Manhattan janitor Daryll Deever is fixated on hard-charging TV commentator, Tony Sokolow; he tapes her commentary daily to watch after work. When a wealthy Vietnamese man, with many shady ... See full summary »
In this touching story, a dedicated African-American teacher in an inner-city school in the midwestern United States facing tough odds helps ghetto children to succeed. Meanwhile, she faces... See full summary »
The mysterious death of an army officer comes under investigation by Major Kendall Laird as the young soldier's parents seek an honorable burial place, out of respect for their son. The ... See full summary »
The continuing story of life in the Midwestern town of Bay City, and the love, loss, trials, and triumph of its residents, who come from different backgrounds and social circles. Those who ... See full summary »
With the land to hold them together, nothing can tear the Logans apart. Why is the land so important to Cassie's family? It takes the events of one turbulent year- the year of the night ... See full summary »
You don't know what it's like to sit up and stand and blow your guts out night after night and let some idiot sittin' there sayin,' 'Why don't you play Melancholy Baby' man! Well, I'm finished with it. I don't have to take it anymore. Any musician that's worth anything will tell you I'm right!
See more »
"Young Man With a Horn" for a cynical, racially-heated era...a decent showcase for the assembled talents
Sammy Davis Jr. does well with a self-destructive, unlikable role, that of a jazz trumpet player (with the ridiculously Anglo-ized name of Adam Johnson) who finds true love for the first time with a virginal bleeding heart: a sensible civil rights activist who wants to reform the hot-headed musician of his hard liquor and hard-living. Adam, carrying around a multitude of shoulder-chips, lashes out at everybody and never seems to land on his feet; after burning all his bridges, he finds himself at the end of his professional rope--yet the faithful are still hopeful he can make a comeback. Davis mimes the trumpet well enough, but this character is tough to take (if he's not humiliating himself, he's hurting all his loved ones). Much better are Ossie Davis as a friend with a strong center and endless patience, as well as love-interest Cicely Tyson (her sparkling smile is particularly ingratiating, though she has a speech late in the movie about robbing Davis of his manhood that plays all wrong). Mel Tormé stops the show with a terrific rendition of "All That Jazz", while the superb soundtrack and Jack Priestley's gleaming cinematography are first-rate throughout. Director Leo Penn is best at the smaller bits of business; the action happening just left of center is far more interesting than the film's big dramatic moments, which tend to run away from Penn. Worse, the montage-heavy final act is movie-shorthand for the Last Hurrah, a worn-out cliché even in 1966. ** from ****
4 of 6 people found this review helpful.
Was this review helpful to you?