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A Man Called Adam (1966)

 |  Drama, Music  |  3 August 1966 (USA)
6.4
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Ratings: 6.4/10 from 226 users  
Reviews: 6 user | 2 critic

A famous jazz trumpeter finds himself unable to cope with the problems of everyday life.

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, (as Tina Rome)
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Cast

Cast overview, first billed only:
...
Adam Johnson
...
Willie Ferguson
...
Nelson Davis
...
Claudia Ferguson
...
Vincent
...
Guest Singer at Party)
...
Manny
...
Blind Les
George Rhodes ...
Leroy
Michael Silva ...
George
Kai Winding ...
Trombonist
...
Martha (as Jeanette DuBois)
Michael Lipton ...
Bobby Gales
Lola Falana ...
Theo
...
Club Owner
Edit

Storyline

A famous jazz trumpeter finds himself unable to cope with the problems of everyday life.

Plot Summary | Add Synopsis

Taglines:

In Adam's World... The Music Never Stops! See more »

Genres:

Drama | Music

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Details

Country:

Language:

Release Date:

3 August 1966 (USA)  »

Also Known As:

O tragoudistis me tin hrysi trompeta  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

See  »
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Did You Know?

Trivia

Lola Falana's film debut. See more »

Quotes

Adam Johnson: You don't know what it's like to sit up and stand and blow your guts out night after night and let some idiot sittin' there sayin,' 'Why don't you play Melancholy Baby' man! Well, I'm finished with it. I don't have to take it anymore. Any musician that's worth anything will tell you I'm right!
See more »

Connections

Featured in The Tonight Show with Jay Leno: Episode #20.174 (2012) See more »

Soundtracks

All That Jazz
Music and Lyrics by Benny Carter and Al Stillman
Played over the credits by trumpeter Nathaniel Adderly
Sung at a party by Mel Tormé
Reprised by Mel Tormé at the end of the film
See more »

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User Reviews

 
"Young Man With a Horn" for a cynical, racially-heated era...a decent showcase for the assembled talents
1 September 2010 | by (las vegas, nv) – See all my reviews

Sammy Davis Jr. does well with a self-destructive, unlikable role, that of a jazz trumpet player (with the ridiculously Anglo-ized name of Adam Johnson) who finds true love for the first time with a virginal bleeding heart: a sensible civil rights activist who wants to reform the hot-headed musician of his hard liquor and hard-living. Adam, carrying around a multitude of shoulder-chips, lashes out at everybody and never seems to land on his feet; after burning all his bridges, he finds himself at the end of his professional rope--yet the faithful are still hopeful he can make a comeback. Davis mimes the trumpet well enough, but this character is tough to take (if he's not humiliating himself, he's hurting all his loved ones). Much better are Ossie Davis as a friend with a strong center and endless patience, as well as love-interest Cicely Tyson (her sparkling smile is particularly ingratiating, though she has a speech late in the movie about robbing Davis of his manhood that plays all wrong). Mel Tormé stops the show with a terrific rendition of "All That Jazz", while the superb soundtrack and Jack Priestley's gleaming cinematography are first-rate throughout. Director Leo Penn is best at the smaller bits of business; the action happening just left of center is far more interesting than the film's big dramatic moments, which tend to run away from Penn. Worse, the montage-heavy final act is movie-shorthand for the Last Hurrah, a worn-out cliché even in 1966. ** from ****


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