Las Vegas Hillbillys (1966) User Reviews

AVERAGE EXPLOITATION WITH HOT MAMIE!

[shepardjessica-1 · 4/10 · 15 November 2004]

Mamie Van Doren is so attractive, this silly film is worth the watch with the added bonus of Jayne Mansfield. Nothing to write home about, this goofy romp with songs is a strange combo of Beverly Hillbillies humor and rockabilly-type music. Ferlin Husky as the slow-witted lead and a whole slew of strange character actors.

A 4 out of 10. Best performance = Mamie Van Doren. The color is this is very strange and there many skin-crawling performances, but Mamie as Boots Malone is terrific. It's hard to describe this, but it's a fun time if you like Gilligan's Island. Jayne Mansfield had sure come down a lot in her career, but people have to work.

Jayne and Mamie

[BandSAboutMovies · 3/10 · 16 August 2020]

I love Hillybillys In a Haunted House, but I had no idea that this film came out before it. It features Ferlin Husky as Woody Wetherby and Mamie Van Doren (!) as Boots Malone (Joi Lansing would play the role in the sequel).

Woody is a Tennessee wood hauler -- feels like a song coming on -- who inherits a Las Vegas casino only to discover that he's also been gifted with a $38,000 debt from some shady sources. How shady? They have Richard "Jaws" Kiel as their enforcer.

Luckily, his Aunt Clementine (Billie Bird, Mrs. Feldman from Police Academy 4: Citizens on Patrol) has an idea to save the day.

Don Bowman plays Woody's friend Jeepers in both films. You know who is only in this one? Jayne Mansfield, playing Miss Tawny Dawn, a singer who decides to help our hero in his bid to fix up the gambling joint that he was just awarded. This would be her next to last film, which still makes me sad.

You can also listen to plenty of musical numbers from Sonny James, Roy Drusky, Del Reeves, Bill Anderson, Connie Smith, Wilma Burgess, Duke of Paducah, Jr. Carolina Cloggers and The Jordanaires.

This movie is about as cheap as it gets, all mostly shot in a static shot in one room. Even the "Vegas casino" is an obvious set.

Director Arthur C. Pierce is better known for the movies he wrote, including The Human Duplicators, The Navy vs. the Night Monsters and The Astral Factor.

Sadly, Jayne and Mamie never appear on screen together. I think that's because the world would have stopped spinning and we would have all died screaming from that much volcanic energy in the same area. They were doing their duty staying that far apart from one another.

Bonus points for the stock footage of Vegas. Old Vegas is the best, the kind of cigarette smoke stale, beer smelling, dead bodies in Lake Mead den of sin that I always dreamed that it would be.

A Musical Comedy with Lots of Music but Very Little Comedy

[Uriah43 · 3/10 · 4 August 2023]

This film begins in the backwoods of Tennessee with a hillbilly by the name of "Woody Wetherby" (Ferlin Husky) receiving word that his uncle in Las Vegas has passed away and has bequeathed him full ownership of a local casino. Considering that Woody aspires to make it big as a country-western singer, he quickly decides to drive to Las Vegas in his beat-up pickup truck to lay claim to it. Also riding with him is his friend "Jeepers" (Don Bowman) who considers himself to be Woody's manager. What neither of them realize is that the casino has fallen upon hard times and that some debts have accumulated rather quickly--and one of these debts belongs to a gangster who wants to be repaid immediately. Now, rather than reveal any more, I will just say that this film was basically an early version of the musical-comedy show "Hee Haw" which appeared on American television screens about 3 or 4 years later. The problem with this particular film, however, is that the comedy was almost negligible compared to the musical numbers--which crowded everything else out. Throw in an extremely thin plot and some rather weak acting, and the end result wasn't something that was all that entertaining. At least, I didn't think so. As a matter of fact, about the only thing that caught my eye was the performance of Mamie Van Doren (as "Bootsy Malone") who, along with Jayne Mansfield ("Tawny") and Arlene Charles ("Julie May"), at least added some nice scenery to what turned out to be an otherwise drab picture.

I am watching it NOW

[ptb-8 · 19 April 2004]

Hilarious and lovable this is the real bumpkin deal from the mid 60s....and the DVD I have here in Australia is just perfect, folks! LAS VEGAS HILLBILLIES is exactly the type of fun the movie industry forgot how to make (the big ol' cinemas were demolished and the drive ins went broke after video came in). The color is fantastic and the extras look like the real Tennessee dentists and supermarket managers and real estate agents who financed this film. No doubt a big fat money spinner in drive ins and lovely old small town cinemas (like the ones we see re created in Back To the Future streetscapes) LAS VEGAS HILLBILLIES hails from the days when someone with a few local business contacts (like Arch Hall's dad) could make a movie, show it in a few states (and in a few States) and make some money back....and there was still a few lovable Hollywood has beens willing to appear in spangled caftans to earn a few bucks to fend off the sheriff from their rented fibro home in Malibu. The reason why this was made and the way it was made is as honest on the screen as the story here. Just love it and show it to your friends. I did and they came back for more. This is Pettycoat Junction Big Time. Maybe we here in Oz still have a sense of humor. You should too. If all else fails, shock some 21st Century teenagers with it. ha-ha.

What a $2.00 budget can produce.

[toyguy-31519 · 2/10 · 20 August 2021]

One of the worst movies ever made and released. The best redeeming quality of this movie is Mamie Van Doren who has admitted she only did it for the money which was well earned for having to play the love interest to Ferlin Husky (I think I'm about to lose my lunch). Speaking of Ferlin, having to watch him croaking out the same song from the side of his contorted mouth and for no reason kicking his leg up while performing is just unwatchable. Jayne Mansfield looks like a bloated drag queen who raided Mae Wests' boudoir. I also wonder who let her behind the wheel of a car even to operate for 10 or so feet. She was already a trainwreck looking for a place to happen, fortunately that wreck was confined to her performance. Billie Bird, What an immediately endearing character NOT. She looks like a pot belly pig and squeals like one. The sets, sound, scenery and songs also start with "s". The country songs and performers are alright except for Del Reeves who with all his mugging and pseudo yodeling comes in second to Ferlin Husky in the unwatchable category. Oh, and that biker gang. I guess they left their Bigwheels at home. The taxi that drops Aunt Clem off turned in a good performance, I believed it was a taxi. Does this review contain any spoilers? No. You can't spoil something that is already rotten.

Strictly for Mamie van Doren completists

[eminges · 1/10 · 4 June 2001]

Actually, this has the look and feel of a mid-sixties TV pilot. Production is TV-competent, plot is exactly as plausible as the other Hillbillies, and, if you don't mind vicious, soul-destroying cracker stereotypes, the cast is as competent as that of any one-season TV series of that era.

More important, the movie uses any excuse to launch into strings of musical production numbers, what those crazy kids today call "music videos." If you got a powerful hankerin' to see the likes of Sonny James, Roy Drusky, Connie Smith, and, of course, Ferlin Husky performin' the hits that made them famous, well, this here picture show's just your jar of 'shine.

And as usual Mamie van Doren wildly outperforms all expectations; if you still don't believe she was the best of the Big Three, you can compare her, uh, head-to-head with Jayne Mansfield, introduced here as "the biggest star in Las Vegas."

And Richard Kiel shows up with the gayest haircut since Fabian. And Ferlin Husky's stage show seems to be built around the stiffest, most unnatural straight-legged kicks seen in popular entertainment till the arrival of Kevin Nash.

And then you've got the biker gang that shows up to trash the place, on one-lunger Yamahas and, my hand to heaven, a Honda 90 trail bike. To get them to calm down the band strikes up "Dixie," to which the gang immediately begins frugging (ask your mom).

***POSSIBLE SPOILER, IF YOU'VE GOT THE IQ OF A CHERRYSTONE CLAM, OR LOWER***

And the grand finale is a pie fight.

Disappointing!

[titanicflint · 6/10 · 15 January 2007]

I'm a huge fan of both country music and Jayne Mansfield, so I really looked forward to seeing this one. And yet I really wasn't all that impressed with it. The main criticism is that there was WAY too much of the music, and way too little of Jayne, if that's possible. For the most part the music was decent enough, with a couple of clunkers thrown in for good measure. After a few songs this starts playing like a kind of American Idol of the mid-60s country music scene. I got the feeling they were trying to pad the length of the film, because if you cut the music sequences it would run about 17 minutes. The whole thing looks improvised because there probably wasn't much of a script. The pie fight sequence at the end is just plain lame. The performers do an 0k job, and can't really be faulted. All are well-cast. I'm neither hot nor cold on Mamie VanDoren but I liked her in this. The biggest let-down is Jayne, who for all her star billing doesn't really do a lot here. She only has a handful of scenes and could easily have phoned her part in. If she were edited out completely it would have changed nothing of the overall story. Not her fault tho, it's not like she had much help from the script. Her performance in the Big Bopper spoof is a hoot and easily the movie's bright spot. Too bad she couldn't have had a couple more numbers, or maybe even been in a couple more scenes. I don't dislike this movie, but I'd only recommend it for country music fanatics, and fans of Jayne and Mamie. 0therwise beware!

In Praise of the Music, Especially Connie Smith.

[hms4 · 10/10 · 19 August 2001]

In THE LAS VEGAS HILLBILLIES the great Connie Smith sings close to the camera and she looks very beautiful, but her physical beauty is surpassed by her voice and singing abilities which are the best ever recorded by any female singer. She is not very famous today because she quit show biz in 1980 to raise her kids.

The other singers in THE LAS VEGAS HILLBILLIES are very good especially Del Revees when he sings "Women Do Funny Things to Me." This is an honest movie because it delivers what its name implies: good sixties real country music inside of a silly movie.

The music in THE LAS VEGAS HILLBILLIES is wonderful because the music from the sixties came from the people through DJs who could play the music that they liked. In contrast to today where the situation is inverted. Almost all the radio stations are owned by a few giant corporations, and every song aired must be approved by corporate managers. Today singers are selected by the corporations for airplay for their looks and youth and not their ability to sing. At least female country singers back then sang without showing off their belly buttons.

Some of the singers in THE LAS VEGAS HILLBILLIES such as Connie Smith who still retain fully their singing abilities are now trying to get their songs aired and are foiled by the corporate monopoly ownership of radio. Back in the sixties country singers, songs, and fans were for real. They did not put on airs, pretend to be somebody else, or take themselves too seriously. They were even humorous. In stark contrast to most of today's singers who are just corporate products that produce horrible music.

Little Plot, Lotta Singin'

[bean-d · 17 October 2011]

"Las Vegas Hillbillys" (1966) is quite the movie. It features about twenty minutes of plot and sixty minutes of country singin'. I guess in the days before "Hee Haw," rednecks had to have some way to get their country music fix.

The movie is actually somewhat entertaining if you overlook the atrocious acting (with a hilarious scene featuring Jayne Mansfield talking on the phone), inane story, and thoroughly unimaginative camera-work. If you really enjoy classic country music, you may enjoy this film. If you generally enjoy cult films, you'll probably find this film fun and even somewhat endearing. But if you're not a fan of either of those two genres, steer clear, pardner!

Hee Haw Goes West

[claudiacasswell · 29 July 2002]

Las Vegas Hillbillys is a low-budget B-minus movie in all respects. Of importance to film buffs is the fact that Jayne Mansfield and Mamie Van Doren, two rival big blonde bombshells, both star in this movie. Reportedly, the gals disliked each other so much that scenes in which they were both to appear together were shot with doubles so that they would not have to meet on the set.

The plot, if one could call it that, centers around a country-western singer (Ferlin Husky) from Tennessee who inherits a run-down Las Vegas nightclub. Mamie plays Boots Malone, the club manager and Jayne plays Tawny Downs, a Las Vegas entertainer and the dead uncle's "protege", a term used in 1950's movies for a mistress.

My sole intent in watching this battle-of-the-bosoms was to judge for myself, in head-to-head competition, which of the two blonde bombshells was 1.) the better actress, and 2.) the sexier on screen. My task was complicated by the fact that neither of the goddesses were showcased in particularly steamy roles, despite their reputations as among the hottest female stars of their era.

The results of my admittedly unscientific experiment: Jayne sweeps both categories. She wins the better actress category largely by default because Ms Van Doren is so horribly, horribly bad in this film. And in the sex appeal category, Jayne wins by a narrower margin not because of greater attributes, but rather because she simply struts her stuff more effectively. Even us gals who are not blessed with movie star quality looks can learn a lot from Jayne.

A word of warning - I bought this cheapo video as part of a two-pack set of Mamie Van Doren films distributed by Entertainment Programs International (EPI) in Marina Del Ray, California. The video quality was so poor as to almost make the movie unwatchable. They even misspell the film title on the box, which gives you an idea of their dedication to producing a quality product. You get what you pay for.

Claudia's Bottom Line: Painful to watch, but worth it if you care to catch a glimpse of two of Hollywood's biggest sex symbols of the 1950's and 1960's.

"Aunt Clam! Aunt Clam!"

[wishkah7 · 27 October 2000]

This B-Movie has an all-star cast, and it's about a backwoods hillbilly named Woody Weatherbee, (you never really know his last name!) he and his family inherit a casino in Las Vegas from his dead uncle. And they use it to their advantage to try to make it big in Vegas. This B-Movie is utterly annoying without a doubt, lame!

The scene where Woody sings, "Feel Better All Over" when he sings it, he looks like he's getting shot and having a dirreaha attack at the same time! This movie is just a kelidascope of senselessness and stupidity. Yet, this movie tends to be comical in an infamous way. It makes you feel sorry for Jayne Mansfield and the other all-star cast members for even participating in this ridiculous monstrosity of a B-Movie.

Another thing that makes the movie so stupid is it's stereotypes about Southern people being backwoods hillbillies. The dialogue was cheesy and lame as the songs in this movie that it just might give you an anyerism while watching! One of the stupidest scenes was when we see Woody running out of his gimpy-looking car that looked like a pile of garbage shouting, "Aunt Clam! Aunt Clam!" Be warned! MST3K would've had a field day mocking this movie! Believe me, it's that bad!

Ghastly pseudo-comedy/musical, painful to watch

[silentgpaleo · 27 May 2000]

In a sense, LAS VEGAS HILLBILLYS is worse than most of the worst horror films. First of all, this movie(an obvious rip on the BEVERLY HILLBILLYS)is so lame, so dreadfully photographed and directed that one feels bad for the audience who paid to see this in the theater. Second of all, one must wonder how desperate Mamie Van Doren and Jayne Mansfield were to get a paycheck to be in this film.

We open with some backwoods moonshiners, including Ferlin Husky, blow up their still accidentally. Then, news comes from Las Vegas that Ferlin has inherited a casino. So Husky and his pals pack up their things and move to Las Vegas. Nevada, that is. Washed-up movie stars, untalented country-western singers. Now all that's missing is Mrs. Hathaway and Jethro.

And some humor. This so-called comedy is so painfully unfunny that I wished I was watching one of those dumb Ernest movies again. Jayne Mansfied shows up as the manager of Husky's casino, and Mamie Van Doren is all but unrecognizable. (although not as bad as she was in THE NAVY VS THE NIGHT CREATURES) And the endless bumpkin music made me nauseaus.

I disliked LAS VEGAS HILLBILLYS because, in the end, you realize how much contempt the makers had for their audience.(By the way, who was the audience for this mess?)

Ferlin Husky, along with Joi Lansing, made a semi-sequel to this film the next year, HILLBILLYS IN A HAUNTED HOUSE. That film is just as dull, pointless, and filled with poor music. If you like one, you're bound to like the other, just for pure awfulness. All others beware, this film is UNCEASINGLY BAD.