box Office


$2,000,000 (estimated)

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

(Westrex Recording System)



Aspect Ratio:

1.66 : 1
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Did You Know?


Charlton Heston lobbied heavily for the role of Thomas More, but was never seriously considered by the producers as a candidate for the role. Heston would go on to play More in several stage productions of the play and ultimately film a television production of it in 1988. See more »


When the King first visits More's house, we see a yellow Labrador Retriever running to the house. However, the dog with the specific physical characteristics that we associate Labradors with today (and that was shown), wasn't bred yet. See more »


[first lines]
[first spoken lines are over 6 minutes into the film]
Man: ...there's the country every second bastard born is fathered by a priest.
Matthew: [clears throat to get More's attention]
Man: Why, in Utopia, that couldn't be.
Man: But why?
Man: Well, there the priests are very holy.
Man: Therefore, very few.
Sir Thomas More: Is it anything interesting, Matthew?
Matthew: Bless you, sir, I don't know.
See more »


Featured in The 75th Annual Academy Awards (2003) See more »

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User Reviews

powerful and misunderstood study of identity
26 February 2004 | by (San Francisco) – See all my reviews

This is one of my favorite films. It is of perfect length and pacing, and the script is one of the best ever written. The acting, direction, and design of this movie are uniformly excellent. The segue into Henry VIII's entrance is alone reason for seeing the movie. The production design is top-notch, both beautiful and--unlike many "costume dramas"--not so overwhelming as to lose the actors among outrageous sets and costumes. For an adaptation of a stage play, a remarkable proportion of the action taking place outdoors, with More's house at Chelsea being particularly lovely.

It's very easy to see this film superficially as a moral fable, and many people scoff at it as being a stagy morality play. But it's both more subtle and more vibrant that that. The subtlety of Robert Bolt's script lies in its exploration of identity. We're not meant to identify or admire More's religious ideas, which the movie actually tiptoes around. Instead it's what Bolt called More's "adamantine sense of his own self" that the movie really highlights.

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