Set in the near future, Paula, a leftist writer, goes from Paris to the French town of Atlantic-Cité when she learns of the death of a former colleague and lover, Richard P. Is she there to... See full summary »
A supposedly idyllic weekend trip to the countryside turns into a never-ending nightmare of traffic jams, revolution, cannibalism and murder as French bourgeois society starts to collapse ... See full summary »
On a movie set, in a factory, and at a hotel, Godard explores the nature of work, love and film making. While Solidarity takes on the Polish government, a Polish film director, Jerzy, is ... See full summary »
In a palace of Paris. Two detectives are investigating a two-year-old murder. Emile and Francoise Chenal are putting pressure on Jim Fox Warner, a boxing manager, who owes them a huge ... See full summary »
Godard's documentation of late 1960's western counter-culture, examining the Black Panthers, referring to works by LeRoi Jones and Eldridge Cleaver. Other notable subjects are the role of ... See full summary »
Carmen is a member of a terrorist gang who falls in love with a young police officer guarding a bank that she and her cohorts try to rob. She leads him on while dragging the two of them ... See full summary »
Set in the near future, Paula, a leftist writer, goes from Paris to the French town of Atlantic-Cité when she learns of the death of a former colleague and lover, Richard P. Is she there to investigate? On the surface, faces are beautiful, colors bright, clothes trendy. Beneath, little is clear: some talk to Paula as if she's Alice in Wonderland, corpses pile up, and ideological struggles insert themselves. A murder victim's nephew and a political party's hired hands hover around Paula. Is obscuring things her goal or is it life that's obscure? Written by
Though based on "The Jugger" by Richard Stark (Donald E. Westlake), the author received no compensation for this adaptation. Westlake, who passed away at the end of 2008, successfully kept the film from being shown in the US during his lifetime. See more »
A great Godard film with magnificent Anna Karina and young Marianne Faithful
This film is really great and is typical of Godard films. I've seen that someone said on this board that the film wasn't good because another director had to direct it and Godard hadn't the rights but I really think that all this is a matter of justice and doesn't concern Cinema at all (and Godard has to be written with only two "d" and not three...). Anyway, this movie is great. It's full of non-sense, it's very poetic and we follow the beautiful Anna Karina trying to find and kill the people who killed her husband. It's a new experience of Cinema in the way to make movies, to write dialogs... it's a kind of reinvention. And you can see many famous people at the time of their youth like English singer Marianne Faithful, french actor Jean-Pierre Léaud and french writer Philipe Labro. It's a non-conventional film by someone who really experiment Cinema as an Art : Jean-Luc Godard.
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